Karin Slaughter - Skin Privilege

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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Jeffrey felt disgust welling up into his gut. 'He was a Holocaust denier?'

'Right.'

'Where does the red swastika come in?'

'Before Hitler came along – no shitting you -Todd's National Guard unit had a red swastika on their badges.'

Jeffrey provided, 'It was a Native American symbol for luck.'

'Yep,' Nick confirmed. 'A lot of the southern and western divisions had Native American call signs. Of course, come the war, the Guard made them change it, but it was on Jeremiah Todd's division uniforms up until the early thirties. You know how those military boys are. They don't let go of tradition without a fight.'

'How did Todd end up in prison?'

'Liquor store, convenience store. Some kind of holdup with a gun or a knife or whatever. I don't know the details. Suffice it to say, the fucker ended up inside the same stupid way they all do.'

'I take it he's dead?'

'Shanked in the food hall over an extra bread roll about twenty years ago,' Nick supplied. 'But obviously there were some believers left over. They passed on the gospel, all the way up to New Hampshire, it seems. Prisons are seeing a big-time resurgence of these gangs, especially the white pride assholes. First thing you have to do when you get inside is declare yourself, pick a side for protection so you don't get shanked by the brothers or raped by the Aryans or beat by the brownskins. And it don't stop at the prison gate. Some gangbanger fucks them up on the inside, they reach out to the guy's family on the outside. Like I said, most of 'em ain't got nothing to lose. What's the worst that can happen? They get another life sentence tacked on to the six they already have? The SuperMax only gives them an hour outside a week instead of two? They know they're never getting out, so what does it matter?'

'And they're running drugs on the outside, too?'

'Inside and out,' Nick said. 'Somebody's gotta pay for Armageddon, and these guys sure as shit ain't gonna make the money digging ditches.' He sipped some more coffee before asking, 'How does Lena tie into this?'

'I have no idea,' Jeffrey admitted.

'I would've like to've seen Jake's face when he realized she'd run out on him.'

'He wasn't smiling, I can tell you that.'

'You figure out why she legged it?'

Jeffrey shook his head. 'You think after all these years I've figured out why the hell she does anything?'

Nick gave an appreciative chuckle. 'She always was a pistol.'

Jeffrey wasn't up for discussing Lena 's finer qualities. 'How come you know so much about this group?'

'Remember Amanda Wagner?'

Jeffrey had met the hostage negotiator a few years ago when the GBI had been called into Grant to handle a situation gone bad. He asked, 'What does this have to do with tactical?'

'Nothing. Wagner's got some new team she's put together to deal with violent crimes that cross county lines – some kind of quick response unit that's supposed to cut through the red tape, ha-ha-ha. These guys, the Skin Brothers, they've been causing a lot of problems up north; Cherokee, Rabun, Whitfield. She had all the field reps come into Atlanta a few months ago to give us the lowdown, let us know the signs to watch out for.'

'What are the signs?'

'The red swastika, mostly. They run meth out of these small towns like it's freaking IBM, straight up the drug corridor through Atlanta, New York, New England, and on up to Canada. We don't even know how many people are in the organization. Estimates run from a couple hundred to a couple thousand.' He paused, shaking his head. 'It's the same old story: they go after the teenage boys who feel misunderstood and isolated and they give them a family to be a part of, a belief system to explain why the fact that they're white hasn't saved them from being poor. They pump them full of hate and put a gun in their hand. You've seen it for yourself, Chief. These kids go in and out of jail, in and out, until they get popped for something major, and then the next thing you know, they're king of cell block nine, raking in money on the inside, giving orders to their soldiers on the outside. Hell, look at Carl Fitzpatrick. You think he'd have this much power on the outside?'

Jeffrey suddenly felt an overwhelming tiredness. He wasn't even certain this was connected to Lena. All that he had was a gut feeling, and right now, his gut was telling him that no good would come of getting involved with this group. 'Are you going to tell Amanda they're operating in Elawah now?'

'Hell, she's the one who told me,' he answered. 'Thing is, you know as well as I do that the GBI can't come onto an investigation until the locals directly ask for help.'

Jeffrey knew Nick was telling the truth, just like he knew the GBI sometimes made sure it was well-prepared in anticipation of a town asking them to step in. 'Have you gathered any information on the group operating out of Elawah?'

'Not much,' Nick admitted. 'Seems to be a tight structure. Some of these gangs, you know exactly who's running the show because the bastard in charge wants you to know. They don't become gangsters so they can hide behind their mama's skirts. They wanna be out in the open, playing the big man, seeing the fear in people's eyes when they drive down the street.'

'But not in Elawah?'

'Not in Elawah, and not with the Brotherhood,' Nick confirmed. 'How the Fitzpatricks work is, they get a handful of key people in town and if there's a problem, they send in out-of-state help to take care of it. That way, nobody gets their hands dirty and nobody knows who to rat on if they get caught. They're real serious about this Armageddon shit. Jesus is gonna come and wipe out darkie and Carl and Jerry Fitzpatrick are gonna inherit the earth.'

Jeffrey felt his uneasiness grow. It was always the true believers who felt they had nothing to lose. Christ, what had Lena gotten herself mixed up in?

Nick told him, 'There's a couple or three henchmen in Elawah doing the dirty work. Don't ask me their names because I've got no idea. We've kind of poked around, but everything ran cold. Whoever's running them is keeping himself to himself. Playing the Wizard of Oz behind the curtain. That's how the organization works. It's not about flash or showing your piece or banging the hos, it's about money and control.'

Jeffrey sat back in the booth, watching Nick add more sugar to his coffee. 'What about the sheriff?'

'Valentine?' Nick shook his head. 'No way Jake's running this. It's too sophisticated. Somebody with a lot of patience and a lot of control is pulling the strings.'

He meant someone older, more mature. 'Cook?'

'I'd buy Cook taking some cash to look the other way, but being a part of it?' Nick shook his head again. 'Might be, but I'd be surprised.'

'Pfeiffer, then? Maybe he got greedy and that's why they threw the firebomb?'

'That'd make sense if there'd been a vacuum. You know how it is – take out the guy and all the cockroaches scramble to take his place. There wasn't a scramble. Matter of fact, you trace back the purity levels and they actually spiked after Pfeiffer left.'

Jeffrey knew that drug agencies tracked their effectiveness through the purity of the drugs on the street. The weaker the mixture, the better they were doing at shutting down the supply line. The higher the concentration, the more likely it was that the bad guys were winning the game.

Jeffrey asked, 'How much money do you think's involved here?'

'Just in Elawah?'

Jeffrey nodded.

'Shit, hoss, more money than you or me's ever gonna see in our lives unless it's in the evidence lockup. They just did that bust up in Atlanta, right? Caught two guys driving a U-Haul packed to the rafters with crystal meth. Paper says the street value's upwards of three hundred million.'

Jeffrey could not even fathom that kind of money. 'The sheriff before – Pfeiffer. Why didn't he call in the GBI?'

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