Harlan Coben - Gone for Good

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On October 17, eleven years ago, Julie Miller was found brutally strangled in the basement of her house in the township of Livingston, New Jersey. On that day, Will's brother, Ken Klein, became the subject of an international manhunt accused of the crime. He has not been seen since. Will has tried to get on with his life in the intervening years. He has a beautiful new girlfriend, Sheila, and a job working with the homeless. But when his mother reveals, on her deathbed, that Ken is still alive, and shortly afterwards Sheila disappears, the cracks start to show in his landscape again. But it is only when he finds that Sheila herself is wanted for a savage double murder that his life actually starts to fall apart…
***
"This is top-notch thriller writing' Observer
"Superbly crafted, high-adrenalin entertainment' The Times
"Gone For Good is Harlan Coben's follow-up to the best selling Tell No One, and will not disappoint the many readers who enjoy his devious tales of innocents caught in webs of deception… Ingenious and gripping, this is another thriller to stir the heart' Guardian
"This one's even better than the last [Tell No One]. Gone For Good serves up everything you could ask for in a can't-put-it-down beach book, yet complements its rocket-fast pace with a solid emotional underpinning… Gone For Good contains more plot twists than you can count, with a jarring revelation in nearly every chapter… Coben has crafted a taut thriller with a slew of compelling characters… as subtle as a shotgun, and just as effective' San Francisco Chronicle
"Highly enjoyable' Kirkus Reviews
"As you race through the chapters, you'll find both breath-stopping violence and, unusual for the genre, real intelligence capped by psychological insight' Newsday
"Riveting… has more twists and turns than an amusement-park ride… The loose threads come together, weaving a tight story… Gone For Good is great' USA Today
"True to form, Coben keeps the plot twists coming fast and furious, and readers will give up trying to guess the outcome quite early on… This title delivers' Publishers Weekly
"Coben… has written another nail-biter suspense novel with more twists and turns than a labyrinth' Toronto Sun

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That pretty much covered what I knew.

The Ford Taurus came to a stop. I heard the driver shut off the engine. Enough with the passive, I thought. If I had any hope of getting out of this alive, I would have to be more assertive. I pulled the eye shade off and checked my watch. We had been driving for an hour. Then I sat up.

We were in the middle of thick woods. The ground was blanketed with pine needles. The trees were lush and heavy with green. There was a watchtower of sorts, a small aluminum structure that sat on a platform about ten feet off the ground. It looked like an oversize toolshed, built strictly for function. Something both neglected and industrial. Rust licked the corners and door.

The driver turned around. "Get out."

I did as he asked. My eyes stayed on the structure. I saw the door open, and the Ghost stepped out. He was dressed entirely in black, as though he were on his way to reading poetry in the Village. He waved to me.

"Hi, Will."

"Where is she?" I asked.

"Who?"

"Don't start that crap."

The Ghost folded his arms. "My, my," he said, "aren't we just the bravest little soldier?"

"Where is she?"

"You mean Katy Miller?"

"You know I do."

The Ghost nodded. He had something in his hand. A rope of some kind. A lasso maybe. I froze. "She looks so much like her sister, don't you think? How could I resist? I mean, that neck. That beautiful swan neck. Already bruised…"

I tried to keep the quake from my voice. "Where is she?"

He blinked. "She's dead, Will."

My heart sank.

"I grew bored waiting and " He started laughing then. The sound echoed in the stillness, ripping through the air, clawing at the leaves. I stood there, unmoving. He pointed and shouted, "Gotcha! Oh, I'm only joshing, Willie boy. Having a little fun. Katy is just fine." He waved me forward. "Come on and see."

I hurried toward the platform, my heart firmly lodged in my throat. There was a rusted ladder. I climbed it. The Ghost was still laughing. I pushed past him and opened the door to the aluminum shack. I turned to my right.

Katy was there.

The Ghost's laugh was still ringing in my ears. I hurried over to her. Her eyes were open, though several strands of hair blocked them. The bruises on her neck had turned into a jaundiced yellow. Her arms were tied to a chair, but she looked uninjured.

I bent down and pushed the hair away. "Are you okay?"I asked.

"I'm fine."

I could feel the rage building. "Did he hurt you?"

Katy Miller shook her head. Her voice quaked. "What does he want with us?"

"Please let me answer that one."

We turned as the Ghost entered. He kept the door opened. The floor was littered with broken beer bottles. There was an old file cabinet in the corner. A laptop computer sat closed in one corner. Three metal folding chairs, the kind used for school assemblies, were out. Katy sat in one. The Ghost took the second and signaled for me to take the one on his immediate left. I remained standing. The Ghost sighed and stood back up.

"I need your help, Will." He turned toward Katy. "And I thought having Miss Miller here join us, well" he gave me the skin-crawling grin "I thought she might work as something of an incentive."

I squared up. "If you hurt her, if you so much as lay a hand "

The Ghost did not wind up. He did not rear back. He merely snapped his hand from his side and caught me under the chin. He connected with a knife strike. A choking sound blew past my lips. It felt like I'd swallowed my own throat. I staggered and turned away. The Ghost took his time. He bent low and used an uppercut. His knuckles landed flush against my kidney. I dropped to my knees, nearly paralyzed by the blow.

He looked down at me. "Your posturing is getting on my nerves, Willie boy."

I felt close to throwing up.

"We need to contact your brother," he went on. "That's why you're here."

I looked up. "I don't know where he is."

The Ghost slid away from me. He moved behind Katy's chair. He gently, almost too gently, put his hands on her shoulders. She winced at his touch. He reached with both index fingers and stroked the bruises on her neck.

"I'm telling the truth," I said.

"Oh, I believe you," he said.

"So what do you want?"

"I know how to reach Ken."

I was confused. "What?"

"Have you ever seen one of those old movies where the fugitive leaves messages in classified ads?"

"I guess."

The Ghost smiled as though pleased with my response. "Ken is taking that one step further. He uses an Internet newsgroup. More specifically, he leaves and receives messages on something called rec.music.elvis. It is, as you might expect, a board for Elvis fans. So, for example, if his attorney needed to contact him, he would leave a date and time and post with a code name. Ken would then know when to IM said attorney."

"IM?"

"Instant message. I assume you've used it before. It's like a private chat room. Totally untraceable."

"How do you know all this?" I asked.

He smiled again and moved his hands closer to Katy's neck. "Information gathering," he said. "It's something of my forte."

His hands slid off Katy. I realized that I'd been holding my breath. He reached into his pocket and took out the rope lasso again.

"So what do you need me for?" I asked.

"Your brother would not agree to meet his attorney," the Ghost said. "I believe he suspected a trap. We set up another IM appointment, though. We are very much hoping that you can persuade him to meet with us."

"And if I can't?"

He held up the rope. There was a handle attached to the end. "Do you know what this is?"

I did not reply.

"It's a Punjab lasso," he said as if beginning a lecture. "The Thuggees used it. They were known as the silent assassins. From India. Some people think they were all wiped out in the nineteenth century. Others, well, others are not so sure." He looked at Katy and held the primitive weapon up high. "Need I go on here, Will?"

I shook my head. "He'll know it's a trap," I said.

"It's your job to convince him otherwise. If you fail" he looked up, smiling "well, on the positive side, you'll be able to see firsthand how Julie suffered all those years ago."

I could feel the blood leaving my extremities. "You'll kill him, "I said.

"Oh, not necessarily."

I knew it was a lie, but his face was frighteningly sincere.

"Your brother made tapes, gathered incriminating information," he said. "But he has not shown any of it to the feds yet. He's kept it hidden all these years. That's a good thing. It shows cooperation, that he is still the Ken we know and love. And" he stopped, thinking "he has something I want."

"What? "I asked.

He shook me off. "Here's the deal: If he gives it all up and promises to disappear again, we can all go on."

A lie. I knew that. He'll kill Ken. And he'll kill us all. I had no doubt about that. "And if I don't believe you?"

He dropped the lasso around Katy's neck. She let out a small cry. The Ghost smiled and looked straight at me. "Does it really matter?"

I swallowed. "I guess not."

"Guess?"

"I'll cooperate."

He let go of the lasso; it hung from her neck like the most perverse necklace. "Don't touch it," he said. "We have an hour. Spend the time staring at her neck, Will. And imagine."

Fifty-Four.

McGuane had been caught off guard.

He watched the FBI storm inside. He had not foreseen this. Yes, Joshua Ford was important. Yes, his disappearance would raise eyebrows, though they had made Ford call his wife and tell her he'd been called out of town on a "delicate matter." But this forceful a reaction? It seemed like overkill.

No matter. McGuane was always prepared. The blood had been cleaned with a newly developed peroxide agent, so that even a blue-light test would reveal nothing. The hairs and fibers had been taken care of, but even if a few were found, so what? He would not deny that Ford and Cromwell were here. He would happily admit it. He would also admit that they had departed. And he could offer proof: His security people had already replaced the real surveillance tape with the digitally altered one that would show both Ford and Cromwell departing the premises on their own accord.

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