Harlan Coben - Gone for Good

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On October 17, eleven years ago, Julie Miller was found brutally strangled in the basement of her house in the township of Livingston, New Jersey. On that day, Will's brother, Ken Klein, became the subject of an international manhunt accused of the crime. He has not been seen since. Will has tried to get on with his life in the intervening years. He has a beautiful new girlfriend, Sheila, and a job working with the homeless. But when his mother reveals, on her deathbed, that Ken is still alive, and shortly afterwards Sheila disappears, the cracks start to show in his landscape again. But it is only when he finds that Sheila herself is wanted for a savage double murder that his life actually starts to fall apart…
***
"This is top-notch thriller writing' Observer
"Superbly crafted, high-adrenalin entertainment' The Times
"Gone For Good is Harlan Coben's follow-up to the best selling Tell No One, and will not disappoint the many readers who enjoy his devious tales of innocents caught in webs of deception… Ingenious and gripping, this is another thriller to stir the heart' Guardian
"This one's even better than the last [Tell No One]. Gone For Good serves up everything you could ask for in a can't-put-it-down beach book, yet complements its rocket-fast pace with a solid emotional underpinning… Gone For Good contains more plot twists than you can count, with a jarring revelation in nearly every chapter… Coben has crafted a taut thriller with a slew of compelling characters… as subtle as a shotgun, and just as effective' San Francisco Chronicle
"Highly enjoyable' Kirkus Reviews
"As you race through the chapters, you'll find both breath-stopping violence and, unusual for the genre, real intelligence capped by psychological insight' Newsday
"Riveting… has more twists and turns than an amusement-park ride… The loose threads come together, weaving a tight story… Gone For Good is great' USA Today
"True to form, Coben keeps the plot twists coming fast and furious, and readers will give up trying to guess the outcome quite early on… This title delivers' Publishers Weekly
"Coben… has written another nail-biter suspense novel with more twists and turns than a labyrinth' Toronto Sun

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He stopped and started nibbling on another cookie. He would not look at me. I knew that he could be lying, but his words had the ring of truth. I tried to calm myself, let what he was telling me sink in. I kept my eyes on him. He kept his gaze on the cookie. Now it was my turn to fight back the rage.

"So all this time" I stopped, swallowed, tried again "so all this time, you knew that Ken didn't kill Julie."

"No, not at all."

"But you just said "

"A theory, Will. It was just a theory. It's just as likely that he killed her."

"You don't believe that."

"Don't tell me what I believe."

"What could possibly be Ken's motive for killing Julie?"

"Your brother was a bad guy. Make no mistake about that."

"That's not a motive." I shook my head. "Why? If you knew Ken probably didn't kill her, why did you always insist he had?"

He chose not to reply. But maybe he didn't have to. The answer was suddenly obvious. I glanced at the snapshots on the refrigerator. They explained so much.

"Because you wanted Ken back at any cost," I said, answering my own question. "Ken was the only one who could give you McGuane. If he was hiding as a material witness, the world wouldn't really care. There would be no press coverage. There would be no major manhunt. But if Ken murdered a young woman in her family basement the story of suburbia gone wrong the media attention would be massive. And those headlines, you figured, would make it harder for him to hide."

He kept studying his hands.

"I'm right, aren't I?"

Pistillo slowly looked at me. "Your brother made a deal with us," he said coldly. "When he ran, he broke that deal."

"So that made it okay to lie?"

"It made it okay to track him down by any means necessary. "

I was actually shaking. "And his family be damned?"

"Don't put that on me."

"Do you know what you did to us?"

"You know something, Will? I don't give a damn. You think you suffered? Look in my sister's eyes. Look at her!"

"That doesn't make it right "

He slammed his hand on the table. "Don't tell me about right and wrong. My sister was an innocent victim."

"So was my mother."

"No!" He pounded the table, this time with his fist, and pointed a finger at me. "There's a big difference between them, so get it straight. Vic was a murdered cop. He didn't have a choice. He couldn't stop his family's suffering. Your brother, on the other hand, chose to run. That was his decision. If that somehow hurt your family, blame him."

"But you made him run," I said. "Someone was trying to kill him and you top that off by making him think he'll be arrested for murder. You forced his hand. You pushed him farther underground."

"That was his doing, not mine."

"You wanted to help your family, and in the process you sacrificed mine."

Pistillo snapped then, knocking the glass across the table. The iced tea splashed on me. The glass fell to the floor and shattered. He rose and looked down at me. "Don't you dare compare what your family went through with what my sister went through. Don't you dare."

I met his eye. Arguing with him would be useless and I still did not know if he was telling the truth or twisting it for his own purposes. Either way, I wanted to learn more. Antagonizing him would do me no good. There was more to this story. He was not done yet. There was still too much unanswered.

The door opened. Claudia Fisher leaned her head in to check on the commotion. Pistillo put up a hand to tell her it was fine. He settled back into his chair. Fisher waited a beat and then left us alone.

Pistillo was still breathing heavily.

"So what happened next?" I asked him.

He looked up. "You haven't guessed?"

"No."

"It was a stroke of luck actually. One of our agents was vacationing in Stockholm. A fluke thing."

"What are you talking about?"

"Our agent," he said. "He spotted your brother on the street."

I blinked. "Wait a second. When was this?"

Pistillo did a quick calculation in his head. "Four months ago."

I was still confused. "And Ken got away?"

"Hell no. The agent didn't take any chances. He tackled your brother right then and there."

Pistillo folded his hands and leaned toward me. "We caught him," he said, his voice barely a whisper. "We caught your brother and brought him back."

45

Philip McGuane poured the brandy.

The body of the young lawyer Cromwell was gone now. Joshua Ford lay out like a bear rug. He was alive and even conscious, but he was not moving.

McGuane handed the Ghost a snifter. The two men sat together. McGuane took a deep sip. The Ghost cupped his glass and smiled.

"What?" McGuane asked.

"Fine brandy."

"Yes."

The Ghost stared at the liquor. "I was just remembering how we used to hang out in the woods behind Riker Hill and drink the cheapest beer we could find. Do you remember that, Philip?"

"Schlitz and Old Milwaukee," McGuane said.

"Yeah."

"Ken had that friend at Economy Wine and Liquor. He never ID'ed him."

"Good times," the Ghost said.

"This" McGuane raised his glass "is better."

"You think so?" The Ghost took a sip. He closed his eyes and swallowed. "Are you familiar with the philosophy that every choice you make splits the world into alternate universes?"

"I am."

"I often wonder if there are ones where we turn out differently or, conversely, were we destined to be here no matter what?"

McGuane smirked. "You're not growing soft on me, are you, John?

"Not likely," the Ghost said. "But in moments of candor, I cannot help but wonder if it had to be this way."

"You like hurting people, John."

"I do."

"You've always enjoyed it."

The Ghost thought about that. "No, not always. But of course, the larger question is why?"

"Why do you like hurting people?"

"Not just hurting them. I enjoy killing them painfully. I choose strangulation because it is a horrible way to die. No quick bullet. No sudden knife slash. You literally gasp for your last breath. You feel the life-nourishing oxygen being denied you. I do that to them, up close, watching them struggle for a breath that never comes."

"My, my." McGuane put down his snifter. "You must be a barrel of laughs at parties, John."

"Oh indeed," he agreed. Then growing serious again, the Ghost said, "But why, Philip, do I get a rush from that? What happened to me, to my moral compass, that I feel my most alive while snuffing out someone's breath?"

"You're not going to blame your daddy, are you, John?"

"No, that would be too pat." He put down his drink and faced McGuane. "Would you have killed me, Philip? If I hadn't taken out the two men at the cemetery, would you have killed me?"

McGuane opted for the truth. "I don't know," he said. "Probably."

"And you're my best friend," the Ghost said.

"You're probably mine."

The Ghost smiled. "We were something, weren't we, Philip?"

McGuane did not reply.

"I met Ken when I was four," the Ghost continued. "All the kids in the neighborhood were warned to stay away from our house. The Asseltas were a bad influence that's what they were told. You know the deal."

"Ido,"McGuanesaid.

"But for Ken, that was a draw. He used to love to explore our house. I remember when we found my old man's gun. We were six, I think. I remember holding it. The feeling of power. It mesmerized us. We used the gun to terrify Richard Werner I don't think you know him, he moved away in the third grade. We kidnapped him once and tied him up. He cried and wet his pants."

"And you loved it."

The Ghost nodded slowly. "Perhaps."

"I have a question," McGuane said.

"I'm listening."

"If your father owned a gun, why use a kitchen knife on Daniel Skinner?"

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