Harlan Coben - Gone for Good

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On October 17, eleven years ago, Julie Miller was found brutally strangled in the basement of her house in the township of Livingston, New Jersey. On that day, Will's brother, Ken Klein, became the subject of an international manhunt accused of the crime. He has not been seen since. Will has tried to get on with his life in the intervening years. He has a beautiful new girlfriend, Sheila, and a job working with the homeless. But when his mother reveals, on her deathbed, that Ken is still alive, and shortly afterwards Sheila disappears, the cracks start to show in his landscape again. But it is only when he finds that Sheila herself is wanted for a savage double murder that his life actually starts to fall apart…
***
"This is top-notch thriller writing' Observer
"Superbly crafted, high-adrenalin entertainment' The Times
"Gone For Good is Harlan Coben's follow-up to the best selling Tell No One, and will not disappoint the many readers who enjoy his devious tales of innocents caught in webs of deception… Ingenious and gripping, this is another thriller to stir the heart' Guardian
"This one's even better than the last [Tell No One]. Gone For Good serves up everything you could ask for in a can't-put-it-down beach book, yet complements its rocket-fast pace with a solid emotional underpinning… Gone For Good contains more plot twists than you can count, with a jarring revelation in nearly every chapter… Coben has crafted a taut thriller with a slew of compelling characters… as subtle as a shotgun, and just as effective' San Francisco Chronicle
"Highly enjoyable' Kirkus Reviews
"As you race through the chapters, you'll find both breath-stopping violence and, unusual for the genre, real intelligence capped by psychological insight' Newsday
"Riveting… has more twists and turns than an amusement-park ride… The loose threads come together, weaving a tight story… Gone For Good is great' USA Today
"True to form, Coben keeps the plot twists coming fast and furious, and readers will give up trying to guess the outcome quite early on… This title delivers' Publishers Weekly
"Coben… has written another nail-biter suspense novel with more twists and turns than a labyrinth' Toronto Sun

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I stood up. "I've had enough of this."

"Sit down, Mr. Klein."

"I'm tired of your bullshit, Pistillo. I'm tired of "

"That call," he interjected.

"What about it?"

"Sit down, Will."

He'd used my first name. I did not like the sound of it. I stood where I was and waited.

"We were just waiting for visual confirmation," he said.

"Of what?"

He did not reply to my query. "So we flew Sheila Rogers's parents in from Idaho. They made it official, though the fingerprints had already told us what we needed to know."

His face grew soft. My knees buckled, but I managed to stay upright. He looked at me now with heavy eyes. I started to shake my head, but I knew there was no way to duck the blow.

"I'm sorry, Will," Pistillo said. "Sheila Rogers is dead."

21

Denial is an amazing thing.

Even as I felt my stomach twist and drop, even as I felt the ice spread out and chill me from the center, even as I felt the tears push hard against my eyes, I somehow managed to detach. I nodded while concentrating on the few details that Pistillo was willing to give me. She'd been dumped on the side of a road in Nebraska, he said. I nodded. She'd been murdered in to use Pistillo's words "a rather brutal fashion." I nodded some more. She had been found with no ID on her, but the fingerprints had matched and then Sheila's parents had flown in and identified the body for official purposes. I nodded again.

I did not sit. I did not cry. I stood perfectly still. I felt something inside me harden and grow. It pressed against my rib cage, made it almost impossible to breathe. I heard his words as though from afar, as though through a filter or from underwater. I flashed to a simple moment: Sheila reading on our couch, her legs tucked under her, the sleeves of her sweater stretched too long. I saw the focus on her face, the way she prepared her finger for the next page turn, the way her eyes narrowed during certain passages, the way she looked up and smiled when she realized that I was staring.

Sheila was dead.

I was still back there, with Sheila, back in our apartment, grasping smoke, trying to hold on to what was already gone, when Pistillo's words cut through the haze.

"You should have cooperated with us, Will."

I surfaced as if from a sleep. "What?"

"If you'd told us the truth, maybe we could have saved her."

Next thing I remember, I was out in the van.

Squares alternated between pounding on the steering wheel and swearing vengeance. I had never seen him so agitated. My reaction had been just the opposite. It was like someone had pulled out my plug. I stared out the window. Denial was still holding, but I could feel reality start hammering against the walls. I wondered how long before the walls collapsed under the onslaught.

"We'll get him," Squares said yet again.

For the moment, I did not much care.

We double-parked in front of the apartment building. Squares jumped out.

"I'll be fine," I said.

"I'll walk you up anyway," he said. "I want to show you something."

I nodded numbly.

When we entered, Squares reached into his pocket and pulled out a gun. He swept through the apartment, gun drawn. No one. He handed me the weapon.

"Lock the door. If that creepy asshole comes back, blow him away."

"I don't need this," I said.

"Blow him away," he repeated.

I kept my eyes on the gun.

"You want me to stay?" he asked.

"I think I'm better off alone."

"Yeah, okay, but you need me, I got the cell. Twenty-four, seven."

"Right. Thanks."

He left without another word. I put the gun on the table. Then I stood and looked at our apartment. Nothing of Sheila was here anymore. Her smell had faded. The air felt thinner, less substantial. I wanted to close all the windows and doors, batten them down, try to preserve something of her.

Someone had murdered the woman I love.

For the second time?

No. Julie's murder had not felt like this. Not even close. Denial was, yep, still there, but a voice was whispering through the cracks: Nothing would be the same ever again. I knew that. And I knew that I would not recover this time. There are blows you can take and get back up from like what happened with Ken and Julie. This was not like that. Lots of feelings ricocheted through me. But the most dominant was despair.

I would never be with Sheila again. Someone had murdered the woman I love.

I concentrated on the second part. Murdered. I thought about her past, about the hell she had gone through. I thought about how valiantly she'd struggled, and I thought about how someone probably someone from her past had sneaked up behind her and snatched it all away.

Anger began to seep in too.

I moved over to the desk, bent down, and reached into the back of the bottom drawer. I pulled out the velour box, took a deep breath, and opened it.

The ring's diamond was one-point-three carats, with G color, VI rating, round cut. The platinum band was simple with two rectangle baguettes. I'd bought it from a booth in the diamond district on 47th Street two weeks ago. I'd only shown it to my mother, and I had planned on proposing, so she could see. But Mom had no good days after that. I waited. Still, it gave me comfort that she'd known that I had found someone and that she more than approved. I had just been waiting for the right time, what with my mother dying and all, to give it to Sheila.

Sheila and I had loved each other. I would have proposed in some corny, awkward, quasi-original way and her eyes would have misted over and then she would have said yes and thrown her arms around me. We would have gotten married and been life partners. It would have been great.

Someone had taken all that away.

The wall of denial began to buckle and crack. Grief spread over me, ripping the breath from my lungs. I collapsed into a chair and hugged my knees against my chest. I rocked back and forth and started to cry, really cry, gut-wrenching, soul-tearing cries.

I don't know how long I sobbed. But after a while, I forced myself to stop. That was when I decided to fight back against the grief. Grief paralyzes. But not anger. And the anger was there too, lingering, looking for an opening.

So I let it in.

22

When Katy Miller heard her father raise his voice, she stopped in the doorway.

"Why would you go over there?" he shouted.

Her mother and father stood in the den. The room, like so much of the house, had a hotel-chain feel to it. The furniture was functional, shiny, sturdy, and totally lacking in warmth. The oils on the wall were inconsequential images of sailing ships and still lifes. There were no figurines, no vacation souvenirs, no collections, no family photographs.

"I went to pay my respects," her mother said.

"Why the hell would you do that?"

"I thought it was the right thing to do."

"The right thing? Her son murdered our daughter."

"Her son," Lucille Miller repeated. "Not her."

"Don't give me that crap. She raised him."

"That doesn't make her responsible."

"You never believed that before."

Her mother kept her spine stiff. "I've believed it for a long time," she said. "I just haven't said anything."

Warren Miller turned away and began to pace. "And that jackass threw you out?"

"He's in pain. He just lashed out."

"I don't want you to go back," he said, waving an impotent finger. "You hear me? For all you know, she helped that murdering son of a bitch hide."

"So?"

Katy stifled a gasp. Mr. Miller's head snapped around. "What?"

"She was his mother. Would we have done differently?"

"What are you talking about?"

"If it was the other way around. If Julie had killed Ken and needed to hide. What would you have done?"

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