Harlan Coben - Gone for Good

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On October 17, eleven years ago, Julie Miller was found brutally strangled in the basement of her house in the township of Livingston, New Jersey. On that day, Will's brother, Ken Klein, became the subject of an international manhunt accused of the crime. He has not been seen since. Will has tried to get on with his life in the intervening years. He has a beautiful new girlfriend, Sheila, and a job working with the homeless. But when his mother reveals, on her deathbed, that Ken is still alive, and shortly afterwards Sheila disappears, the cracks start to show in his landscape again. But it is only when he finds that Sheila herself is wanted for a savage double murder that his life actually starts to fall apart…
***
"This is top-notch thriller writing' Observer
"Superbly crafted, high-adrenalin entertainment' The Times
"Gone For Good is Harlan Coben's follow-up to the best selling Tell No One, and will not disappoint the many readers who enjoy his devious tales of innocents caught in webs of deception… Ingenious and gripping, this is another thriller to stir the heart' Guardian
"This one's even better than the last [Tell No One]. Gone For Good serves up everything you could ask for in a can't-put-it-down beach book, yet complements its rocket-fast pace with a solid emotional underpinning… Gone For Good contains more plot twists than you can count, with a jarring revelation in nearly every chapter… Coben has crafted a taut thriller with a slew of compelling characters… as subtle as a shotgun, and just as effective' San Francisco Chronicle
"Highly enjoyable' Kirkus Reviews
"As you race through the chapters, you'll find both breath-stopping violence and, unusual for the genre, real intelligence capped by psychological insight' Newsday
"Riveting… has more twists and turns than an amusement-park ride… The loose threads come together, weaving a tight story… Gone For Good is great' USA Today
"True to form, Coben keeps the plot twists coming fast and furious, and readers will give up trying to guess the outcome quite early on… This title delivers' Publishers Weekly
"Coben… has written another nail-biter suspense novel with more twists and turns than a labyrinth' Toronto Sun

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I left the graveyard then. I had not seen or spoken to her since.

12

Belmont, Nebraska

Sheriff Bertha Farrow had seen worse.

Murder scenes were bad, but for overall vomit-inducing, bone-crunching, head-splitting, blood-splattering grossness, it was hard to beat the metal-against-flesh effect of an old-fashioned automobile accident. A head-on collision. A truck crossing the divider. A tree that splits the car from the bumper to the backseat. A high-speed tumble over a guardrail.

Now, that did serious damage.

And yet this sight, this dead woman at this fairly bloodless scene, was somehow much worse. Bertha Farrow could see the woman's face her features twisted in fear, uncomprehending, maybe desperate and she could see that the woman had died in great pain. She could see the mangled fingers, the misshapen rib cage, the bruises, and she knew that the damage here had been done by a fellow human being, flesh against flesh. This was not the result of a patch of ice or someone changing radio stations at eighty miles an hour or a rush truck delivery or the ill effects of alcohol or speed.

This had been intentional.

"Who found her?" she asked her deputy George Volker.

"The Randolph boys."

"Which ones?"

"Jerry and Ron."

Bertha calculated. Jerry would be about sixteen. Ron fourteen.

"They were walking with Gypsy," the deputy added. Gypsy was the Randolphs ' German shepherd. "He sniffed her out."

"Where are the boys now?"

"Dave took them home. They were kinda shook up. I got statements. They don't know nothing."

Bertha nodded. A station wagon came tearing up the highway. Clyde Smart, the county medical examiner, stopped his wagon with a screech. The door flew open, and Clyde sprinted toward them. Bertha cupped a hand over her eyes.

"No rush, Clyde. She ain't going anywhere."

George snickered.

Clyde Smart was used to this. He was closing in on fifty, about Bertha's age. The two had been in office for nearly two decades. Clyde ignored her joke and ran past them. He looked down at the body, and his face dropped.

"Sweet Jesus," the M.E. said.

Clyde squatted beside her. He gently pushed the hair back from the corpse's face. "Oh God," he said. "I mean " He stopped, shook his head.

Bertha was used to him too. Clyde 's reaction did not surprise her. Most M.E.s, she knew, stayed clinical and detached. Not Clyde. People were not tissue and messy chemicals to him. She'd seen Clyde cry over bodies plenty of times. He handled each DOA with incredible, almost ridiculous, respect. He performed autopsies as though he could make the person recover. He'd deliver bad news to families, and he'd genuinely share their grief.

"Can you give me an approximate time of death?" she asked.

"Not long," Clyde said softly. "The skin is still in early rigor mortis. I'd say no more than six hours. I'll get a liver temperature reading and " He spotted the hand with the fingers that jutted out in unnatural directions. "Oh my God," he said again.

Bertha looked back at her deputy. "Any ID?"

"None."

"Possible robbery?"

"Too brutal," Clyde said. He looked up. "Someone wanted her to suffer."

There was a moment of silence. Bertha could see tears forming in Clyde 's eyes.

"What else? "she asked.

Clyde quickly looked back down. "She's no vagrant," he said. "Well dressed and nourished." He checked her mouth. "Decent enough dental work."

"Any signs of rape?"

"She's dressed," Clyde said. "But my God, what wasn't done to her? Very little blood here, certainly not enough for this to be the murder scene. My guess is that someone drove by and dumped her here. I'll know more when I get her on the table."

"Okay then," Bertha said. "Let's check Missing Persons and run her prints."

Clyde nodded as Sheriff Bertha Farrow started walking away.

13

I didn't have to call Katy back.

The ring hit me like a cattle prod. My sleep had been so deep, so total and dreamless, there could be no slow swim to the surface. One moment I was drowning in the black. The next I jolted upright, heart racing. I checked the digital clock: 6:58 A.M.

I groaned and leaned over. The caller ID was blocked. A useless contraption. Everyone you'd want to avoid or who'd wanted to hide simply paid for the block.

My voice sounded too awake in my own ears as I chirped a merry "Hello?"

"Uh, Will Klein?"

"Yes?"

"It's Katy Miller." Then, as if an afterthought, "Julie's sister."

"Hi, Katy," I said.

"I left a message for you last night."

"I didn't get in until four in the morning."

"Oh. I guess I woke you up then."

"Don't worry about it," I said.

Her voice sounded sad and young and forced. I remembered when she was born. I did a little math. "You're, what, a senior now?"

"I start college in the fall."

"Where?"

"Bowdoin. It's a small college."

"In Maine," I said. "I know it. It's an excellent school. Congratulations."

"Thanks."

I sat up a little more, trying to think of a way to bridge the silence. I fell back on the classics: "It's been a long time."

"Will?"

"Yes?"

"I'd like to see you."

"Sure, that would be great."

"How about today?"

"Where are you?" I asked.

"I'm in Livingston," she said. Then added, "I saw you come by our house."

"I'm sorry about that."

"I can come to the city if you want."

"No need," I said. "I'll be out visiting my father today. How about we hook up before that?"

"Yeah, okay," she said. "But not here. You remember the basketball courts by the high school?"

"Sure," I said. "I'll meet you there at ten."

"Okay."

"Katy," I said, switching ears. "I don't mind telling you that this call is a little weird."

"I know."

"What do you want to see me about?"

"What do you think?" she replied.

I did not answer right away, but that did not matter. She was already off the line.

14

Will left his apartment. The Ghost watched.

The Ghost did not follow him. He knew where Will was going. But as he watched, his fingers flexed and tightened, flexed and tightened. His forearms bunched. His body quaked.

The Ghost remembered Julie Miller. He remembered her naked body in that basement. He remembered the feel of her skin, warm at first, for just a little while, and then slowly stiffening into something akin to wet marble. He remembered the purple-yellow of her face, the pinpoints of red in the bulging eyes, her features contorted in horror and surprise, shattered capillaries, the saliva frozen down the side of her face like a knife scar. He remembered the neck, the unnatural bend in death, the way the wire had actually slashed deep into her skin, slicing through the esophagus, nearly decapitating her.

All that blood.

Strangulation was his favorite method of execution. He had visited India to study the Thuggee, the so-called cult of silent assassins, who'd perfected the secret art of strangulation. Over the years, the Ghost had mastered guns and knives and the like, but when possible, he still preferred the cold efficiency, the final silence, the bold power, the personal touch of strangulation.

A careful breath.

Will disappeared from view.

The brother.

The Ghost thought about all those kung fu movies, the ones where one brother is murdered and the other lives to avenge the death. He thought about what would happen if he simply killed Will Klein.

No, this was not about that. This went way beyond revenge.

Still he wondered about Will. He was the key, after all. Had the years changed him? The Ghost hoped so. But he would find out soon enough.

Yes, it was almost time to meet with Will and catch up on old times.

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