Lisa Scottoline - Lady Killer

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Lady Killer: краткое содержание, описание и аннотация

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From Publishers Weekly
Philadelphia attorney Mary DiNunzio, last seen in Killer Smile (2004), agrees to help her high school nemesis, Trish Gambone, at the start of this less than convincing thriller from bestseller Scottoline. Trish, whom Mary used to regard as the quintessential Mean Girl, has turned in desperation to the lawyer, the all-around Most Likely to Achieve Sainthood at St. Maria Goretti High School, because she wants to escape from her abusive, and possibly Mafia-connected boyfriend, Bobby Mancuso. Trish rejects Mary's practical suggestions for dealing with Bobby, but once Trish disappears, Mary finds herself under pressure from other high school classmates as well as people from her old neighborhood who blame her for not doing enough. Mary unwisely hides a connection with Bobby from the Feds, who then shut her out of the search for Trish when they learn of it. Scottoline fans will cheer Mary as she stumbles toward the solution, but others may have trouble suspending disbelief.
From The Washington Post
Most mysteries have at least two plots: the murder or heist or conspiracy that gets things going, and the quest for a solution. Merging these two lines of action isn't always easy, and bad mystery-writing is often marred by coincidences that strain credulity. In Lady Killer, Lisa Scottoline finesses this problem by setting her tale in Italian-American South Philadelphia, where her protagonist, Mary DiNunzio, grew up and where the victims and suspects still live. If someone pops up at a convenient moment, the reader doesn't wince: Everybody knows everybody else in this tightly knit neighborhood.
Mary herself is one of the nabe's success stories: a lawyer who represents injured and wronged parties from families just like her own. She may be a bit chary of standing up for herself (as her best friend at the firm points out, Mary is enough of a rainmaker to deserve a partnership, but she can't seem to persuade the boss of her worth). In the courtroom, however, she's a tiger.
Having come a long way (figuratively) from South Philly, Mary is not pleased when the Mean Girls stop by her office: first Trish Gambone and later her acolytes, Giulia, Missy and Yolanda, all of whom made life hard for nerds like Mary in their years together at St. Maria Goretti High. They're the ones who dated the Big Men on Campus and mocked the kids who studied and took part in square activities like debate and student journalism, but they're now stuck in low-paying jobs and still wearing the miniskirts and excess makeup of their youth, while Mary flourishes. Even so, seeing them makes Mary wonder if she is "the only person who had post-traumatic stress syndrome – from high school."
Trish drops in on Mary to plead for help in dealing with Bobby, one of those former Big Men, now Trish's boyfriend. Except he has grown up to be a mobster who's in the habit of belting Trish when he gets angry and jealous; he does it craftily, though, giving her blows to the body rather than the face so that she's not a walking billboard for his brutality. Trish is scared that Bobby will carry out his recent threats to kill her, and Mary recommends going to court for a restraining order. Trish vetoes that idea because Bobby has been skimming money from his drug deals, and the notoriety of a court appearance could lead to his being whacked. When Mary can't think of any other solution, Trish walks out of her office in despair.
Shortly afterward, she goes missing, and the other Mean Girls blame Mary for stiffing their friend in her time of need. To make things right, Mary neglects her law practice while chasing leads all over South Philly and beyond.
In the meantime, Mary is getting to know Anthony, a handsome bachelor whose only drawback is that he's gay. This leads to some good quips: "Mary had been on so many blind dates that it was a pleasure to be with a man who had a medical excuse for not being attracted to her." But then new information develops. As Mary and Anthony find themselves having more and more fun together, only the dimmest reader will fail to guess that Anthony's gayness, like Mark Twain's reported death, is greatly exaggerated.
Scottoline brings her characters to vivid life, the two strands of her plot mesh seamlessly, and her sharp sense of humor makes an appearance on almost every page. About the only ingredient missing from her book, however, is a crucial one: suspense. It's a given, of course, that the protagonist/detective will survive in the end, but Mary never runs into any appreciable danger, and her creator fails to impart a sense of menace to the lives of any other characters. Lady Killer ends up being funny and stylish, but almost as cozy as an Agatha Christie novel. That's a hell of a complaint to have to make about a tale of the South Philly mob.

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“It’s only ten blocks north, Elvira, and she’s wrong. They all are.”

“I know, that’s what I tell ’em. You and Celine Dion, I always fight for.”

“Okay, Ma, say good night.” Anthony stopped the car in front of the Rotunno house and after Mary had kissed Elvira good-bye, he got out to walk her up the steps. When he got back in the car, he asked Mary to come up front, and she took the passenger seat, stiffly. Anthony looked over, his smile warm in the darkness. “Please forgive her.”

“It’s okay.”

“Now I see what you meant at dinner the other night, about the neighborhood. Maybe I was too glib.” Anthony cocked his head. “You wanna get a coffee? Or go straight to the impound lot? Up to you.”

“Unfortunately, neither.” Mary tried to stay in control. She hardly knew him and she didn’t want to lose it now. “Can you take me somewhere else?”

“Sure, why?”

Mary gave him the address. “There’s been a murder.”

This section of the city was normally deserted after dark, but tonight it was alive with activity. The full moon was a bullethole in a black sky, and people filled the street. Anthony double-parked down the block, but almost before he braked, Mary was in motion, opening the car door, grabbing her bag, and climbing out onto the sidewalk. “Thanks,” she called out. “I’ll get my own ride home.”

“I’m coming with you.” Anthony unclipped his safety harness and got out of the car.

Mary hurried heedless into the crowd. People stood smoking and talking on the sidewalks, swigging beer from a can or watching the scene at the end of the street, their arms folded over their paunches. She threaded her way through them, toward where police cruisers had been parked and wooden barricades had been erected. She got to the uniformed cops behind the sawhorses and picked one, his face shadowed by the black patent bill of his cap, then went up to him.

“I’m a lawyer and I got a call from Mack Brinkley, and he told me to come down here right away.” Mary ducked under the barricade, and Anthony followed, until the cop grabbed him by the elbow.

“Wait a sec, sir.”

“Let him go, he’s with me.” Mary dug for her wallet and flashed her bar admission card, and the cop waved Anthony ahead, and he kept going.

“Thanks,” Anthony said, on her heels, and they passed groups of uniformed cops talking in tight circles, silhouetted in the headlights from the cruisers. Up ahead, she spotted the calcium white of klieg-lights and headed straight for them.

Ahead had to be where they’d found the body.

Mary screened out the noise and the curious stares and reached the TV lights, like electrified trees on their aluminum stands, with black cables that stretched like roots to boxy generators. The press was kept at bay behind the barricades, but they had cameras and lights, too, and she picked up the pace as she went toward the light, past the brick rowhouses, decrepit in this part of South Philly. On the right, next to a house with a sagging front porch, a tall, boxy white truck was parked, its side reading CRIME SCENE UNIT in reflective blue letters. The truck sat near the mouth of an alley, and Mary remembered Brinkley saying that the body had been dumped in the back of an alley.

“Almost there,” Mary heard herself say, her heart racing.

“Right behind you,” Anthony said, thinking she was talking to him, but she wasn’t. There was noise and talking around them but she didn’t hear it. She heard only her own heartbeat and the echo of Brinkley’s voice:

I have bad news. We got a body.

Mary felt her mouth go dry when she spied Brinkley, slim and well dressed, talking with a crowd of men in suits and loosened ties, undoubtedly from the DA’s office. He stood with his partner, Stan Kovich, big, brawny, and gray-blond, whom she remembered as open and friendly as Brinkley was reserved and self-contained. She made a beeline for them, giving a discreet wave to catch their attention, in case they didn’t want to acknowledge her in front of the suits.

Kovich bent his head over some notes, and Brinkley spotted her first, then broke from the group to meet her. A gleaming black van stood on her right, its white MEDICAL EXAMINER’S OFFICE letters shiny in the lights, more reflective paint. The two back doors of the van hung open. It meant the gurney was out, pressed into service for the body.

Mary had gotten here as fast as she could and she guessed they would be finishing up about now. The reporters swelled toward the barricades, sensing it, too. They held cameras high over their heads, trying to get the “bag shot.” Mary had been to some crime scenes, but not like this. Not where she knew the body.

“Mare, how you doin’,” Brinkley said quietly, reaching her. “Sorry we didn’t get there sooner. We could’ve prevented this.”

“You tried. We all did.” Mary forced herself to say it, but she knew she should have tried harder.

“You sure you can handle it? I thought you should know.”

“Sure.” Mary glanced over, distracted. More lamps had been set up inside the alley, flooding it with light. Men in ties and coroner’s assistants in dark blue jumpsuits crammed the alley, and others working at its mouth made shifting shadows, blocking Mary’s view of what lay beyond.

“Who’s this?” Brinkley meant Anthony, coming up next to her. “He with you?”

“Yes,” Mary answered quickly, and while Anthony introduced himself, she kept her gaze on the alley. She caught a glimpse of a crumbling brick side wall, and when somebody in front of her moved aside, she could see that the wall was behind an overflowing trashcan. Strobes fired from a still camera, taking photographs, and there was the sound of men talking and counting off. She sensed the coroner was closing up for good, his assistants slipping the body on top of the black vinyl bag, then doing their practiced pitch-and-roll to bag the corpse with efficiency and a modicum of dignity.

Mary did and didn’t want to go into the alley. She had to see, yet she didn’t want to see, and in the next instant, before she realized it, she had pushed her way to its mouth as if she belonged there. Brinkley called to her from some faraway place, then Anthony, too, but she ignored them both to see. When the way cleared, she looked down at the sight.

He looked exactly the same, except that his skin was now as gray as marble, and he lay in the black body bag, which was half zippered up. His blue eyes were open, staring sightlessly at the black sky. His head lay slightly to the side, and his bangs lay fanned across his forehead, just like they always did, soft and brown. She flashed on him raking his hair back with his fingers at the kitchen table. It was so hard to believe that those hands had pummeled a woman, but Mary had seen the pictures herself. Now the coroner’s assistants were tucking those same hands, each bagged in transparent plastic to preserve evidence, inside the black body bag and zipping it closed.

“He took a bullet to the back of the head,” Brinkley told her in low tones. “We think it’s a Mob hit, and so do the feds. I told them about the skimming.”

How did it all go so wrong? How did he turn up dead? And where was Trish?

“Mare?” Brinkley put a hand on her shoulder just as the assistants zipped up the body bag.

A shadow blocked Mary’s view, but it didn’t matter. The image had been seared into her brain. She would always see him lying there. In the next second, she became aware that Brinkley was looking at her funny.

“Mare? You losin’ it here?”

“No, of course not,” she answered, but it didn’t ring true, even to her. “I’m just confused. When you told me you had a body, I couldn’t believe it was him who got killed. It’s Trish I was worried about.”

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