Lisa Scottoline - Lady Killer

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Lady Killer: краткое содержание, описание и аннотация

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From Publishers Weekly
Philadelphia attorney Mary DiNunzio, last seen in Killer Smile (2004), agrees to help her high school nemesis, Trish Gambone, at the start of this less than convincing thriller from bestseller Scottoline. Trish, whom Mary used to regard as the quintessential Mean Girl, has turned in desperation to the lawyer, the all-around Most Likely to Achieve Sainthood at St. Maria Goretti High School, because she wants to escape from her abusive, and possibly Mafia-connected boyfriend, Bobby Mancuso. Trish rejects Mary's practical suggestions for dealing with Bobby, but once Trish disappears, Mary finds herself under pressure from other high school classmates as well as people from her old neighborhood who blame her for not doing enough. Mary unwisely hides a connection with Bobby from the Feds, who then shut her out of the search for Trish when they learn of it. Scottoline fans will cheer Mary as she stumbles toward the solution, but others may have trouble suspending disbelief.
From The Washington Post
Most mysteries have at least two plots: the murder or heist or conspiracy that gets things going, and the quest for a solution. Merging these two lines of action isn't always easy, and bad mystery-writing is often marred by coincidences that strain credulity. In Lady Killer, Lisa Scottoline finesses this problem by setting her tale in Italian-American South Philadelphia, where her protagonist, Mary DiNunzio, grew up and where the victims and suspects still live. If someone pops up at a convenient moment, the reader doesn't wince: Everybody knows everybody else in this tightly knit neighborhood.
Mary herself is one of the nabe's success stories: a lawyer who represents injured and wronged parties from families just like her own. She may be a bit chary of standing up for herself (as her best friend at the firm points out, Mary is enough of a rainmaker to deserve a partnership, but she can't seem to persuade the boss of her worth). In the courtroom, however, she's a tiger.
Having come a long way (figuratively) from South Philly, Mary is not pleased when the Mean Girls stop by her office: first Trish Gambone and later her acolytes, Giulia, Missy and Yolanda, all of whom made life hard for nerds like Mary in their years together at St. Maria Goretti High. They're the ones who dated the Big Men on Campus and mocked the kids who studied and took part in square activities like debate and student journalism, but they're now stuck in low-paying jobs and still wearing the miniskirts and excess makeup of their youth, while Mary flourishes. Even so, seeing them makes Mary wonder if she is "the only person who had post-traumatic stress syndrome – from high school."
Trish drops in on Mary to plead for help in dealing with Bobby, one of those former Big Men, now Trish's boyfriend. Except he has grown up to be a mobster who's in the habit of belting Trish when he gets angry and jealous; he does it craftily, though, giving her blows to the body rather than the face so that she's not a walking billboard for his brutality. Trish is scared that Bobby will carry out his recent threats to kill her, and Mary recommends going to court for a restraining order. Trish vetoes that idea because Bobby has been skimming money from his drug deals, and the notoriety of a court appearance could lead to his being whacked. When Mary can't think of any other solution, Trish walks out of her office in despair.
Shortly afterward, she goes missing, and the other Mean Girls blame Mary for stiffing their friend in her time of need. To make things right, Mary neglects her law practice while chasing leads all over South Philly and beyond.
In the meantime, Mary is getting to know Anthony, a handsome bachelor whose only drawback is that he's gay. This leads to some good quips: "Mary had been on so many blind dates that it was a pleasure to be with a man who had a medical excuse for not being attracted to her." But then new information develops. As Mary and Anthony find themselves having more and more fun together, only the dimmest reader will fail to guess that Anthony's gayness, like Mark Twain's reported death, is greatly exaggerated.
Scottoline brings her characters to vivid life, the two strands of her plot mesh seamlessly, and her sharp sense of humor makes an appearance on almost every page. About the only ingredient missing from her book, however, is a crucial one: suspense. It's a given, of course, that the protagonist/detective will survive in the end, but Mary never runs into any appreciable danger, and her creator fails to impart a sense of menace to the lives of any other characters. Lady Killer ends up being funny and stylish, but almost as cozy as an Agatha Christie novel. That's a hell of a complaint to have to make about a tale of the South Philly mob.

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“Like a second house?” Mary asked, puzzled.

“I don’t know.”

Mary thought of the diary. There had been no mention of a second house.

“He said it, just once, and I wasn’t sure he was telling the truth. I told him, you can’t quit, they don’t let you quit. And he said, you can quit if they can’t find you.”

Mary’s heartbeat quickened. “That could be where he took Trish.”

Rosaria nodded. “It could.”

“So where could it be?”

“I don’t know.”

Mary thought a minute. “It would have to be out of the city. Away.”

“That’s possible.”

Mary felt on edge. “You have no idea where he could have been talking about? This is important.”

“Sorry. I’d like to help, but I can’t.”

“How could he buy another house? Could he afford it?” Then Mary realized. Maybe that’s why he’d been skimming profits from the drug sales. She knew herself how hard it was to make a down payment. Still, where was the house? “Did he have any hobbies, so he’d buy a house with that in mind?”

“Hobbies?” Rosaria looked at Mary like she was crazy.

“Did he fish? Hunt?”

“Are you kidding?” Rosaria laughed, but Mary didn’t. She wracked her brain.

“Did he like the ocean? Would he buy in Jersey?”

“It’s expensive.”

“Was there any place he talked about? A place he considered a refuge?”

Rosaria snorted. “Who has a place like that?”

“I do.” Mary thought about it. “Church.”

Rosaria stopped laughing, then looked away. “Not that I know of.”

“Any place you went as children, that he would go back to?”

“No, not that I remember.”

“How about in summers?”

“No.” Rosaria moved back her hair with her hand.

“Where did you go on vacation? Like, we went to Atlantic City.”

“We weren’t a family-vacation kind of family.”

Mary tried a new tack. “Do you know the names of any of the guys he knew, in the Mob?”

“Only my cousin.”

Mary thought about the name in the diary. “Does Cadillac ring a bell?”

“No. I didn’t know a Cadillac. I didn’t wanna know.”

“How about your father? Is he connected, too?”

“My uncle, no, but my cousin is. He is the one that got my brother involved.”

“Anybody else?” Mary was trying everything. She wouldn’t get another chance. “So he had nobody he trusted enough to tell about the house?”

“No, not that I knew.”

“Everybody trusts somebody.”

“Me. He trusted me.” Rosaria looked at her, eyes flinty. “Honestly, I don’t know anyone else he trusted. I never heard him talk about any friends. I guess he kept the house a big secret. He’d have to.”

Whoa. It struck a chord. Maybe the house was the secret he was going to tell Trish about, on the night of her birthday. The fact that she didn’t mention it in the diary suggested she hadn’t known about it.

“That’s all I know, sorry.”

“Thanks. If anything else occurs to you, will you call me?” Mary extracted a business card from her wallet and handed it to her.

“Sure, thanks.” Rosaria slipped it into her pocket, and the little dog jumped around, excited to be back on the move.

“Thanks for the help. It was great seeing you again.”

“You, too.” Rosaria stood up. “Take care.”

“You, too.” Mary rose, gave her a brief hug, and turned to go.

“Mare? One last thing.”

“Yes?” Mary turned, and Rosaria’s expression was pained.

“I don’t want to know about it, if he kills her.”

“I hear that.” Mary turned away and hurried back to the car.

Back in the car, Mary checked the clock. 2:25. She had to do something with the information about Ninth amp; Kennick. She considered calling Giulia, but she couldn’t trust her not to blab the information and that wouldn’t do any good, anyway. When traffic slowed, she reached for her phone and plugged in Brinkley’s cell number, reading the pen marks still faint on her hand. The call connected with his voicemail, and she left a complete message, telling him about Ninth amp; Kennick. Still she felt vaguely unsatisfied.

She called information, asked for the Missing Persons department, and the call connected. “Hello, I’m calling about the abduction of Trish Gambone. I may have information as to their whereabouts. With whom should I speak?”

“Hold, please,” a man answered, and the call went click, then came back on. “Sorry, is this a tip about the Amber Alert? We’re fielding calls in that case.”

“No, this is a woman, an adult. She was on the TV news last night.”

“Oh, is this the case that they had in Homicide?”

“Yes.”

“We have it logged in here. Who did you say you are?”

Mary told him, spelling her name and giving her cell number, against the background noise of ringing phones.

“Give me your information. I have to get these other calls. The Amber Alerts are just a monster.”

Mary sighed. The car moved an inch. She told him everything she knew and hung up, feeling assured of nothing. The BlackBerry rang again before she could even set it down, and she checked the display before she answered. It was Amrita, returning her call.

Yay! Mary could give her the good news about Dhiren’s upcoming appointment. She pressed the green button. “Amrita?” she said, excited until she found out what had happened to Dhiren.

Then, the good news didn’t matter anymore.

CHAPTER TWENTY

M ary fought traffic for two hours to reach Children’s Hospital of Philadelphia. She parked on the street and hurried down the hospital corridor, its tile floors gleaming. A male nurse walked past in blue scrubs, a plastic daisy attached to the stethoscope that lay doubled around his neck. At the end of the corridor, she could see two older women standing outside the door to the room, and when she got closer, she recognized Elvira Rotunno, Anthony’s mother, in her old-school housedress and black plastic slip-ons, with another older woman.

“How is he?” Mary asked, walking up, and they both turned.

“Good as he can be.” Elvira managed a shaky smile. “It’s nice you came, Mare. Rita’s calm now, but she was a mess.”

“I can imagine.” Mary turned and introduced herself to the other woman, whose hooded eyes and lined expression were disapproving behind her oversized plastic eyeglasses.

“Sue Ciorletti,” the woman said, barely getting the words out before her mouth snapped back to its previous tightness, like a rubber band returning to shape. She seemed too cranky to wear a pink sweatsuit that read COOL GRANDMA.

Elvira continued, “Sue and me were talkin’ to Rita when the school called, and Sue gave her a ride here ’cause we didn’t want her drivin’ so upset. Amrita’s in there with the doctors now.” Elvira gestured at the closed door behind them, with a gnarled hand. “She’s been in there for a long time. Fifteen minutes, maybe twenty, right, Sue?”

Mrs. Ciorletti didn’t answer, maintaining her silence, and Mary assumed it was another neighbor who hated her.

“You okay, Mrs. Ciorletti?”

Elvira answered, “Sue don’t like hospitals because you could get an infection. Even if you’re just vistin’. She heard a report on the TV news.”

“I see,” Mary said. “Mrs. Ciorletti, you don’t have to stay if you don’t want to. I have a car and I’ll take Elvira home.”

“I’ll stay,” Mrs. Ciorletti answered. The door opened as if on cue, and the women watched as two young male doctors came out, led by an attractive woman doctor with an authoritative air, Dr. Sharon Satterfield, according to the red script embroidered on her white jacket. Three young male interns followed her, with weary faces and professional smiles.

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