Lisa Scottoline - Lady Killer

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Lady Killer: краткое содержание, описание и аннотация

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From Publishers Weekly
Philadelphia attorney Mary DiNunzio, last seen in Killer Smile (2004), agrees to help her high school nemesis, Trish Gambone, at the start of this less than convincing thriller from bestseller Scottoline. Trish, whom Mary used to regard as the quintessential Mean Girl, has turned in desperation to the lawyer, the all-around Most Likely to Achieve Sainthood at St. Maria Goretti High School, because she wants to escape from her abusive, and possibly Mafia-connected boyfriend, Bobby Mancuso. Trish rejects Mary's practical suggestions for dealing with Bobby, but once Trish disappears, Mary finds herself under pressure from other high school classmates as well as people from her old neighborhood who blame her for not doing enough. Mary unwisely hides a connection with Bobby from the Feds, who then shut her out of the search for Trish when they learn of it. Scottoline fans will cheer Mary as she stumbles toward the solution, but others may have trouble suspending disbelief.
From The Washington Post
Most mysteries have at least two plots: the murder or heist or conspiracy that gets things going, and the quest for a solution. Merging these two lines of action isn't always easy, and bad mystery-writing is often marred by coincidences that strain credulity. In Lady Killer, Lisa Scottoline finesses this problem by setting her tale in Italian-American South Philadelphia, where her protagonist, Mary DiNunzio, grew up and where the victims and suspects still live. If someone pops up at a convenient moment, the reader doesn't wince: Everybody knows everybody else in this tightly knit neighborhood.
Mary herself is one of the nabe's success stories: a lawyer who represents injured and wronged parties from families just like her own. She may be a bit chary of standing up for herself (as her best friend at the firm points out, Mary is enough of a rainmaker to deserve a partnership, but she can't seem to persuade the boss of her worth). In the courtroom, however, she's a tiger.
Having come a long way (figuratively) from South Philly, Mary is not pleased when the Mean Girls stop by her office: first Trish Gambone and later her acolytes, Giulia, Missy and Yolanda, all of whom made life hard for nerds like Mary in their years together at St. Maria Goretti High. They're the ones who dated the Big Men on Campus and mocked the kids who studied and took part in square activities like debate and student journalism, but they're now stuck in low-paying jobs and still wearing the miniskirts and excess makeup of their youth, while Mary flourishes. Even so, seeing them makes Mary wonder if she is "the only person who had post-traumatic stress syndrome – from high school."
Trish drops in on Mary to plead for help in dealing with Bobby, one of those former Big Men, now Trish's boyfriend. Except he has grown up to be a mobster who's in the habit of belting Trish when he gets angry and jealous; he does it craftily, though, giving her blows to the body rather than the face so that she's not a walking billboard for his brutality. Trish is scared that Bobby will carry out his recent threats to kill her, and Mary recommends going to court for a restraining order. Trish vetoes that idea because Bobby has been skimming money from his drug deals, and the notoriety of a court appearance could lead to his being whacked. When Mary can't think of any other solution, Trish walks out of her office in despair.
Shortly afterward, she goes missing, and the other Mean Girls blame Mary for stiffing their friend in her time of need. To make things right, Mary neglects her law practice while chasing leads all over South Philly and beyond.
In the meantime, Mary is getting to know Anthony, a handsome bachelor whose only drawback is that he's gay. This leads to some good quips: "Mary had been on so many blind dates that it was a pleasure to be with a man who had a medical excuse for not being attracted to her." But then new information develops. As Mary and Anthony find themselves having more and more fun together, only the dimmest reader will fail to guess that Anthony's gayness, like Mark Twain's reported death, is greatly exaggerated.
Scottoline brings her characters to vivid life, the two strands of her plot mesh seamlessly, and her sharp sense of humor makes an appearance on almost every page. About the only ingredient missing from her book, however, is a crucial one: suspense. It's a given, of course, that the protagonist/detective will survive in the end, but Mary never runs into any appreciable danger, and her creator fails to impart a sense of menace to the lives of any other characters. Lady Killer ends up being funny and stylish, but almost as cozy as an Agatha Christie novel. That's a hell of a complaint to have to make about a tale of the South Philly mob.

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Amrita said stiffly, “Thank you for coming, Mary.”

“Yes, thanks,” Barton called after her, and Mary let herself out without looking back. She closed the door behind her and when she heard the shouting resume, she stepped away. Elvira was sitting in the patterned chair against the wall, a forlorn figure, her gray head bent.

“I met Barton.” Mary went over and sat down beside her, suddenly exhausted, and Elvira made a funny face, her glasses popping off the bridge of her nose.

“I don’t like him,” she said. “He’s a jerk.”

“He’s just upset.”

“Nah, he’s always like that. Bossy. He leaves Rita alone all the time and when he comes home, all he does is gripe.”

“Where’s Mrs. Ciorletti?”

“She left a while ago. I wanted to stay and make sure Rita was okay.”

“You take good care of her, Elvira.”

“She’s my neighbor.”

Mary smiled, touched. “I think she’s fine now. Can I take you home?”

“Nah, you don’t hafta.” Elvira waved her off. “I called my Ant’n’y, from the nurses’ phone.” She gestured at the desk down the hall. “He’ll be here.”

Uh-oh. “I could have taken you.”

“I didn’t know if you were gonna stay or not, and he likes to help me.” Elvira patted Mary’s leg. “When you get to be a mother, I wish for you a son as good as my Ant’n’y, even though he plays for the other team.”

Mary suppressed her smile. “He doesn’t seem gay to me.”

“A mother knows these things, and you know what? I love my son. Like we were sayin’ the other day, there’s Hindus and there’s gays in this world. It’s all mixed up nowadays, and you know what? The sun still comes up.” Elvira leaned forward and looked down the hall. “Shhh, here he comes.”

Mary helped Elvira up and caught Anthony’s eye as he bustled down the hall, concerned. She had to admit that he was a great-looking man, and a nurse at the station peeked over the top of the high counter as he strode by, his tan jacket open. He had on long, slim jeans and shiny loafers, and Mary couldn’t help but smile at him.

“Look at these two beautiful women,” Anthony said, giving his mother a quick kiss on the cheek, and then Mary, too, which he pulled off before she could react one way or the other.

“Sorry I didn’t call you back,” she said. “I was so busy today.”

“That’s okay.” Anthony grinned, and if he was hurt, it didn’t show. Then his face changed. “How’s Dhiren?”

“Okay,” Mary said, as Elvira grabbed Anthony by the coat sleeve and pulled him close to her.

“That jerk’s in there, with Rita,” she stage-whispered.

“Shall we go, ladies?” Anthony looped his arm through his mother’s, turned her around, and got her going down the hall. Mary fell into place beside them, and Anthony looked over. “Mary, if you didn’t know yet, my mother is a woman with very definite likes and dislikes. There’s no middle ground. Gray is the new black and white.”

“That’s not true.” Elvira smiled.

“Oh yeah?” Anthony asked, “What do you think of Celine Dion?”

“She’s a great singer.”

“What about Barbra Streisand?”

“She’s a commie.”

Mary laughed, relaxing, and the three of them walked down the hall, making surprisingly easy small talk until they got outside the hospital. It was early evening, an indigo wash darkening the sky from top to bottom, with a full moon rising. Yellow lights glowed inside the hotel across the way, and the round, orange-tiled roof of the University Museum caught the streetlamps, a bit of old Florence in West Philly.

“Where’d you park, Mary?” Anthony asked, but she was already frowning at the spot where her car had been, on 34th Street. An empty space sat where she had parked, unwelcome as a missing front tooth. “There. But it’s gone.”

“Under the No Parking sign?” Anthony pointed, and Elvira clucked.

“I wouldn’t do that, Mare. They’ll tow ya, around here.”

“I didn’t realize it.” Mary groaned. She’d been in such a rush when she’d arrived at the hospital. No wonder she’d gotten such a great parking space.

“I know where the impound lot is.” Anthony touched her shoulder. “Let me take you. Wait here with my mother, and I’ll go get the car. Be right back.”

“Thanks.” Mary threw an arm around Elvira as he left, then thought of Brinkley and Missing Persons. Her cell phone had been turned off in the hospital. But somebody should have called back. “Excuse me, Elvira. You mind if I take a second to check my calls?”

“Nah, go head. Ant does the same thing, alla time.” She waved a hand, and Mary went into her purse for her phone. The screen said she’d missed a call. She pressed the button to return the call, and it was Brinkley who answered.

“Mary?” he said, when he heard her voice. “We found a body.”

CHAPTER TWENTY-ONE

M ary sat, numb, in the backseat of the Prius, having taken the news like a physical blow. She couldn’t breathe a word of what Brinkley had told her to Anthony or his mother, because it wasn’t public knowledge. Luckily, the car radio was off, and the only sound was the familiar cadence of the back and forth between the two, who talked in the front seat, oblivious to what had taken place only ten blocks away.

Mary struggled to keep her composure, only half listening.

“How about Judy Garland?” Anthony was saying.

“Now she was a star, a real star. But Sue hates her, too.”

“Mrs. Ciorletti hates Judy?” Anthony scoffed. “Why am I not surprised?”

“Sue’s grumpy, but that’s just her way.”

“It’s called depression, Ma.”

“Nah. She just don’t like things, or people. Like Mary here. Sue don’t like her at all.”

“Ma!” Anthony said, embarrassed.

Mary’s ears pricked up. “Why not?” she asked, not that she really cared. Before Brinkley’s call, she’d cared.

“There’s a lotta talk about you, Mare, and it’s not very nice.”

“Ma, please,” Anthony said, looking over.

“Don’t be so fresh and don’t make that shut-up face. Mary knows I love her.” Elvira twisted around to the backseat, her coarse gray hair making a frizzy halo, backlit from a streetlight. “People are sayin’ that you forgot where you’re from, you know what I mean? It started all of a sudden, with Trish Gambone, because her mother told everybody that you wouldn’t help her and then it’s on the TV. They’re blamin’ you for what happened to her.”

Mary felt sick. She could only imagine what they’d say when they knew what had happened tonight.

“Then the other day, you stood Roberto up.”

“Roberto Nunez? You know him?”

“I don’t, but my camarr Linda does. She knows his son who used to buy life insurance offa her brother-in-law from St. Monica’s.”

Mary didn’t bother to follow it. Her head was starting to pound.

“I heard that you didn’t go to his case, or his trial, or whatever it was. You were too busy. You told him it wasn’t worth your time. You sent your secretary instead.”

Mary closed her eyes. It was like playing telephone.

“It’s like you’re gettin’ a bad rep, and it’s gonna get worse, with Dhiren.”

“Dhiren? What about Dhiren?” Mary asked, bewildered.

Anthony shook his head as the car cruised along, entering South Philly. “I told you this was a bad idea,” he said, hitting the gas.

Elvira harrumphed. “Don’t get me wrong, Mare. I stick up for you. But you didn’t get Dhiren outta that school, and now he’s up in the hospital. People will say you don’t care about the old neighborhood no more. That’s what Sue thinks. You’re Center City now.”

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