Daniel Silva - A Death in Vienna

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The sins of the past reverberate into the present, in an extraordinary novel by the new master of international suspense.
It was an ordinary-looking photograph. Just the portrait of a man. But the very sight of it chilled Allon to the bone.
Art restorer and sometime spy Gabriel Allon is sent to Vienna to authenticate a painting, but the real object of his search becomes something else entirely: to find out the truth about the photograph that has turned his world upside down. It is the face of the unnamed man who brutalized his mother in the last days of World War II, during the Death March from Auschwitz. But is it really the same one? If so, who is he? How did he escape punishment? Where is he now?
Fueled by an intensity he has not felt in years, Allon cautiously begins to investigate; but with each layer that is stripped away, the greater the evil that is revealed, a web stretching across sixty years and thousands of lives. Soon, the quest for one monster becomes the quest for many. And the monsters are stirring…
Rich with sharply etched characters and prose, and a plot of astonishing intricacy, this is an uncommonly intelligent thriller by one of our very best writers.

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A period of seventy-two hours passed before Radek’s capture was made public. The prime minister’s communiqué was terse and deliberately misleading. Great care was taken to avoid needlessly embarrassing the Austrians. Radek, the prime minister said, was discovered living under a false identity in an unspecified country. After a period of negotiation, he had consented to come to Israel voluntarily. Under the terms of the agreement, he would not face trial, since, under Israeli law, the only possible sentence was death. Instead he would remain under permanent administrative detention and would effectively “plead guilty” to his crimes against humanity by working with a team of historians at Yad Vashem and Hebrew University to produce a definitive history of Aktion 1005.

There was little fanfare and none of the excitement that accompanied news of Eichmann’s kidnapping. Indeed, word of Radek’s capture was overshadowed within hours by a suicide bomber who murdered twenty-five people in a Jerusalem market. Lev derived a certain crude satisfaction from the development, for it seemed to prove his point that the State had more important things to worry about than chasing down old Nazis. He began referring to the affair as “Shamron’s folly,” though he quickly found himself out of step with the rank and file of his own service. Within King Saul Boulevard, Radek’s capture seemed to rekindle old fires. Lev adjusted his stance to meet the prevailing mood, but it was too late. Everyone knew that Radek’s apprehension had been engineered by theMemuneh and Gabriel, and that Lev had tried to block it at every turn. Lev’s standing among the foot soldiers fell to dangerously low levels.

The half-hearted attempt to keep secret Radek’s Austrian identity was undone by the videotape of his arrival at Abu Kabir. The Vienna press quickly and correctly identified the prisoner as Ludwig Vogel, an Austrian businessman of some note. Did he truly agree to leave Vienna voluntarily? Or was he in fact kidnapped from his fortresslike home in the First District? In the days that followed, the newspapers were filled with speculative accounts of Vogel’s mystifying career and political connections. The press investigations strayed perilously close to Peter Metzler. Renate Hoffmann of the Coalition for a Better Austria called for an official inquiry into the affair and suggested that Radek may have been linked to the bombing of Wartime Claims and Inquiries and the mysterious death of an elderly Jew named Max Klein. Her demands fell largely on deaf ears. The bombing was the work of Islamic terrorists, the government said. And as for the unfortunate death of Max Klein, it was a suicide. Further investigation, said the minister of justice, was pointless.

The next chapter in the Radek affair would take place not in Vienna but in Paris, where a mossy former KGB man popped up on French television to suggest Radek was Moscow ’s man in Vienna. A former Stasi spymaster who’d become something of a literary sensation in the new Germany laid claim to Radek as well. Shamron first suspected the claims were part of a coordinated campaign of disinformation designed to inoculate the CIA from the Radek virus-which is exactly how he would have played it had he been in their shoes. Then he learned that inside the Agency, the suggestions that Radek may have been plying his trade on both sides of the street had caused something of a panic. Files were being hauled out of the deep freeze; a team of elderly Soviet hands was being hastily assembled. Shamron secretly reveled in the anxiety of his colleagues from Langley. Were it to turn out that Radek was a double agent, Shamron said, it would be profoundly just. Adrian Carter requested permission to put Radek under the lights when the Israeli historians were finished with him. Shamron promised to give the matter thorough consideration.

THE PRISONER OF Abu Kabir was largely oblivious to the storm swirling around him. His confinement was solitary, though not unduly harsh. He kept his cell and his clothing neat, he took food and complained little. His guards, though they longed to hate him, could not. He was a policeman at his core, and his jailors seemed to see something in him they recognized. He treated them courteously and was treated courteously in return. He was something of a curiosity. They had read about men like him at school, and they wandered past his cell at all hours just to have a look. Radek began to feel increasingly as though he were an exhibit in a museum.

He made only one request, that he be granted a newspaper each day so he could keep abreast of current affairs. The question was taken all the way to Shamron, who gave his consent, so long as it was an Israeli newspaper and not some German publication. Each morning, aJerusalem Post arrived with his breakfast tray. He usually skipped the stories about himself-they were largely inaccurate in any case-and turned straight to the foreign news section to read about developments in the Austrian election.

Moshe Rivlin paid Radek several visits to prepare for his upcoming testimony. It was decided that the sessions would be videotaped and broadcast nightly on Israeli television. Radek seemed to grow more agitated as the day of his first public appearance drew nearer. Rivlin quietly asked the chief of the detention facility to keep the prisoner under a suicide watch. A guard was posted in the corridor, just beyond the bars of Radek’s cell. Radek chafed under the added surveillance at first, but was soon glad for the company.

On the day before Radek’s testimony, Rivlin came one final time. They spent an hour together; Radek was preoccupied and, for the first time, largely uncooperative. Rivlin packed away his documents and notes and asked the guard to open the cell door.

“I want to see him,” Radek said suddenly. “Ask him whether he would do me the honor of paying me a visit. Tell him I have a few questions I’d like to ask him.”

“I can’t make any promises,” Rivlin said. “I’m not connected to-”

“Just ask him,” Radek said. “The worst he can do is say no.”

SHAMRON IMPOSED ON Gabriel to remain in Israel until the opening day of Radek’s testimony, and Gabriel, though he was anxious to return to Venice, reluctantly agreed. He stayed in the safe flat near the Zion Gate and woke each morning to the sound of church bells in the Armenian Quarter. He would sit on the shadowed terrace overlooking the walls of the Old City and linger over coffee and the newspapers. He followed the Radek affair closely. He was pleased that Shamron’s name was linked to the capture and not his. Gabriel lived abroad, under an assumed identity, and he did not need his real name splashed about in the press. Besides, after all Shamron had done for his country, he deserved one final day in the sun.

As the days eased slowly past, Gabriel found that Radek seemed more and more a stranger to him. Though blessed with a near-photographic memory, Gabriel struggled to clearly recall Radek’s face or the sound of his voice. Treblinka seemed something from a nightmare. He wondered whether it had been this way for his mother. Did Radek remain in the rooms of her memory like an uninvited guest, or did she force herself to recall him in order to render his image on canvas? Had it been like this for all those who had encountered so perfect an evil? Perhaps it explained the silence that descended on those who had survived. Perhaps they had been mercifully released from the pain of their memories as a means of self-preservation. One idea turned ceaselessly in his thoughts: If Radek had murdered his mother that day in Poland instead of two other girls, he would have never existed. He, too, began to feel the guilt of survival.

He was certain of only one thing-he was not ready to forget. And so he was pleased when one of Lev’s acolytes telephoned one afternoon and wondered whether he would be willing to write an official history of the affair. Gabriel accepted, on the condition that he also produce a sanitized version of the events to be kept in the archives at Yad Vashem. There was a good deal of back and forth about when such a document could be made public. A release date of forty years hence was set, and Gabriel went to work.

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