Thomas Harris - Red Dragon

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Red Dragon: краткое содержание, описание и аннотация

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Amazon.com Review
Lying on a cot in his cell with Alexandre Dumas's Le Grand Dictionnaire de Cuisine open on his chest, Hannibal "The Cannibal" Lecter makes his debut in this legendary horror novel, which is even better than its sequel, The Silence of the Lambs. As in Silence, the pulse-pounding suspense plot involves a hypersensitive FBI sleuth who consults psycho psychiatrist Lecter for clues to catching a killer on the loose.
The sleuth, Will Graham, actually quit the FBI after nearly getting killed by Lecter while nabbing him, but fear isn't what bugs him about crime busting. It's just too creepy to get inside a killer's twisted mind. But he comes back to stop a madman who's been butchering entire families. The FBI needs Graham's insight, and Graham needs Lecter's genius. But Lecter is a clever fiend, and he manipulates both Graham and the killer at large from his cell.
That killer, Francis Dolarhyde, works in a film lab, where he picks his victims by studying their home movies. He's obsessed with William Blake's bizarre painting The Great Red Dragon and the Woman Clothed with the Sun, believing there's a red dragon within him, the personification of his demonic drives. Flashbacks to Dolarhyde's terrifying childhood and superb stream-of-consciousness prose get us right there inside his head. When Dolarhyde does weird things, we understand why. We sympathize when the voice of the cruel dead grandma who raised and crazed him urges him to mayhem-she's way scarier than that old bat in Psycho. When he falls in love with a blind girl at the lab, we hope he doesn't give in to Grandma's violent advice.
This book is awesomely detailed, ingeniously plotted, judiciously gory, and fantastically imagined. If you haven't read it, you've never had the creeps.

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They fished for three hours in silence. Graham opened his mouth to speak several times, but it didn't seem right.

He was tired of being disliked.

Graham caught four snappers, using sand fleas for bait. Willy caught nothing. He was casting a big Rapala with three treble hooks which his grandfather had given him. He was fishing too fast, casting again and again, retrieving too fast, until he was red-faced and his T-shirt stuck to him.

Graham waded into the water, scooped sand in the backwash of a wave, and came up with two sand fleas, their legs waving from their shells.

"How about one of these, partner?" He held out a sand flea to Willy.

"I'll use the Rapala. It was my father's, did you know that?"

"No," Graham said. He glanced at Molly.

She hugged her knees and looked far off at a frigate bird sailing high.

She got up and brushed off the sand. "I'll go fix some sandwiches," she said.

When Molly had gone, Graham was tempted to talk to the boy by himself. No. Willy would feel whatever his mother felt. He'd wait and get them both together when she came back. He'd do it this time.

She wasn't gone long and she came back without the sandwiches, walking swiftly on the packed sand above the surf.

"Jack Crawford's on the phone. I told him you'd call him back, but he said it's urgent," she said, examining a fingemail. "Better hurry."

Graham blushed. He stuck the butt of his rod in the sand and trotted toward the dunes. It was quicker than going around the beach if you carried nothing to catch in the brush.

He heard a low whirring sound carried on the wind and, wary of a rattler, he scanned the ground as he went into the scrub cedar.

He saw boots beneath the brush, the glint of a lens and a flash of khaki rising.

He looked into the yellow eyes of Francis Dolarhyde and fear raised the hammers of his heart.

Snick of a pistol action working, an automatic coming up and Graham kicked at it, struck it as the muzzle bloomed pale yellow in the sun, and the pistol flew into the brush. Graham on his back, something burning in the left side of his chest, slid headfirst down the dune onto the beach.

Dolarhyde leaped high to land on Graham's stomach with both feet and he had the knife out now and never looked up at the thin screaming from the water's edge. He pinned Graham with his knees, raised the knife high and grunted as he brought it down. The blade missed Graham's eye and crunched deep into his cheek.

Dolarhyde rocked forward and put his weight on the handle of the knife to shove it through Graham's head.

The rod whistled as Molly swung it hard at Dolarhyde's face. The big Rapala's hooks sank solidly in his cheek and the reel screamed, paying out line as she drew back to strike again.

He growled, grabbed at his face as she hit him, and the treble hooks jammed into his hand as well. One hand free, one hand hooked to his face, he tugged the knife out and started after her.

Graham rolled over, got to his knees, then his feet, eyes wild and choking blood he ran, ran from Dolarhyde, ran until he collapsed.

Molly ran for the dunes, Willy ahead of her. Dolarhyde was coming, dragging tile rod. It caught on a bush and pulled him howling to a stop before he thought to cut the line.

"Run baby, run baby, run baby! Don't look back," she gasped. Her legs were long and she shoved the boy ahead of her, the crashing ever closer in the brush behind them.

They had one hundred yards on him when they left the dunes, seventy yards when they reached the house. Scrambling up the stairs. Clawing in Will's closet.

To Willy, "Stay here."

Down again to meet him. Down to the kitchen, not ready, fumbling with the speedloader.

She forgot the stance and she forgot the front sight but she got a good two-handed grip on the pistol and as the door exploded inward she blew a rat hole through his thigh – "Muhner!" – and she shot him in the face as he slid down the door facing and she shot him in the face as he sat on the floor and she ran to him and shot him twice in the face as he sprawled against the wall, scalp down to his chin and his hair on fire.

# # #

Willy tore up a sheet and went to look for Will. His legs were shaking and he fell several times crossing the yard.

The sheriff's deputies and ambulances came before Molly ever thought to call them. She was taking a shower when they came in the house behind their pistols. She was scrubbing hard at the flecks of blood and bone on her face and hair and she couldn't answer when a deputy tried to talk to her through the shower curtain.

One of the deputies finally picked up the dangling telephone receiver and talked to Crawford in Washington, who had heard the shots and summoned them.

"I don't know, they're bringing him in now," the deputy said. He looked out the window as the litter passed. "It don't look good to me," he said.

CHAPTER 54

On the wall at the foot of the bed there was a clock with numbers large enough to read through the drugs and the pain.

When Will Graham could open his right eye, he saw the clock and knew where he was – an intensive-care unit. He knew to watch the clock. Its movement assured him that this was passing, would pass.

That's what it was there for.

It said four o'clock. He had no idea which four o'clock and he didn't care, as long as the hands were moving. He drifted away.

The clock said eight when he opened his eye again.

Someone was to the side of him. Cautiously he turned his eye. It was Molly, looking out the window. She was thin. He tried to speak, but a great ache filled the left side of his head when he moved his jaw. His head and his chest did not throb together. It was more of a syncopation. He made a noise as she left the room.

The window was light when they pulled and tugged at him and did things that made the cords in his neck stand out.

Yellow light when he saw Crawford's face over him.

Graham managed to wink. When Crawford grinned, Graham could see a piece of spinach between his teeth.

Odd. Crawford eschewed most vegetables.

Graham made writing motions on the sheet beneath his hand.

Crawford slid his notebook under Graham's hand and put a pen between his fingers.

"Willy OK," he wrote.

"Yeah, he's fine," Crawford said. "Molly too. She's been in here while you were asleep. Dolarhyde's dead, Will. I promise you, he's dead. I took the prints myself and had Price match them. There's no question. He's dead."

Graham drew a question mark on the pad.

"We'll get into it. I'll be here, I can tell you the whole thing when you feel good. They only give me five minutes."

"Now," Graham wrote.

"Has the doctor talked to you? No? About you first – you'll be okay. Your eye's just swollen shut from a deep stab wound in the face. They've got it fixed, but it'll take time. They took out your spleen. But who needs a spleen? Price left his in Burma in '41."

A nurse pecked on the glass.

"I've got to go. They don't respect credentials, nothing, around here. They just throw you out when the time's up. See you later."

Molly was in the ICU waiting room. A lot of tired people were.

Crawford went to her. "Molly…"

"Hello, Jack," she said. "You're looking really well. Want to give him a face transplant?"

"Don't, Molly."

"Did you look at him?"

"Yes."

"I didn't think I could look at him, but I did."

"They'll fix him up. The doctor told me. They can do it. You want somebody to stay with you, Molly? I brought Phyllis down, she-"

"No. Don't do anything else for me."

She turned away, fumbling for a tissue. He saw the letter when she opened her purse: expensive mauve stationery that he had seen before.

Crawford hated this. He had to do it.

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