Thomas Harris - Red Dragon

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Red Dragon: краткое содержание, описание и аннотация

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Amazon.com Review
Lying on a cot in his cell with Alexandre Dumas's Le Grand Dictionnaire de Cuisine open on his chest, Hannibal "The Cannibal" Lecter makes his debut in this legendary horror novel, which is even better than its sequel, The Silence of the Lambs. As in Silence, the pulse-pounding suspense plot involves a hypersensitive FBI sleuth who consults psycho psychiatrist Lecter for clues to catching a killer on the loose.
The sleuth, Will Graham, actually quit the FBI after nearly getting killed by Lecter while nabbing him, but fear isn't what bugs him about crime busting. It's just too creepy to get inside a killer's twisted mind. But he comes back to stop a madman who's been butchering entire families. The FBI needs Graham's insight, and Graham needs Lecter's genius. But Lecter is a clever fiend, and he manipulates both Graham and the killer at large from his cell.
That killer, Francis Dolarhyde, works in a film lab, where he picks his victims by studying their home movies. He's obsessed with William Blake's bizarre painting The Great Red Dragon and the Woman Clothed with the Sun, believing there's a red dragon within him, the personification of his demonic drives. Flashbacks to Dolarhyde's terrifying childhood and superb stream-of-consciousness prose get us right there inside his head. When Dolarhyde does weird things, we understand why. We sympathize when the voice of the cruel dead grandma who raised and crazed him urges him to mayhem-she's way scarier than that old bat in Psycho. When he falls in love with a blind girl at the lab, we hope he doesn't give in to Grandma's violent advice.
This book is awesomely detailed, ingeniously plotted, judiciously gory, and fantastically imagined. If you haven't read it, you've never had the creeps.

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"In the Jacobi case I noticed you kept an in-and-out log at the house after it was sealed off, right?"

"Let me get somebody to look," the watch commander said.

Graham knew they kept one. It was good procedure to record every person entering or leaving a murder scene, and Graham had been pleased to see that Birmingham did it. He waited five minutes before a clerk picked up the telephone.

"Okay, in-and-out, what do you want to know?"

"Is Niles Jacobi, son of the deceased – is he on it?"

"Umm-hmmm, yep. July 2, seven P.M. He had permission to get personal items."

"Did he have a suitcase, does it say?"

"Nope. Sorry."

Byron Metcalf's voice was husky and his breathing heavy when he answered the telephone. Graham wondered what he was doing.

"Hope I didn't disturb you."

"What can I do for you, Will?"

"I need a little help with Niles Jacobi."

"What's he done now?"

"I think he lifted a few things out of the Jacobi house after they were killed."

"Urnmm."

"There's a sterling picture frame missing from your lockbox inventory. When I was in Birmingham I picked up a loose photograph of the family in Niles 's dormitory room. It used to be in a frame – I can see the impression the mat left on it."

"The little bastard. I gave permission for him to get his clothes and some books he needed," Metcalf said.

" Niles has expensive friendships. This is mainly what I'm after, though – a movie projector and a movie camera are missing too. I want to know if he got them. Probably he did, but if he didn't, maybe the killer got them. In that case we need to get the serial numbers out to the hock shops. We need to put 'em on the national hot sheet. The frame's probably melted down by now."

"He'll think 'frame' when I get through with him."

"One thing – if Niles took the projector, he might have kept the film. He couldn't get anything for it. I want the film. I need to see it. If you come at him from the front, he'll deny everything and flush the film if he has any."

"Okay," Metcalf said. "His car title reverted to the estate. I'm executor, so I can search it without a warrant. My friend the judge won't mind papering his room for me. I'll call you."

Graham went back to work.

Affluence. Put affluence in the profile the police would use.

Graham wondered if Mrs. Leeds and Mrs. Jacobi ever did their marketing in tennis clothes. That was a fashionable thing to do in some areas. It was a dumb thing to do in some areas because it was doubly provocative – arousing class resentment and lust at the same time.

Graham imagined them pushing grocery carts, short pleated skirts brushing the brown thighs, the little balls on their sweat socks winking – passing the husky man with the barracuda eyes who was buying cold lunch meat to gnaw in his car.

How many families were there with three children and a pet, and only common locks between them and the Dragon as they slept?

When Graham pictured possible victims, he saw clever, successful people in graceful houses.

But the next person to confront the Dragon did not have children or a pet, and there was no grace in his house. The next person to confront the Dragon was Francis Dolarhyde.

CHAPTER 37

The thump of weights on the attic floor carried through the old house.

Dolarhyde was lifting, straining, pumping more weight than he had ever lifted. His costume was different; sweatpants covered his tattoo. The sweatshirt hung over The Great Red Dragon and the Woman Clothed with the Sun . The kimono hung on the wall like the shed skin of a tree snake. It covered the mirror.

Dolarhyde wore no mask,

Up. Two hundred and eighty pounds from the floor to his chest in one heave. Now over his head.

"WHOM ARE YOU THINKING ABOUT?"

Startled by the voice, he nearly dropped the weight, swayed beneath it. Down. The plates thudded and clanked on the floor.

He turned, his great arms hanging, and stared in the direction of the voice.

"WHOM ARE YOU THINKING ABOUT?"

It seemed to come from behind the sweatshirt, but its rasp and volume hurt his throat.

"WHOM ARE YOU THINKING ABOUT?"

He knew who spoke and he was frightened. From the beginning, he and the Dragon had been one. He was Becoming and the Dragon was his higher self. Their bodies, voices, wills were one,

Not now. Not since Reba. Don't think Reba.

"WHO IS ACCEPTABLE?" the Dragon asked.

"Mrs… erhman – Sherman." It was hard for Dolarhyde to say.

"SPEAK UP. I CAN'T UNDERSTAND YOU. WHOM ARE YOU THINKING ABOUT?"

Dolarhyde, his face set, turned to the barbell. Up. Over his head. Much harder this time.

"Mrs… erhman wet in the water."

"YOU THINK ABOUT YOUR LITTLE BUDDY, DON'T YOU? YOU WANT HER TO BE YOUR LITTLE BUDDY, DON'T YOU?"

The weight came down with a thud.

"I on't have a li'l… buddy." With the fear his speech was failing. He had to occlude his nostrils with his upper lip.

"A STUPID LIE." The Dragon's voice was strong and clear. He said the /s/ without effort. "YOU FORGET THE BECOMING. PREPARE FOR THE SHERMANS. LIFT THE WEIGHT."

Dolarhyde seized the barbell and strained. His mind strained with his body. Desperately he tried to think of the Shermans. He forced himself to think of the weight of Mrs. Sherman in his arms. Mrs. Sherman was next. It was Mrs. Sherman. He was fighting Mr. Sherman in the dark. Holding him down until loss of blood made Sherman's heart quiver like a bird. It was the only heart he heard. He didn't hear Reba's heart. He didn't.

Fear leeched his strength. He got the weight up to his thighs, could not make the turn up to his chest. He thought of the Shermans ranged around him, eyes wide, as he took the Dragon's due. It was no good. It was hollow, empty. The weight thudded down.

"NOT ACCEPTABLE."

"Mrs…"

"YOU CAN'T EVEN SAY 'MRS. SHERMAN.' YOU NEVER INTEND TO TAKE THE SHERMANS. YOU WANT REBA MCCLANE. YOU WANT HER TO BE YOUR LITTLE BUDDY, DON'T YOU? YOU WANT TO BE 'FRIENDS'."

"No."

"LIE!"

"Nyus mhor a niddow wyow."

"JUST FOR A LITTLE WHILE? YOU SNIVELING HARELIP, WHO WOULD BE FRIENDS WITH YOU? COME HERE. I'LL SHOW YOU WHAT YOU ARE."

Dolarhyde did not move.

"I'VE NEVER SEEN A CHILD AS DISGUSTING AND DIRTY AS YOU. COME HERE."

He went.

"TAKE DOWN THE SWEATSHIRT."

He took it down.

"LOOK AT ME."

The Dragon glowed from the wall.

"TAKE DOWN THE KIMONO. LOOK IN THE MIRROR."

He looked. He could not help himself or turn his face from the scalding light. He saw himself drool.

"LOOK AT YOURSELF. I'M GOING TO GIVE YOU A SURPRISE FOR YOUR LITTLE BUDDY. TAKE OFF THAT RAG."

Dolarhyde's hands fought each other at the waistband of the sweatpants. The sweatpants tore. He stripped them away from him with his right hand, held the rags to him with his left.

His right hand snatched the rags away from his trembling, failing left. He threw them into the corner and fell back on the mat, curling on himself like a lobster split live. He hugged himself and groaned, breathing hard, his tattoo brilliant in the harsh gym lights.

"I'VE NEVER SEEN A CHILD AS DISGUSTING AND DIRTY AS YOU. GO GET THEM."

"aaaymah."

"GET THEM."

He padded from the room and returned with the Dragon's teeth.

"PUT THEM IN YOUR PALMS. LOCK YOUR FINGERS AND SQUEEZE MY TEETH TOGETHER."

Dolarhyde's pectoral muscles bunched.

"YOU KNOW HOW THEY CAN SNAP. NOW HOLD THEM UNDER YOUR BELLY. HOLD YOURSELF BETWEEN THE TEETH."

"no."

"DO IT… NOW LOOK."

The teeth were beginning to hurt him. Spit and tears fell on his chest.

"mleadse."

"YOU ARE OFFAL LEFT BEHIND IN THE BECOMING. YOU ARE OFFAL AND I WILL NAME YOU. YOU ARE CUNT FACE. SAY IT."

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