Thomas Harris - Red Dragon

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Red Dragon: краткое содержание, описание и аннотация

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Amazon.com Review
Lying on a cot in his cell with Alexandre Dumas's Le Grand Dictionnaire de Cuisine open on his chest, Hannibal "The Cannibal" Lecter makes his debut in this legendary horror novel, which is even better than its sequel, The Silence of the Lambs. As in Silence, the pulse-pounding suspense plot involves a hypersensitive FBI sleuth who consults psycho psychiatrist Lecter for clues to catching a killer on the loose.
The sleuth, Will Graham, actually quit the FBI after nearly getting killed by Lecter while nabbing him, but fear isn't what bugs him about crime busting. It's just too creepy to get inside a killer's twisted mind. But he comes back to stop a madman who's been butchering entire families. The FBI needs Graham's insight, and Graham needs Lecter's genius. But Lecter is a clever fiend, and he manipulates both Graham and the killer at large from his cell.
That killer, Francis Dolarhyde, works in a film lab, where he picks his victims by studying their home movies. He's obsessed with William Blake's bizarre painting The Great Red Dragon and the Woman Clothed with the Sun, believing there's a red dragon within him, the personification of his demonic drives. Flashbacks to Dolarhyde's terrifying childhood and superb stream-of-consciousness prose get us right there inside his head. When Dolarhyde does weird things, we understand why. We sympathize when the voice of the cruel dead grandma who raised and crazed him urges him to mayhem-she's way scarier than that old bat in Psycho. When he falls in love with a blind girl at the lab, we hope he doesn't give in to Grandma's violent advice.
This book is awesomely detailed, ingeniously plotted, judiciously gory, and fantastically imagined. If you haven't read it, you've never had the creeps.

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Don’t lie. Think fast . “Yes.”

“Why do you write lies, Mr. Lounds? Why do you say I’m crazy? Answer now.”

“When a person… when a person does things that most pcople can’t understand, they call him…”

“Crazy.”

“They called, like… the Wright brothers. All through history-“

“History. Do you understand what I’m doing, Mr. Lounds?”

Understand. There it was. A chance. Swing hard. “No, but I think I’ve got an opportunity to understand, and then all my readers could understand too.”

“Do you feel privileged?”

“It’s a privilege. But I have to tell you, man to man, that I’m scared. It’s hard to concentrate when you’re scared. If you have a great idea, you wouldn’t have to scare me for me to really be impressed.”

“Man to man. Man to man. You use that expression to imply frankness, Mr. Lounds, I appreciate that. But you see, I am not a man. I began as one but by the Grace of God and my own Will, I have become Other and More than a man. You say you’re frightened. Do you believe that God is in attendance here, Mr. Lounds?”

“I don’t know.”

“Are you praying to Him now?”

“Sometimes I pray. I have to tell you, I just pray mostly when I’m scared.”

“And does God help you?”

“I don’t know. I don’t think about it after. I ought to.”

“You ought to. Um-hmmmm. There are so many things you ought to understand. In a little while I’ll help you understand. Will you excuse me now?”

“Certainly.”

Footsteps out of the room. The slide and rattle of a kitchen drawer. Lounds had covered many murders committed in kitchens where things are handy. Police reporting can change forever your view of kitchens. Water running now.

Lounds thought it must be night. Crawford and Graham were expecting him. Certainly he had been missed by now. A great, hollow sadness pulsed briefly with his fear.

Breathing behind him, a flash of white caught by his rolling eye. A hand, powerful and pale. It held a cup of tea with honey. Lounds sipped it through a straw.

“I’d do a big story,” he said between sips. “Anything you want to say. Describe you any way you want, or no description, no description.”

“Shhhh.” A single finger tapped the top of his head. The lights brightened. The chair began to turn.

“No.I don’t want to see you.”

“Oh, but you must, Mr. Lounds. You’re a reporter. You’re here to report. When I turn you around, open your eyes and look at me. If you won’t open them yourself, I’ll staple your eyelids to your forehead.”

A wet mouth noise, a snapping click and the chair spun. Lounds faced the room, his eyes tight shut. A finger tapped insistently on his chest. A touch on his eyelids. He looked.

To Lounds, seated, he seemed very tall standing in his kimono. A stocking mask was rolled up to his nose. He turned his back to Lounds and dropped the robe. The great back muscles flexed above the brilliant tattoo of the tail that ran down his lower back and wrapped around the leg.

The Dragon turned his head slowly, looked over his shoulder at Lounds and smiled, all jags and stains.

“Oh my dear God Jesus,” Lounds said.

Lounds now in the center of the room where he can see the screen. Dolarhyde, behind him, has put on his robe and put in the teeth that allow him to speak.

“Do you want to know What I Am?”

Lounds tried to nod; the chair jerked his scalp. “More than anything. I was afraid to ask.”

“Look.”

The first slide was Blake’s painting, the great Man-Dragon, wings flared and tail lashing, poised above the Woman Clothed with the Sun.

“Do you see now?”

“I see.”

Rapidly Dolarhyde ran through his other slides. Click. Mrs. Jacobi alive. “Do you see?” “Yes.”

Click. Mrs. Leeds alive. “Do you see?”

“Yes.”

Click. Dolarhyde, the Dragon rampant, muscles flexed and tail tattoo above the Jacobis’ bed. “Do you see?”

“Yes.”

Click. Mrs. Jacobi waiting. “Do you see?”

“Yes.”

Click. Mrs. Jacobi after. “Do you see?”

“Yes.”

Click. The Dragon rampant. “Do you see?”

“Yes.”

Click. Mrs. Leeds waiting, her husband slack beside her. “Do you see?”

“Yes.”

Click. Mrs. Leeds after, harlequined with blood. “Do you see?”

“Yes.”

Click. Freddy Lounds, a copy of a Tattler photograph. “Do you see?”

“Oh God.”

“Do you see?”

“Oh my God.” The words drawn out, as a child speaks crying.

“Do you see?”

“Please no.”

“No what?”

“Not me.”

“No what? You’re a man, Mr. Lounds. Are you a man?”

“Yes.”

“Do you imply that I’m some kind of queer?”

“God no.”

“Are you a queer, Mr. Lounds?”

“No.”

“Are you going to write more lies about me, Mr. Lounds?”

“Oh no, no.”

“Why did you write lies, Mr. Lounds?”

“The police told me. It was what they said.”

“You quote Will Graham.”

“Graham told me the lies. Graham.”

“Will you tell the truth now? About Me. My Work. My Becoming. My Art , Mr. Lounds. Is this Art?”

“Art.”

The fear in Lounds’s face freed Dolarhyde to speak and he could fly on sibilants and fricatives; plosives were his great webbed wings.

“You said that I, who see more than you, am insane. I, who pushed the world so much further than you, am insane. I have dared more than you, I have pressed my unique seal so much deeper in the earth, where it will last longer than your dust. Your life to mine is a slug track on stone. A thin silver mucus track in and out of the letters on my monument.” The words Dolarhyde had written in his journal swarmed in him now.

“I am the Dragon and you call me insane? My movements are followed and recorded as avidly as those of a mighty guest star. Do you know about the guest star in 1054? Of course not. Your readers follow you like a child follows a slug track with his finger, and in the same tired loops of reason. Back to your shallow skull and potato face as a slug follows his own slime back home.

“Before Me you are a slug in the sun. You are privy to a great Becoming and you recognize nothing. You are an ant in the afterbirth.

“It is in your nature to do one thing correctly: before Me you rightly tremble. Fear is not what you owe Me, Lounds, you and the other pismires. You owe Me awe .”

Dolarhyde stood with his head down, his thumb and forefinger against the bridge of his nose. Then he left the room.

He didn’t take off the mask, Lounds thought. He didn’t take off the mask. If he comes back with it off, I’m dead. God, I’m wet all over . He rolled his eyes toward the doorway and waited through the sounds ftom the back of the house.

When Dolarhyde returned, he still wore the mask. He carried a lunch box and two thermoses. “For your trip back home.” He held up a thermos. “Ice, we’ll need that. Before we go, we’ll tape a little while.”

He clipped a microphone to the afghan near Lounds’s face. “Repeat after me.”

They taped for half an hour. Finally, “That’s all, Mr. Lounds. You did very well.”

“You’ll let me go now?”

“I will. There’s one way, though, that I can help you better understand and remember.” Dolarhyde turned away.

“I want to understand, I want you to know I appreciate you turning me loose. I’m really going to be fair from now on, you know that.”

Dolarhyde could not answer. He had changed his teeth.

The tape recorder was running again.

He smiled at Lounds, a brown-stained smile. He placed his hand on Lounds’s heart and, leaning to him intimately as though to kiss him, he bit Lounds’s lips off and spit them on the floor.

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