Thomas Harris - Red Dragon

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Red Dragon: краткое содержание, описание и аннотация

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Amazon.com Review
Lying on a cot in his cell with Alexandre Dumas's Le Grand Dictionnaire de Cuisine open on his chest, Hannibal "The Cannibal" Lecter makes his debut in this legendary horror novel, which is even better than its sequel, The Silence of the Lambs. As in Silence, the pulse-pounding suspense plot involves a hypersensitive FBI sleuth who consults psycho psychiatrist Lecter for clues to catching a killer on the loose.
The sleuth, Will Graham, actually quit the FBI after nearly getting killed by Lecter while nabbing him, but fear isn't what bugs him about crime busting. It's just too creepy to get inside a killer's twisted mind. But he comes back to stop a madman who's been butchering entire families. The FBI needs Graham's insight, and Graham needs Lecter's genius. But Lecter is a clever fiend, and he manipulates both Graham and the killer at large from his cell.
That killer, Francis Dolarhyde, works in a film lab, where he picks his victims by studying their home movies. He's obsessed with William Blake's bizarre painting The Great Red Dragon and the Woman Clothed with the Sun, believing there's a red dragon within him, the personification of his demonic drives. Flashbacks to Dolarhyde's terrifying childhood and superb stream-of-consciousness prose get us right there inside his head. When Dolarhyde does weird things, we understand why. We sympathize when the voice of the cruel dead grandma who raised and crazed him urges him to mayhem-she's way scarier than that old bat in Psycho. When he falls in love with a blind girl at the lab, we hope he doesn't give in to Grandma's violent advice.
This book is awesomely detailed, ingeniously plotted, judiciously gory, and fantastically imagined. If you haven't read it, you've never had the creeps.

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"I understand you're retired, Mr. Parsons, so I guess it doesn't matter if you put on your clothes every day or not. A lot of days you just don't get dressed at all, am I right?"

Veins stood out in Parsons' temples. "Just because I'm retired doesn't mean I don't put my clothes on and get busy every day. I just got hot and I came in and took a shower. I was working. I was mulching, and I had done a day's work by afternoon, which is more than you'll do today."

"You were what?"

"Mulching."

"What day did you mulch?"

"Friday. It was last Friday. They delivered it in the morning, a big load, and I had…I had it all spread by afternoon. You can ask at the Garden Center how much it was.

"And you got hot and came in and took a shower. What were you doing in the kitchen?"

"Fixing a glass of iced tea."

"And you got out some ice? But the refrigerator is over there, away from the window."

Parsons looked from the window to the refrigerator, lost and confused. His eyes were dull, like the eyes of a fish in the market toward the end of the day. Then they brightened in triumph. He went to the cabinet by the sink.

"I was right here, getting some Sweet 'N Low when I saw him. That's it. That's all. Now, if you're through prying…"

"I think he saw Hoyt Lewis," Graham said.

"So do I," Springfield said.

"It was not Hoyt Lewis. It was not." Parsons' eyes were watering.

"How do you know?" Springfield said. "It might have been Hoyt Lewis, and you just thought-"

"Lewis is brown from the sun. He's got old greasy hair and those peckerwood sideburns." Parsons' voice had risen and he was talking so fast it was hard to understand him. "That's how I knew. Of course it wasn't Lewis. This fellow was paler and his hair was blond. He turned to write on his clipboard and I could see under the back of his hat. Blond. Cut off square on the back of his neck."

Springfield stood absolutely still and when he spoke his voice was still skeptical. "What about his face?"

"I don't know. He may have had a mustache."

"Like Lewis?"

"Lewis doesn't have a mustache."

"Oh," Springfield said. "Was he at eye level with the meter? Did he have to look up at it?"

"Eye level, I guess."

"Would you know him if you saw him again?"

"No."

"What age was he?"

"Not old. I don't know."

"Did you see the Leedses' dog anywhere around him?"

"No."

"Look, Mr. Parsons, I can see I was wrong," Springfield said. "You're a real big help to us. If you don't mind, I'm going to send our artist out here, and if you'd just let him sit right here at your kitchen table, maybe you could give him an idea of what this fellow looked like. It sure wasn't Lewis."

"I don't want my name in any newspapers.

"It won't be."

Parsons followed them outside.

"You've done a hell of a fine job on this yard, Mr. Parsons," Springfield said. "It ought to win some kind of a prize."

Parsons said nothing. His face was red and working, his eyes wet. He stood there in his baggy shorts and sandals and glared at them. As they left the yard, he grabbed his fork and began to grub furiously in the ground, hacking blindly through the flowers, scattering mulch on the grass.

# # #

Springfield checked in on his car radio. None of the utilities or city agencies could account for the man in the alley on the day before the murders. Springfield reported Parsons' description and gave instructions for the artist. "Tell him to draw the pole and the meter first and go from there. He'll have to ease the witness along.

"Our artist doesn't much like to make house calls," the chief of detectives told Graham as he slid the stripline Ford through the traffic. "He likes for the secretaries to see him work, with the witness standing on one foot and then the other, looking over his shoulder. A police station is a damn poor place to question anybody that you don't need to scare. Soon as we get the picture, we'll door-to-door the neighborhood with it.

"I feel like we just got a whiff, Will. Just faint, but a whiff, don't you? Look, we did it to the poor old devil and he came through. Now let's do something with it."

"If the man in the alley is the one we want, it's the best news yet," Graham said. He was sick of himself.

"Right. It means he's not just getting off a bus and going whichever way his peter points. He's got a plan. He stayed in town overnight. He knows where he's going a day or two ahead. He's got some kind of an idea. Case the place, kill the pet, then the family. What the hell kind of an idea is that?" Springfield paused. "That's kind of your territory, isn't it?"

"It is, yes. If it's anybody's, I suppose it's mine."

"I know you've seen this kind of thing before. You didn't like it the other day when I asked you about Lecter, but I need to talk to you about it."

"All right."

"He killed nine people, didn't he, in all?"

"Nine that we know of. Two others didn't die."

"What happened to them?"

"One is on a respirator at a hospital in Baltimore. The other is in a private mental hospital in Denver."

"What made him do it, how was he crazy?"

Graham looked out the car window at the people on the sidewalk. His voice sounded detached, as though he were dictating a letter.

"He did it because he liked it. Still does. Dr. Lecter is not crazy, in any common way we think of being crazy. He did some hideous things because he enjoyed them. But he can function perfecfly when he wants to."

"What did the psychologists call it – what was wrong with him?"

"They say he's a sociopath, because they don't know what else to call him. He has some of the characteristics of what they call a sociopath. He has no remorse or guilt at all. And he had the first and worst sign – sadism to animals as a child."

Springfield grunted.

"But he doesn't have any of the other marks," Graham said. "He wasn't a drifter, he had no history of trouble with the law. He wasn't shallow and exploitive in small things, like most sociopaths are. He's not insensitive. They don't know what to call him. His electroencephalograms show some odd patterns, but they haven't been able to tell much from them."

"What would you call him?" Springfield asked.

Graham hesitated.

"Just to yourself, what do you call him?"

"He's a monster. I think of him as one of those pitiful things that are born in hospitals from time to time. They feed it, and keep it warm, but they don't put it on the machines and it dies. Lecter is the same way in his head, but he looks normal and nobody could tell."

"A couple of friends of mine in the chiefs' association are from Baltimore. I asked them how you spotted Lecter. They said they didn't know. How did you do it? What was the first indication, the first thing you felt?"

"It was a coincidence," Graham said. "The sixth victim was killed in his workshop. He had woodworking equipment and he kept his hunting stuff out there. He was laced to a pegboard where the tools hung, and he was really torn up, cut and stabbed, and he had arrows in him. The wounds reminded me of something. I couldn't think what it was."

"And you had to go on to the next ones."

"Yes. Lecter was very hot – he did the next three in nine days. But this sixth one, he had two old scars on his thigh. The pathologist checked with the local hospital and found he had fallen out of a tree blind five years before while he was bow hunting and stuck an arrow through his leg.

"The doctor of record was a resident surgeon, but Lecter had treated him first – he was on duty in the emergency room. His name was on the admissions log. It had been a long time since the accident, but I thought Lecter might remember if anything had seemed fishy about the arrow wound, so I went to his office to see him. We were grabbing at anything then.

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