Ian Rankin - Mortal Causes

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The last people to die in Mary King's Close had been plague victims. But that was in the 1700s. Now a body has been discovered, brutally tortured and murdered in Edinburgh's buried city. Inspector John Rebus, ex army, spots a paramilitary link, but how can this be true? It is August in Edinburgh, the Festival is in full swing. No one wants to contemplate terrorism in the throng ing city streets. Special Branch are interested, however, and Rebus finds himself seconded to an elite police unit with the mission of smashing whatever cell may exist. But the victim turns out to be a gangster's son, and the gangster wants revenge on his own terms. Soon Rebus finds himself in a non man'sland where friendly fire is as likely to score a hit as anything lauched by the unseen enemy.

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As for the content, there were cries of nationalism and individualism in one paragraph, philosophical and moral lethargy the next. Anarcho-syndicalism was mentioned, but so were Bakunin, Rimbaud and Tolstoy. It wasn't, to Rebus's eye, the sort of stuff to boost advertising revenue.

For example: 'What Dalriada needs is a new commitment, a new set of mores which look to the existent and emerging youth culture. What we need is action by the individual without recourse or prior thought to the rusted machinery of law, church, state.

'We need to be free to make our own decisions about our nation and then act self-consciously to make those decisions a reality. The sons and daughters of Alba are the future, but we are living in the mistakes of the past and must change those mistakes in the present. If you do not act then remember: Now is the first day of the rest of your strife. And remember too: inertia corrodes.’

Except that 'mores' was spelt 'moeres' and 'existent' as 'existant'. Rebus put the pamphlet down.

'A psychiatrist could have a field day,' he muttered. Holmes and Clarke were seated on the other side of his desk. He noticed that while he'd been at Fettes, people. had been using his desktop as a dumping ground for sandwich wrappers and polystyrene cups. He ignored these and turned the pamphlet over. There was an address at the bottom of the back page: Zabriskie House, Brinyan, Rousay, Orkney Isles.

'Now that's what I call dropping out,' said Rebus. 'And look, the house is named after Zabriskie Point.’

'Is that in the Orkneys too?’ asked Holmes.

'It's a film,' said Rebus. He'd gone to see it a long long time ago, just for the '60s soundtrack. He couldn't remember much about it, except for an explosion near the end. He tapped his finger against the pamphlet. 'I want to know more about this.’

'You're kidding, sir,' said Holmes.

'That's me,' said Rebus sourly, 'always a smile and a joke.’

Clarke turned to Holmes. 'I think that means he's serious.’

'In the land of the blind,' said Rebus, 'the one-eyed man is king. And even I can see there's more to this than meets your eyes, Brian.’

Holmes frowned. 'Such as, sir?’

'Such as its provenance, its advanced years. What would you say, 1973? '74? Billy Cunningham wasn't even born in 1974. So what's this doing in his wardrobe beside up to-date scud mags and football programmes?’

He waited. 'Answer came there none.’

Holmes looked sullen; an annoying trait whenever Rebus showed him up. But Clarke was ready. 'We'll get. Orkney police to check, sir, always supposing the Orkneys possess any police.’

'Do that,' said Rebus.

10

Like a rubber ball, he thought as he drove, I'll come bouncing back to you. He'd been summoned back to Fettes by DCI Kilpatrick. In his pocket there was a message from Caroline Rattray, asking him to meet her in Parliament House. He was curious about the message, which had been taken over the phone by a Detective Constable in the Murder Room. He saw Caroline Rattray as she'd been that night, all dressed up and then dragged down into Mary King's Close by Dr Curt. He saw her strong masculine face with its slanting nose and high prominent cheekbones. He wondered if Curt had said anything to her about him… He would definitely make time to see her.

Kilpatrick had an office of his own in a corner of the otherwise open-plan room used by the SCS. Just outside it sat the secretary and the clerical assistant, though Rebus couldn't work out which was which. Both were civilians, and both operated computer consoles. They made a kind of shield between Kilpatrick and everyone else, a barrier you passed as you moved from your world into his. As Rebus passed them, they were discussing the problems facing South Africa.

'It'll be like on Uist,' one of them said, causing Rebus to pause and listen. 'North Uist is Protestant and South Uist is Catholic, and they can't abide one another.’

Kilpatrick's office itself was flimsy enough, just plastic partitions, see-through above waist height. The whole thing could be dismantled in minutes, or wrecked by a few judicious kicks and shoulder-charges. But it was definably an office. It had a door which Kilpatrick told Rebus to close. There was a certain amount of sound insulation. There were two filing-cabinets, maps and print-outs stuck to the walls with Blu-Tak, a couple of calendars still showing July. And on the desk a framed photograph of three grinning gap-toothed children.

'Yours, sir?’

'My brother's. I'm not married.’

Kilpatrick turned the photo around, the better to study it. `I try to be a good uncle.’

'Yes, sir.’ Rebus sat down. Beside him sat Ken Smylie, hands crossed in his lap. The skin on his wrists had wrinkled up like a bloodhound's face.

'I'll get straight to the point, John,' said Kilpatrick. 'We've got a man undercover. He's posing as a long-distance lorry driver. We're trying to pick up information on arms shipments: who's selling, who's buying.’

'Something to do with The Shield, sir?’

Kilpatrick nodded. 'He's the one who's heard the name mentioned.’

'So who is he?’

'My brother,' Smylie said. 'His name's Calumn.’

Rebus took this in. 'Does he look like you, Ken?’

'A bit.’

`Then I dare say he'd pass as a lorry driver.’

There was almost a smile at one corner of Smylie's mouth.

'Sir,' Rebus said to Kilpatrick, 'does this mean you think the Mary King's Close killing had something to do with the paramilitaries?’

Kilpatrick smiled. 'Why do you think you're here, John? You spotted it straight off. We've got three men working on Billy Cunningham, trying to track down friends of his. For some reason they had to kill him, I'd like to know why.’

'Me too, sir. If you want to find out about Cunningham, try his flatmate first.’

'Murdock? Yes, we're talking to him.’

'No, not Murdock, Murdock's girlfriend. I went round there when they reported him missing. There was something about her, something not quite right. Like she was holding back, putting on an act.’

Smylie said, 'I'll take a look.’

'Her and her boyfriend both work with computers. Think that might mean something?’

'I'll take a look,' Smylie repeated. Rebus didn't doubt that he would.

'Ken thinks you should meet Calumn,' Kilpatrick said.

Rebus shrugged. 'Fine by me.’

'Good,' said Kilpatrick. 'Then we'll take a little drive.’

Out in the main office they all looked at him strangely, like they knew precisely what had been said to him in Kilpatrick's den. Well, of course they knew. Their looks told Rebus he was resented more than ever. Even Claverhouse, usually so laid back, was managing a snide little grin.

DI Blackwood rubbed a smooth hand over the hairless crown of his head, then tucked a stray hair back behind his ear. His tonsure was positively monasterial, and it bothered him. In his other hand he held his telephone receiver, listening to someone on the line. He ignored Rebus as Rebus walked past.

At the next desk along, DS Ormiston was squeezing spots on his forehead.

'You two make a picture,' Rebus said. Ormiston didn't appear to get it, but that wasn't Rebus's problem. His problem was that Kilpatrick was taking him into his confidence, and Rebus still didn't know why.

There are lots of warehouses in Sighthill, most of them anonymous. They weren't exactly advertising that one of them had been leased by the Scottish Crime Squad. It was a big old prefabricated building surrounded by a high wire fence and protected by a high barred gate. There was barbed wire strung out across the top of the fence and the gate, and the gatehouse was manned. The guard unlocked the gate and swung it open so they could drive in.

'We got this place for a song,' Kilpatrick explained. 'The market's not exactly thriving just now.’

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