Tana French - The Likeness

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The eagerly anticipated follow-up to the New York Times bestselling psychological thriller In the Woods Six months after the events of In the Woods, Detective Cassie Maddox is still trying to recover. She?s transferred out of the murder squad and started a relationship with Detective Sam O?Neill, but she?s too badly shaken to make a commitment to him or to her career. Then Sam calls her to the scene of his new case: a young woman found stabbed to death in a small town outside Dublin. The dead girl?s ID says her name is Lexie Madison?the identity Cassie used years ago as an undercover detective?and she looks exactly like Cassie. With no leads, no suspects, and no clue to Lexie?s real identity, Cassie?s old undercover boss, Frank Mackey, spots the opportunity of a lifetime. They can say that the stab wound wasn?t fatal and send Cassie undercover in her place to find out information that the police never would and to tempt the killer out of hiding. At first Cassie thinks the idea is crazy, but she is seduced by the prospect of working on a murder investigation again and by the idea of assuming the victim?s identity as a graduate student with a cozy group of friends. As she is drawn into Lexie?s world, Cassie realizes that the girl?s secrets run deeper than anyone imagined. Her friends are becoming suspicious, Sam has discovered a generations-old feud involving the old house the students live in, and Frank is starting to suspect that Cassie?s growing emotional involvement could put the whole investigation at risk. Another gripping psychological thriller featuring the headstrong protagonist we?ve come to love, from an author who has proven that she can deliver.
***
Tana French's second novel, The Likeness, is a suspenseful and extremely enjoyable read. Like her first (Into the Woods), it is set in and around Dublin, Ireland. The story entails an investigation of a homicide (it is a mystery, after all), but it also has something more: an inquiry into the nature of human selfhood.
Cassie Maddox used to be a detective on the Murder Squad but transferred to Domestic Violence (DV) about six months ago. Murder investigation is not the only thing she's left behind; she also spent time as an undercover agent. In her mid-twenties at the time, she was young enough to pass for a college student and had spent nine months posing as an undergraduate named Lexie Madison, investigating a drug ring. Unfortunately, Cassie's career as Lexie came to an abrupt end when she was stabbed.
Cassie is getting ready to head to DV one day when she gets a call from her boyfriend Sam, who still works in Murder. Could she come to a crime scene, right away? Puzzled, Cassie goes to an abandoned two-room house in the rural town of Glenskehy, where a body was found. Frank Mackey, with whom she had worked on the undercover case, is there as well. Cassie is startled by what she finds: the victim could have been her twin sister. What's worse, the girl's ID says her name is Lexie Madison. Here is a mystery twice over: who killed this girl, and who is she, really? Lexie Madison never existed except as an undercover front.
Whoever the girl was, she had constructed a life for herself as Lexie, a graduate student in English. With four fellow students, she shared the "big house" in town (a mansion that one of the students inherited), and judging from the videos found on her phone, they were as thick as thieves. Brought in for questioning, the four say they were together the night Lexie died and hadn't left the house. Lexie had gone on her customary nightly walk and simply never returned.
Stymied in the investigation, Frank convinces first Sam and then Cassie that the only way to find out what happened is to send Cassie undercover as Lexie. It is a once-in-a-career opportunity for undercover work but very dangerous. Frank concocts a story that Lexie survived the stabbing and, now recovered from being in a coma, is returning home. They drop her off at the house, with the four friends waiting, and the perilous charade begins. Cassie must work to find out what happened without giving herself away by the things she doesn't know.

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3

So, on Sunday evening, Sam and I went to Dublin Castle for Frank’s council of war. Dublin Castle is where the Murder squad works. I had cleared out my desk there on another long cool evening, in autumn: stacked my paperwork in neat piles and labeled each pile with a Post-it, thrown away the cartoons stuck to my computer and the chewed pens and old Christmas cards and stale M amp;Ms in my desk drawers, turned off the light and closed the door behind me.

Sam picked me up. He was very quiet. He had been up and out early that morning, so early that the flat was still dark when he leaned over to kiss me good-bye. I didn’t ask him about the case. If he had found anything good, even the slimmest lead, he would have told me.

“Don’t let your man pressure you,” he said, in the car. “Into doing anything you don’t want to.”

“Come on,” I said. “When have I ever let anyone pressure me into anything?”

Sam adjusted his rearview mirror, carefully. “Yeah,” he said. “I know.”

When he unlocked the door, the smell of the building came at me like a shout: an old, elusive smell, damp and smoke and lemon, nothing like the antiseptic tang of DV in the new building up in Phoenix Park. I hate nostalgia, it’s laziness with prettier accessories, but every step hit me straight in the gut with something: me running down those stairs with a bunch of files in each hand and an apple caught between my teeth, my partner and me high-fiving each other outside that door after getting our first confession in that interview room; the two of us double-teaming the superintendent down that hallway, one in each ear, trying to hassle him into giving us more overtime. It seemed like the corridors had an Escher look, the walls all tilting in subtle, seasick ways, but I couldn’t focus my eyes enough to figure out exactly how.

“How’re you doing?” Sam asked quietly.

“Starving,” I said. “Whose idea was it to do this at dinnertime?”

Sam smiled, relieved, and gave my hand a quick squeeze. “We don’t have an incident room yet,” he said. “Till we decide… well, how we’re doing this; where we’re working out of.” Then he opened the door of the Murder squad room.

Frank was straddling a backwards chair at the head of the room, in front of the big whiteboard, and all his reassurances about a casual chat between him and me and Sam had been bollocks. Cooper, the state pathologist, and O’Kelly, the superintendent of the Murder squad, were sitting at desks on opposite sides of the room with their arms folded, wearing identical narky looks. This should have been funny-Cooper looks like a heron and O’Kelly looks like a bulldog with a comb-over-but actually it gave me a very bad feeling. Cooper and O’Kelly hate each other; getting them in the same room for any length of time takes a lot of skilled persuasion and a couple of bottles of pretty serious wine. For some cryptic reason of his own, Frank had pulled out all the stops to get them both there. Sam shot me a wary, warning glance. He hadn’t been expecting this either.

“Maddox,” O’Kelly said, managing to make it sound injured. O’Kelly never had any use for me when I was on Murder, but the second I applied for a transfer, I somehow morphed into the serpent’s-tooth protégée who snubbed years of devoted mentoring and buggered off to DV. “How’s life in the minor leagues?”

“All sunshine and flowers, sir,” I said. When I’m tense, I get flippant. “Evening, Dr. Cooper.”

“Always a pleasure, Detective Maddox,” said Cooper. He ignored Sam. Cooper hates Sam, too, and more or less everyone else. I’d stayed in his good books so far, but if he discovered I was going out with Sam, I would shoot down his Christmas-card list at the speed of light.

“At least in Murder,” O’Kelly said, giving my ripped jeans a fishy look-for some reason I hadn’t been able to bring myself to wear my nice new appropriate-image clothes, not for this-“most of us can afford decent gear. How’s Ryan getting on?”

I wasn’t sure whether the question was bitchy or not. Rob Ryan used to be my partner, back in Murder. I hadn’t seen him in a while. I hadn’t seen O’Kelly, either, or Cooper; not since I’d transferred out. This was all happening too fast and out of control. “Sends love and kisses,” I said.

“Can’t say I didn’t suspect,” O’Kelly said, and sniggered at Sam, who looked away.

The squad room holds twenty, but it was Sunday-evening empty: computers off, desks scattered with paperwork and fast-food wrappers-the cleaners don’t come in till Monday morning. In the back corner by the window, the desks where Rob and I used to sit were still at right angles, the way we liked them, so we could be shoulder to shoulder. Some other team, maybe the newbies brought in to replace us, had taken them over. Whoever was at my desk had a kid-silver-framed photo of a grinning little boy with his front teeth missing-and a pile of statement sheets, sun falling across them. It always used to get in my eyes, this time of day.

I was having a hard time breathing; the air felt too thick, almost solid. One of the fluorescents was on the fritz and it gave the room a shimmery, epileptic look, something out of a fever dream. A couple of the big binders lined up on the filing cabinets still had my handwriting down the spines. Sam pulled up his chair to his desk and glanced at me with a faint furrow between his eyebrows, but he didn’t say anything, and I was grateful for that. I concentrated on Frank’s face. There were bags under his eyes and he had cut himself shaving, but he looked wide awake, alert and energized. He was looking forward to this.

He caught me watching him. “Glad to be back?”

“Ecstatic,” I said. I wondered, suddenly, if he had got me into this room deliberately, knowing it might throw me. I dropped my satchel on a desk-Costello’s; I knew the handwriting on the paperwork-leaned back against the wall and stuck my hands in my jacket pockets.

“Companionable though this may be,” Cooper said, edging a little farther from O’Kelly, “I, for one, would be delighted to come to the point of this little gathering.”

“Fair enough,” Frank said. “The Madison case-well, the Jane Doe alias Madison case. What’s the official name?”

“Operation Mirror,” Sam said. Obviously the word about the victim’s looks had spread as far as headquarters. Beautiful. I wondered whether it was too late to change my mind, go home and order pizza.

Frank nodded. “Operation Mirror it is. It’s been three days, and we’ve got no suspects, no leads and no ID. As you all know, I think it might be time to try a different tack-”

“Hold your horses there,” O’Kelly said. “We’ll get to your ‘different tack’ in a moment, don’t you worry about that. But first, I’ve a question.”

“Off you go,” Frank said magnanimously, with an expansive gesture to match.

O’Kelly gave him a dirty look. There was an awful lot of testosterone circulating in this room. “Unless I’m missing something,” he said, “this girl was murdered. Correct me if I’m wrong here, Mackey, but I’m not seeing any indication of domestic violence, and I’m not seeing anything that says she was undercover. Why did you people”-he jerked his chin at me and Frank-“want in on this one to begin with?”

“I didn’t,” I told him. “I don’t.”

“The victim was using an identity I created for one of my officers,” Frank said, “and I take that pretty personally. So you’re stuck with me. You may or may not be stuck with Detective Maddox; that’s what we’re here to find out.”

“I can tell you that right now,” I said.

“Humor me,” Frank said. “Don’t tell me till I’ve finished. Once you’ve heard me out, you can tell me to fuck off all you like, and I won’t say a word. Doesn’t that sound like fun?”

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