Tana French - The Likeness

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The eagerly anticipated follow-up to the New York Times bestselling psychological thriller In the Woods Six months after the events of In the Woods, Detective Cassie Maddox is still trying to recover. She?s transferred out of the murder squad and started a relationship with Detective Sam O?Neill, but she?s too badly shaken to make a commitment to him or to her career. Then Sam calls her to the scene of his new case: a young woman found stabbed to death in a small town outside Dublin. The dead girl?s ID says her name is Lexie Madison?the identity Cassie used years ago as an undercover detective?and she looks exactly like Cassie. With no leads, no suspects, and no clue to Lexie?s real identity, Cassie?s old undercover boss, Frank Mackey, spots the opportunity of a lifetime. They can say that the stab wound wasn?t fatal and send Cassie undercover in her place to find out information that the police never would and to tempt the killer out of hiding. At first Cassie thinks the idea is crazy, but she is seduced by the prospect of working on a murder investigation again and by the idea of assuming the victim?s identity as a graduate student with a cozy group of friends. As she is drawn into Lexie?s world, Cassie realizes that the girl?s secrets run deeper than anyone imagined. Her friends are becoming suspicious, Sam has discovered a generations-old feud involving the old house the students live in, and Frank is starting to suspect that Cassie?s growing emotional involvement could put the whole investigation at risk. Another gripping psychological thriller featuring the headstrong protagonist we?ve come to love, from an author who has proven that she can deliver.
***
Tana French's second novel, The Likeness, is a suspenseful and extremely enjoyable read. Like her first (Into the Woods), it is set in and around Dublin, Ireland. The story entails an investigation of a homicide (it is a mystery, after all), but it also has something more: an inquiry into the nature of human selfhood.
Cassie Maddox used to be a detective on the Murder Squad but transferred to Domestic Violence (DV) about six months ago. Murder investigation is not the only thing she's left behind; she also spent time as an undercover agent. In her mid-twenties at the time, she was young enough to pass for a college student and had spent nine months posing as an undergraduate named Lexie Madison, investigating a drug ring. Unfortunately, Cassie's career as Lexie came to an abrupt end when she was stabbed.
Cassie is getting ready to head to DV one day when she gets a call from her boyfriend Sam, who still works in Murder. Could she come to a crime scene, right away? Puzzled, Cassie goes to an abandoned two-room house in the rural town of Glenskehy, where a body was found. Frank Mackey, with whom she had worked on the undercover case, is there as well. Cassie is startled by what she finds: the victim could have been her twin sister. What's worse, the girl's ID says her name is Lexie Madison. Here is a mystery twice over: who killed this girl, and who is she, really? Lexie Madison never existed except as an undercover front.
Whoever the girl was, she had constructed a life for herself as Lexie, a graduate student in English. With four fellow students, she shared the "big house" in town (a mansion that one of the students inherited), and judging from the videos found on her phone, they were as thick as thieves. Brought in for questioning, the four say they were together the night Lexie died and hadn't left the house. Lexie had gone on her customary nightly walk and simply never returned.
Stymied in the investigation, Frank convinces first Sam and then Cassie that the only way to find out what happened is to send Cassie undercover as Lexie. It is a once-in-a-career opportunity for undercover work but very dangerous. Frank concocts a story that Lexie survived the stabbing and, now recovered from being in a coma, is returning home. They drop her off at the house, with the four friends waiting, and the perilous charade begins. Cassie must work to find out what happened without giving herself away by the things she doesn't know.

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Everyone hates IA-the Rat Squad, people call them, the quislings, various other less flattering things-but they were good to me, that day at least. They were detached and professional and very gentle, like nurses going through their expert rituals around some patient who had been in a terrible, disfiguring accident. They took my badge-“for the duration of the investigation,” someone said soothingly; it felt like they had shaved my head. They peeled off the bandage and unclipped the mike. They took my gun like evidence, which of course it was, careful latex fingers dropping it into an evidence bag, sealing it, labeling it with neat marker strokes. A Bureau tech with her hair in a smooth brown bun like a Victorian maid’s stuck a needle in my arm, deftly, and took a blood sample to test for alcohol and drugs; I remembered, vaguely, Rafe pouring and the smooth cool of the glass, but I couldn’t remember taking even one sip, and I thought this had to be a good thing. She swabbed my hands for gunshot residue and I noticed, as if I were watching someone else from a long way away, that my hands weren’t shaking, they were rock steady, and that a month of Whitethorn House cooking had softened the hollows by my wrist bones. “There,” the tech said comfortingly, “quick and painless,” but I was busy staring at my hands and it wasn’t till hours later, when I was sitting on a neutral-colored lobby sofa under innocuous art waiting for someone to come take me somewhere else, that I realized where I’d heard that tone before: out of my own mouth. Not to victims, not to families; to the others. To men who’d left their wives half blinded, to women who’d scalded their toddlers with boiling water, to killers, in the light-headed disbelieving moments after everything came pouring out, I had said in that infinitely gentle voice, It’s OK, you’re OK. Breathe. The worst part’s over.

Outside the lab window the sky had gone black, a tainted rusty black smeared orange with city lights, and there was a thin breakable moon riding low among the treetops in the park. A shiver rocked my spine like a long cold wind. Cop cars speeding through Glenskehy and then away again, John Naylor’s eyes pure with rage, and night coming down hard.

I wasn’t supposed to talk to Sam or Frank, not till all of us had been interviewed. I told the tech I had to go to the bathroom and gave her a woman-to-woman look to explain why I was taking my jacket with me. In the cubicle I flushed the jacks and while the water was still running-everything about IA makes you paranoid, the thick carpets, the hush-I texted Frank and Sam, fast. Someone NEEDS to keep an eye on the house.

I set my phone to silent and sat on the toilet lid, smelling sick fake-flower air freshener and waiting, for as long as I could get away with, but neither of them answered. Their phones were probably off; they would be doing furious full-on interviewing of their own, expertly juggling Abby and Rafe and Justin between them, having quick undertone conferences in corridors, asking questions over and over again with relentless, ferocious patience. Maybe-my heart flipped upwards, punched at the base of my throat-maybe one of them was at the hospital, talking to Daniel. White face, IV lines, people in scrubs moving fast. I tried to remember exactly where the bullet had hit him, ran through it over and over in my head, but the film blinked and stuttered and I couldn’t see. That tiny nod; the leap of his gun barrel; recoil slamming up my arms; those grave gray eyes, pupils only a little dilated. Then there was just Abby’s voice flat and adamant No; the blank wall where Daniel had been standing, and silence, huge and roaring in my ears.

The tech handed me back to the IA guys and they told me that if I was feeling a little shaken up I could wait till the next day to give my statement, but I said no, thanks, I was fine. They explained to me that I had the right to have a lawyer or a union rep present and I said no, thanks, I was fine. Their interview room was smaller than ours, barely room to push your chair back from the table, and cleaner: no graffiti, no cigarette burns in the carpet, no gouges in the walls where someone had gone alpha gorilla with a chair. Both of the IA guys looked like cartoon accountants: gray suits, bald spots, no lips, matching rimless glasses. One of them leaned against the wall behind my shoulder-even if you know all the tactics inside out, they still work on you-and the other one sat across from me. He adjusted his notebook fussily so that it lined up with the edge of the table, turned on his tape recorder and did the preliminary spiel. “Now,” he said. “In your own words, Detective.”

“Daniel March,” I said; they were the only words that would come out. “Is he going to be all right?” and I knew even before he told me, I knew when his eyelids flickered and his eyes slid away from mine.

The Bureau tech-her name was Gillian-drove me home sometime late that night, when the IA twins had finished taking my statement. I told them what you’d expect: the truth, as well as I could put it into words, nothing but the truth, not the whole truth. No, I didn’t feel that I’d had any option except to fire my weapon. No, I had had no opportunity to attempt a nonlethal disabling shot. Yes, I had believed my life was in danger. No, there had been no prior indication that Daniel was dangerous. No, he hadn’t been our prime suspect, long list of reasons why not-it took me a second to remember them, they felt so long ago and far away, part of a different life. No, I didn’t believe it had been remiss of me or Frank or Sam to leave a gun in the house, it was standard undercover practice to leave illegal materials in place for the duration of the investigation, we had had no way to remove it without blowing the whole operation. Yes, in retrospect that decision did appear to have been unwise. They told me we’d talk again soon-they made it sound like a threat-and set up an appointment for me with the shrink, who was going to just about wet his polyester blend over this one.

Gillian needed my clothes-Lexie’s clothes-to test for gunshot residue. She stood at the door of my flat, hands folded, watching me while I changed: she had to be sure that what she saw was what she got, no switching out the T-shirt for a clean one. My own clothes felt cold and too stiff, like they didn’t belong to me. The flat was cold too, it had a faint dank smell, and there was a thin film of dust on all the surfaces. Sam hadn’t come by in a while.

I gave Gillian my clothes and she folded them away, efficiently, in big evidence bags. At the door she hesitated, hands full; for the first time she looked unsure, and I realized she was probably younger than me. “Are you going to be all right on your own?” she asked.

“I’m fine,” I said. I had said it enough times, that day, that I was thinking of getting a T-shirt printed.

“Is there anyone who could come stay with you?”

“I’ll ring my boyfriend,” I said, “he’ll come over,” even though I wasn’t sure that was true; I wasn’t sure at all.

***

When Gillian left carrying the last of Lexie Madison, I sat on my windowsill with a glass of brandy-I hate brandy, but I was pretty sure I was officially in shock in about four different ways, and besides it was the only booze in the flat-and watched the lighthouse beam blinking, serene and regular as a heartbeat, out over the bay. It was some ungodly hour of the night, but I couldn’t imagine sleeping; in the faint yellow light from my bedside lamp the futon looked vaguely threatening, overstuffed with squashy heat and bad dreams. I wanted to ring Sam so badly it was like being dehydrated, but I didn’t have anything left inside me to handle it, not that night, if he didn’t answer.

Somewhere far away a house alarm screamed briefly, till someone switched it off and the silence swelled up again and hissed at me. Off to the south the lights of Dun Laoghaire pier were strung out neat as Christmas lights; beyond them I thought I saw, for a second-trick of the eyes-the silhouette of the Wicklow mountains, against the dark sky. There were only a few stray cars passing down the strand road, that time of night. The smooth sweeps of their headlights grew and faded and I wondered where those people were going, late and solitary, what they were thinking about in the warm bubbles of their cars; what delicate, hard-won, irreplaceable layers of lives were wrapped around them.

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