Carol O’Connell - Killing Critics

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Andrew Bliss, art critic pens the phrase "art terrorism" to describe the murder of artist Dean Starr. No one suspects he knows anything about a crime committed in a gallery 12 years earlier. Detective Kathy Mallory wants to reopen the case and a number of people in high places start to get nervous.

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Nearing the escalators, he observed the confusion of an amateur shopper, and he knew the woman was searching for a way to get to the cleverly hidden second floor. Sometimes even hard-core veterans couldn’t immediately find their way to the escalators. Andrew could do it blind drunk, and he did.

One hard-boiled shopper found the escalator too slow. She ran up the moving staircase, leading a charge of tourists who chatted only in Japanese. “Trust me,” the woman said to the confused faces of a party of obviously non-English-speaking people. “I know where to find it. I know their stock better than they do.” Her foot soldiers smiled and nodded. Somehow she had communicated product without foreign-language skills. Well, product was everything, wasn’t it? Truly transcendent.

He changed escalators on the second floor and rode upward and onward, heading slowly toward last call for wine at Le Train Bleu. Rising to the third floor, he rode into the spectacle of a raven-haired mannequin in a silver gown, all dressed up to go dancing. The mannequin reminded him of Aubry Gilette, the young dancer who had died with artist Peter Ariel. On the fourth floor, two workers passed the escalator with a headless, handless mannequin, and this was Aubry too.

On the fifth floor, as he stepped off the escalator and walked to the next moving staircase, he looked down at the carpet, which had always brought to mind the color of red wine. Now it was more the color of blood, blood all over the floor, every bit of it. He nearly slipped in it, so complete was the illusion of the guilty eye.

Finally, he stepped off the mechanical stairs on the sixth floor and headed for Le Train Bleu. The restaurant was open late this evening to cater a party of fashion designers. He approached the maitre d‘ and extended his invitation. The man smiled at his most loyal patron and escorted Andrew through the space arranged in Orient Express ambience. The dimensions of the pale green room, the banks of square windows, and every appointment of brass, wood and crystal kept to the design of a train. Crisp white napkins graced linen tablecloths, and plush green chairs completed the atmosphere of fine railway dining from an era gone by.

His personal shopper, Annie, was seated at his usual table. He was oblivious to the crowd as he sat down. He beamed his widest smile on Annie, for she was his treasure. She made his lunch and dinner reservations, called for his cabs, did his shopping, and rearranged his business appointments when they interfered with special shipments and sales.

“Annie.”

“Yes, dear?”

“I’m going to change my life.”

“Yes, dear.”

Annie had her own style-minimalism. Each day, she wore the same dress, a classic black shift which never showed stains. He often wondered if she washed it out each night, or might she have a closetful. In the time he had known her, she had gone from salt and pepper to solid white hair. Her fingernails went everywhere naked, and she wore slippers around the department store. He tolerated the slippers and the lack of polish because he loved her best.

“You know, Annie, I worry about this place when the lights go out. But I imagine the security is rather good. I suppose they just let a pack of dogs roam at will- something like that?”

“No, the dogs go around with a guard. Employees have been here pretty late some nights.”

“So they give the employees lots of overtime, do they?”

“No, dear. That was in the holiday season. No one does overtime this time of year.”

“Annie, tell me more about the store security. I find this fascinating.”

“Yes, dear.”

Riker turned on the wall switch and an overhead light bounced off the rows of metal filing cabinets. There was no one on duty in the records room this time of night, no one to remind him that the law forbade smoking in public buildings. The antismoking activists closed in on him tighter and tighter every day-for his own good, they said. But though he coughed himself to sleep every night, and the stale smell of smoke clung to all his clothes, this dirty and unhealthy habit had become more and more attractive. Now it was a bona fide sport, a real challenge to find the odd room where he would not be caught. He reached in his pocket for the outlaw cigarettes.

He heard the door open behind him, but had no time to turn around before a hand grasped his shoulder. It was not a warm and friendly grasp. Riker turned to face a young man with unruly blond hair and the much put-out pout of a giant five-year-old with a goatee. Dr. Daily was the newest staffer of the Medical Examiner’s Office, and the younger man was wearing a very unfriendly expression. Riker looked down at the hand riding the material of his suit. Riker’s expression said, Back off .

Daily’s hand dropped to his side.

Prick.

“Well, Daily, you’re working late tonight.”

“All right, Detective, what’s the deal? Why does NYPD want Slope to redo my autopsy?”

“Nothing personal, Doc. We were just wondering how that ice pick could’ve ruptured the heart from the back. We only want a second opinion is all.”

“It was an ice pick. For Christ’s sake, you found it next to the damn body.”

“It probably was a pick. But it couldn’t have been the one we found by the body. That was the bartender’s. No blood traces.”

“So the blood was wiped off. So what?”

“Naw, Heller would’ve found something with his little bag of chemicals and magic dust. He’s the best forensic man in the country. The FBI’s been trying to seduce him away from the force for years. Oh, and the bartender’s pick was too short.”

“What the hell does it matter if it was one ice pick or another one?”

“Well, Daily, it’s always a good idea to know what the weapon looks like, just in case you trip over it while you’re making an arrest.”

“Okay, so you know it’s a long ice pick. What does that-”

“And it makes the case a little more interesting if the weapon was brought to the gallery. That makes it premeditation. We gotta nail these things down in case the perp tries to claim temporary insanity, crime of passion. We also thought it might be nice to have a few blood samples, stomach contents, stuff like that.”

“I should think it would be obvious he wasn’t poisoned. So I’m being criticized for trying to save the taxpayers a little money? Is that what you’re telling me? Do you know how much it costs to run those tests?”

“Well, my partner likes these little details.”

Riker smiled. He had made book that Slope would fire this kid long before the probationary period was up. He had picked the early date in the office betting pool, and he was hoping this would be the autopsy that won him the big bucks.

Mallory walked through the swinging door, followed by Dr. Edward Slope, the chief medical examiner. They walked to the far side of the records room, where Slope busied himself at a filing cabinet and spoke to Mallory in a low voice. He handed her a manila folder and disappeared down an aisle of cabinets. Riker heard the angry slam of a metal drawer from a distance of two rows of tall steel files. He wondered what Mallory had done to brighten Slope’s evening.

Dr. Daily was staring at her now. All animosity forgotten, he punched Riker lightly on the arm in the spirit of just-us-boys.

“Nice piece of ass,” said Daily, with a wide grin. As the young doctor swaggered off in Mallory’s direction, Riker only regretted that he had no time to place a side bet on Daily’s life expectancy.

Riker watched the young man begin the courtship dance, strutting up and down in front of her, picking up a chart, pulling out a drawer and checking a file. When at last he came to rest beside Mallory, his height was even with hers at five feet ten, and Riker could swear the man was stretching his neck to be taller.

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