Carol O’Connell - Killing Critics

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Andrew Bliss, art critic pens the phrase "art terrorism" to describe the murder of artist Dean Starr. No one suspects he knows anything about a crime committed in a gallery 12 years earlier. Detective Kathy Mallory wants to reopen the case and a number of people in high places start to get nervous.

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“These are the old shots of the dancer’s funeral.” She held out one panoramic view of a large group of people. “The Gilettes hired security to keep the circus out. Only friends, relatives and police. Look at this figure two heads away from Markowitz.” Mallory was pointing at the one outstanding mourner, remarkable for his height of six four, and his large nose. “Look at that. It’s Charles.”

Charles Butler had been one of her foster father’s closest friends. Though Louis Markowitz came from humble environs and Charles was descended from Park Avenue stock, commonalities had outweighed their differences- Charles was also a charming man with a giant brain. But years before Charles and Markowitz ever met, they had attended a funeral together.

“This is gold,” said Mallory. “I’ve got my own connection to the Gilette family, and I can work it quietly. Charles has Social Register connections and art connections. He spends a fortune at the galleries. You want to keep it quiet, right? Do you know anyone more discreet than Charles Butler?”

Coffey knew he was about to be sucker-punched, but not quite how she was going to do it to him.

“Riker and I can work the case out of the office in Charles’s building,” she said. “It’s perfect. Nothing in print lying around for a clerk to sell to a tabloid. And if Blakely asks you what’s going on, you won’t know, will you?”

Did she really think he was that stupid?

“Oh, but I like to know what’s going on with you, Mallory. Just every damn minute of the day.”

“Markowitz never did.”

True. When Markowitz had command of Special Crimes, things had been quite different. Every time she had illegally raided a computer to pull information, Markowitz knew he could claim the ignorance of a computer illiterate. Well, he had inherited Markowitz’s job, but thanks, Mallory, he would rather run the place his own way.

He pulled his sportscoat from the hanger on the back of the door. “We’re going to run a clean investigation.” He put one shirtsleeve into the coat to signal to his detectives that this meeting, in fact, this day was at an end. “I give the orders, Mallory, and you follow them. It’s a novel idea, but you’ll get used to it.”

“I have to work the old case to-”

Well, that tears it.

“The old case is off-limits.” His coat was off again and roughly slung over one arm as he turned on her. “Off-limits! That’s the last time I’m going to tell you, Mallory.”

Her body was stiffening. Her leg ceased to dangle over the edge of his desk. The running shoe was frozen at an angle of tension. He never moved, but in his mind, he was putting up his own fists as they squared off from opposite sides of the room.

Well, good. Let’s get this out on the table. And right now!

“Twelve years ago,” she said, voice on the rise, “Markowitz didn’t just think Watt’s confession was a fake,” louder now, “he knew it!”

“Markowitz doesn’t work here anymore! That case is closed!”

“Not officially! Markowitz never closed it!”

“Well, I’m closing it! Don’t you remember? Watt confessed!” he outshouted her.

“Markowitz didn’t-”

“The hell with Markowitz! That wasn’t the only time your old man screwed up!”

Riker shot him a warning glance. You’ve gone too far , said the slow shake of the sergeant’s head. The last time her father made a bad mistake, the only bad one in living memory, it had gotten him killed in the line of duty.

Coffey felt the heat rising in his face. Why had he said it? Markowitz had been his mentor, quietly cleaning up the debris each time the rookie had made a mess of something. The old man had given out more second chances than Coffey deserved. And now he had just thanked him.

Forgive me.

Too late-Mallory was staring at him with solid hatred.

She eased off the desk and came toward him. Coffey recognized the gait of the pugilist. Her hands were curling into fists, and there was a physical menace in the movement of her body. In peripheral vision, he could see Riker rising from his chair with the same idea and perhaps a plan to slow her down before the damage was done. But Mallory stopped dead, her face a bare three inches from Coffey’s.

“All right,” she said, “forget Markowitz.”

As if he could.

“Blakely’s interference is as dirty as it gets,” she said. Actually, she spat the words out. “I can link the old double homicide to Dean Starr-a fresh murder, and suddenly the chief’s hot to bury it.” Her voice was on the rise again. “And all you can say is the case is off-limits ? Don’t try to snow me, Coffey. I’m not a kid anymore.”

And she couldn’t be snowed when she was a kid. She was not much changed over the years he had known her. The anger had always been there, beneath the tightly controlled veneer of manners. Her foster mother, Helen Markowitz, had installed that rough coat of etiquette on Mallory’s psyche when she was ten. When that good woman died four years ago, her handiwork had not faltered. When Louis Markowitz died, it had developed cracks to drive a truck through, yet somehow it held.

Mallory’s voice was lower now. “You want me to work around department politics? Okay, I will. Let me run this case my way, and I promise nothing will come back on you.”

The orphan standing in front of him now was hardly helpless or pitiable, was she? But a ten-year-old street kid was always lurking under the skin of her, peeking out to remind him of her baby days on the road, stealing every necessity, biting every hand that tried to reach her.

Until Markowitz.

As much as he had loved Louis Markowitz, sometimes he cursed the man for dying and leaving her so alone.

Mallory walked over to the desk and pulled another photograph from her tote bag. She came back to him and placed it in his hands-a present.

It was one of the old crime-scene photos of the artist and the dancer. He had never wanted to see this piece of cruelty again, and now he could not look away. It was truly stunning, the effect of these two young corpses, eyes wide for the camera. He was staring into the heart of Special Crimes Section, the core purpose of its inception-the abyss-and it was looking back at him.

Suppose Markowitz had been right? What if the butcher was still out there?

He met her eyes as she took the photograph from his hands. Seconds dragged by as Coffey and Markowitz’s daughter played the staring game which would determine where the power lay. And now, she confounded him by dropping her eyes and giving him the scoring point of the match, in full view of Riker, and thus saving his face.

“Okay, Mallory. You and Riker work it your way.”

Andrew Bliss had no memory of crawling out of Emma Sue Hollaran’s apartment. When vision and mind achieved parity of clarity, he was standing on the first floor of Bloomingdale’s.

Of all the department stores in all the world, only Bloomingdale’s had parishioners, and Andrew was one of the faithful. His greatest fear was not death, but being locked away from his store of choice. It was a psychedelic womb. His raison d’etre was here in the mazes of color and light, a vast array of goods on floor after floor, enough to shut down the neural synapses of the novice shopper. There were no less than five restaurants in Bloomingdale’s, if one counted the espresso bar, but his favorite was Le Train Bleu, and he was on his way to it.

On the first floor, the salesclerks held fragrance bottles in a vaguely threatening manner, fully prepared to recondition any offensive odors which might enter the store on two legs. Other women with perfect makeup and clipboards were suggesting to shoppers that their faces would not do, in fact needed to be completely made over.

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