John Lescroart - The Motive

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In the latest installment of the Glitsky-Hardy crime-solving series (The 13th Juror; The Second Chair; etc.), San Francisco-based Lescroart again demonstrates his mastery of how things work in the city by the bay. Arson investigators at a Victorian townhouse fire do not call in Abe Glitsky or Dismas Hardy when they discover two bodies believed to be the remains of influential businessman Paul Hanover and his girlfriend, Missy D'Amiens. Glitsky, now deputy chief of inspectors, doesn't handle individual cases, and attorney Dismas Hardy has long since left the police force. Sgt. Dan Cuneo takes charge, quickly jumping to conclusions and slowly rekindling his grudge against the detecting duo. Unhappy with Cuneo's approach, the mayor puts Glitsky on the job, while Hardy is hired by Hanover's daughter-in-law, who was also Hardy's college sweetheart and is now a murder defendant with no alibi but plenty of motive. Parallel inquiries uncover contradictory evidence as well as loose ends: at the time of his death, Hanover was up for a federal appointment, his company was up for a city contract and his girlfriend has a mysterious past. Lescroart draws the reader in with a step-by-step description of the fire, mesmerizes with an account of the intricacies of the auto-towing business and winds up with a disturbing parable of intrigue abroad, adding the wistful touch of a new baby in the Glitsky household. Lescroart may be testing the waters for fiction with an international flavor. For now, the winningly ironic author remains more credible on urban and legal ground than spy craft, but his authentic voice, methodical presentation and ability to juggle red herrings until all pieces fall into place will keep fans following wherever his cop-lawyer friends-heroes lead.

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Maxine Willis would be rougher, but still, Hardy thought, manageable.

Unlike Jeffie Siddon, she had no trouble pointing out Catherine as the woman she'd seen leave the Hanover home a half hour before the discovery of the fire. Fortunately, though, Hardy had interviewed both her and her husband at some length. In the course of these talks, he had discovered a foothold from which he was confident he might pick his way through cross-examination.

"Mrs. Willis," he began. "Your initial identification of the woman who left the Hanover home a few houses down from yours on the night of the fire was made to an arson inspector on the night of the fire, is that right?"

"Yes."

"Could you tell the jury about that?"

Cooperative, she turned to face the panel. "There really isn't much to tell. My husband and I live three houses down from Mr. Hanover's house and were evacuated the night of the fire when it looked as though our place might catch fire as well. We were all standing outside when a gentleman came up and identified himself as being an arson inspector with the fire department. He got our names and address and asked if we had anything we'd like to report about the fire."

"Did the man have identification?"

"Yes."

"And did that identification say that his name was Sid

Bosio?"

"That was it, yes."

Hardy went back to his desk, pulled a sheet of paper from his open binder. He showed it to Rosen and the judge and had the clerk enter it as the next defense exhibit, then came back to the witness. "Mrs. Willis, do you recognize this document?"

"I do."

"Would you tell the jury what it is, please?" "It's a statement I wrote for the arson inspector after he talked to me on the night of the fire."

"All right. And is this your name and address on the top of the paper and your signature on the bottom of this piece of paper?"

"Yes, it is."

"Indicating that the statements are true and correct?"

"That's right. As I knew them at the time."

No surprise, Mrs. Willis had been coached since the last time Hardy had spoken to her. Now she looked out into the courtroom, over to Rosen, finally back to Hardy. She knew what was coming, even gave him a confident smile.

"Mrs. Willis, will you please read for the jury what you signed off on?"

"Sure. The whole thing?"

Hardy smiled back at her. "After your name and address. The highlighted area."

"All right." She studied the document for a minute. " 'Saw occupant of house, Miss Damien, exit structure shortly before fire.' "

"And by 'Miss Damien,' you actually meant one of the victims in this case, Missy D'Amiens, isn't that right?"

"Yes. I got her name a little bit wrong."

"Thank you. That's fine." Hardy took the paper back from her, placed it back on the evidence. "So, Mrs. Willis, just to make this absolutely clear, you gave this statement to arson inspector Bosio on the night of the fire?"

"Yes."

"All right, then, moving along. The next time you had an opportunity to identify the person leaving the Hanover home a short while before the outbreak of the fire, it was by photograph, was it not?"

"That's right."

"A photograph shown to you by Inspector Cuneo, correct?"

"That's right."

"Now, did you pick the photograph of the person you saw leaving the Hanover home that night out of a group of photographs?"

"No, there was just the one."

"Inspector Cuneo showed you only one photograph and asked you to identify who it was, is that right?" "Correct."

Nodding amiably, Hardy cast a casual eye over to the jury. He strolled easily back to his table and took from it both the newspaper picture of Missy D'Amiens and the original he'd subpoenaed from the Chronicle's files. After having them marked as the next defense exhibits, he showed the glossy of it to the witness. "Do you recognize this photograph?"

"I sure do. That's the picture I saw the first time Inspector Cuneo came by."

"All right. So Inspector Cuneo showed you this picture. Now Mrs. Willis, do you know who this is a picture of?"

"That's my ex-neighbor, Missy." "The same Missy D'Amiens who is one of the victims in this case, is that right?"

"Yes."

"And the same Missy D'Amiens you identified to arson inspector Bosio as the woman who'd left the Hanover house just before the fire, is that right?"

"Yes, but…"

"And you identified her to Inspector Cuneo as well, is that correct?"

She hesitated. "Well, that was before…"

"Mrs. Willis, I'm sorry." Hardy cut her off in his most respectful tone. "Is it correct that on this first occasion with Inspector Cuneo, you identified the woman in that picture, Defense Exhibit F, as Missy D'Amiens? Yes or no."

"Yes, but…"

Hardy held up a palm. "And it was only later that you ID'd the photo of Catherine, is that right?"

"Yes."

"And each time you were shown-Sergeant Cuneo showed you-a single photo, correct?"

"Yes."

"Just to be clear, he never showed you a variety of photos from which to choose, correct?"

"Right."

"And when Sergeant Cuneo showed you the first photograph, Exhibit F, you had already said it was Missy coming out of the house, right?"

"Right."

"And so he clearly expected you to ID the person he named?"

"Yes."

"And you did identify the woman in Exhibit F as Missy D'Amiens on that occasion, did you not?"

"Yes, I did."

Hardy took a breath. "All right," he said. "Now let's talk for a minute about the next time Sergeant Cuneo asked you to identify the person who'd left the Hanover home that afternoon. On that second occasion, did he also show you one photograph of a single person?"

"Yes."

"And he told you that you must have been wrong the first time, since Missy D'Amiens was dead?" "Yes, that's right."

"So it couldn't have been Missy that you saw?" "Right."

"Okay. And next he told you, did he not, that he thought the person whose photo he now showed you was the person you must have seen?" Hardy didn't give her a chance to answer. "And again, you ID'd the person whom Inspector Cuneo clearly expected you to ID, isn't that right?"

"Yes, I suppose that's true, but that doesn't mean…"

"Let me ask you this, Mrs. Willis. Did Sergeant Cuneo ever give you an opportunity to view several photos of different people?"

"Well, no, he…"

"Did he ever ask you to consider the possibility of a third person?"

"No."

"Thank you, Mrs. Willis. That'll be all." He spun on his heel and took a step toward his table. "But…" She started again.

He whirled on her. "Thank you," he repeated with slightly more emphasis. "No more questions."

But Rosen was already on his feet, moving forward. "Redirect, Your Honor." A nod from Braun. "Mrs. Willis, did you know Missy D'Amiens well?"

"No. Hardly at all."

"Hardly at all. Had you ever had a conversation with her?" "No."

"Spoken to her at all?" "No. Never."

"All right. So you could easily have been mistaken in identifying her?"

"Your Honor!" Hardy said. "Speculation."

But Braun was already ahead of him. "Sustained."

Rosen stood in the center of the courtroom for a moment, then came at it another way. "Mrs. Willis, did you have occasion to change your mind about the identity of the woman whom you'd earlier identified as Missy

D'Amiens?" "Yes, I did."

"And when was that?"

"When Inspector Cuneo brought a picture of another woman and I realized it wasn't who I'd first said."

"And that is the picture of the defendant, Catherine

Hanover, People's Exhibit 12, that you identified earlier, is that correct?" "Yes, it is."

"And did you subsequently identify the defendant as the woman who'd left the Hanover home minutes before the fire from the booking photograph, People's 11?"

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