John Lescroart - The Oath

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"A particularly strong plot." – Los Angeles Times
"Topical and full of intrigue." – Milwaukee Journal Sentinel
Doctor Eric Kensing is living in fear that he is about to be indicted for the death of a patient. That patient was his boss, Tim Markham. But Kensing and Markham aren't just connected by work – Kensing's wife is one of Markham 's many lovers. It's not looking good for Kensing, so he enlists the help of lawyer Dismas Hardy. Some say Kensing is not worth saving, although others say that Kensing is a special doctor, prepared to do anything to save a patient's life, even defying proper medical procedure. Despite all the damning evidence, Hardy becomes increasingly sure that Kensing is innocent. Against mounting pressure for an arrest, Hardy knows that the only way to save Kensing is to find the real murderer. And like Kensing, he seems to be working within a system that is set up to thwart him and any attempt at real justice…

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John Lescroart The Oath The seventh book in the Dismas Hardy series 2002 - фото 1

John Lescroart

The Oath

The seventh book in the Dismas Hardy series, 2002

This one's to Pete Dietrich,

Bob Zaro,

and, as always, to Lisa-

Doctor, Lawyer, Indian Chief

ACKNOWLEDGMENTS

At the beginning of this effort, my knowledge of medicine and the medical establishment was limited, to say the least. I'd especially like to thank Marcy St. John, senior counsel with Blue Shield of California, and Pat Fry, chief operating officer of Sutter Health, for the insights and information that helped somewhat bridge this gap in my education and knowledge. Also, thanks to two nurses for their help: my sister Pat Barile, and Cheri Van Hoover.

In the legal realm, as always I depend most heavily on the expertise of my great friend and collaborator Alfred F. Giannini of the San Francisco District Attorney's office. Inspector Joe Toomey of the San Francisco Police Department has also been most generous with his time and expertise.

My day-to-day life is enhanced considerably by the competency and wonderful personality of my phenomenal assistant, Anita Boone. She is a treasure to work with and a joy to know.

No less heartfelt thanks-for a variety of other reasons-go to Tom Hedtke; Poppy Gilman; Carolyn Giannini; Jesse Tepper, president and founder of the San Francisco Little League; Peter J. Diedrich; and Dee Scocos. Richard Herman is a terrific author himself-go read him-and he supplied an important epiphany.

The names of three characters in this novel were supplied by the winners in charitable auctions; I would like to acknowledge the generous contributions of Margie Krystofiak to Serra High School of San Mateo, California; Frank Husic to Imagine ; and Catherine Treinen to Cal-State Fullerton.

I am deeply indebted to all the people at Dutton for their tremendous support and commitment; in particular, I would like to single out Glenn Timony, Lisa Johnson, Kathleen Matthews-Schmidt, Susan Schwartz, and Kim Hadney for their yeoman efforts. Carole Baron has been and continues to be a terrific publisher, cheerleader, and friend; our regular discussions on book and other matters are a source of great pleasure, and have helped to sharply focus and improve the narrative of this novel. Mitch Hoffman is a great guy and superb editor; the book's final shape owes much to his suggestions and good taste.

Barney Karpfinger remains the best agent an author could ever have, and a true friend as well. His artistic encouragement, level head, business acumen, and sense of humor are each as important as they are rare. Barney, you're a true mensch, and I can't thank you enough for everything.

Closer to home, perennial best man Don Matheson just keeps those good times coming; and Frank Seidl remains the king of wine and laughter. Finally, my two children, Justine and Jack, continue to enrich my life on a daily basis. My borrowings of their concerns and life events continue to inform and hopefully enrich these novels and my life, both of which would be empty without them.

I will follow that method of treatment which…

I consider for the benefit of my patients, and

abstain from whatever is deleterious and mischievous.

I will give no deadly medicine to anyone if asked,

nor suggest any such counsel…

The Hippocratic Oath

For the love of money is the root

of all evils.

1 Timothy 6:10

PART ONE

H er stupid, old American car wasn't working again. So now Luz Lopez was sitting on the bus with her sick son, Ramiro, dozing beside her. This time of day, midmorning, the streetcar wasn't crowded, and she was glad of that. Ramiro, small for eleven years old, had room to curl up with his head on her lap. She stroked his cheek gently with the back of her hand. He opened his eyes and smiled at her weakly.

His skin was warm to her touch, but not really burning. She was more concerned about the cut on his lip than the sore throat. There was something about the look of it that bothered her. He'd banged it on some playground bars on Monday and today, Thursday, it was swollen, puffy, yellowish at the edges. But when the sore throat had come on yesterday, Ramiro had complained not about the cut lip, but the throat. Luz knew her boy wouldn't make a fuss unless there was real pain. He was up half the night with gargling and Tylenol. But this morning, he told her it wasn't any better.

She had to take the day off so he could see a doctor. Time off was always a risk. Though she'd been halfway to her business degree when she'd left home, now she worked as a maid at the Osaka Hotel in Japantown, and they were strict about attendance. Even if the reason was good, Luz knew that every day she missed work counted against her. The clinic said they could see him before noon-a miracle-so maybe she could get his prescription and have Ramiro back at school by lunchtime; then she could still put in a half day back at the Osaka.

She had lived in San Francisco for over ten years now, though she would never call the place home. After the opponents of land reform in El Salvador had killed her father, a newspaper publisher, and then her brother Alberto, a doctor who had never cared about politics, she had fled north with her baby inside her. It had taken her husband, Jose´, almost three years to follow her here, and then last year La Migra had sent him back. Now, unable to find work back home, he lived with her mother.

She shifted on her seat on her way to the Judah Clinic, which was not on Judah Street at all, but two blocks before Judah began, where the same street was called Parnassus. Why did they not call it the Parnassus Clinic, then? She shook her head, these small things keeping her mind from what it wanted to settle on, which was the health of her son.

And of course the money. Always money.

Ramiro's tiny hand lay like a dead bird in hers as they walked from the streetcar stop to the clinic, a converted two-story Victorian house. When she opened the front door, she abandoned all hope that they'd get to her quickly. Folding chairs lined the walls of the waiting room. More were scattered randomly in the open space in the middle, and every seat was taken. On the floor itself, a half dozen kids played with ancient plastic blocks, or little metal cars and trucks that didn't have all the wheels on them.

Behind the reception window, four women sat at computer terminals. Luz waited, then cleared her throat. One of the women looked up. "Be just a minute," she said, and went back to whatever she was doing. There was a bell on the counter, with instructions to ring it for service, but the computer woman already had told Luz she'd just be a minute (although now it had been more like five), and Luz didn't want to risk getting anyone mad at her. They would just go more slowly. But she was angry, and sorely tempted.

At last the woman sighed and came to the window. She fixed Luz with an expression of perfect boredom and held out her hand. "Health card, please." She entered some information into her computer, didn't look up. "Ten dollars," she said. After she'd taken it and put it in a drawer, the woman continued. "Your son's primary care doctor is Dr. Whitson, but he's unavailable today. Do you have another preference?"

Luz wanted to ask why Dr. Whitson was unavailable, but knew that there would be no point in complaining. If Dr. Whitson wasn't here, he wasn't here. Asking about him wouldn't bring him back. "No." She smiled, trying to establish some connection. "Sooner would be better, though."

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