John Lescroart - The Motive

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In the latest installment of the Glitsky-Hardy crime-solving series (The 13th Juror; The Second Chair; etc.), San Francisco-based Lescroart again demonstrates his mastery of how things work in the city by the bay. Arson investigators at a Victorian townhouse fire do not call in Abe Glitsky or Dismas Hardy when they discover two bodies believed to be the remains of influential businessman Paul Hanover and his girlfriend, Missy D'Amiens. Glitsky, now deputy chief of inspectors, doesn't handle individual cases, and attorney Dismas Hardy has long since left the police force. Sgt. Dan Cuneo takes charge, quickly jumping to conclusions and slowly rekindling his grudge against the detecting duo. Unhappy with Cuneo's approach, the mayor puts Glitsky on the job, while Hardy is hired by Hanover's daughter-in-law, who was also Hardy's college sweetheart and is now a murder defendant with no alibi but plenty of motive. Parallel inquiries uncover contradictory evidence as well as loose ends: at the time of his death, Hanover was up for a federal appointment, his company was up for a city contract and his girlfriend has a mysterious past. Lescroart draws the reader in with a step-by-step description of the fire, mesmerizes with an account of the intricacies of the auto-towing business and winds up with a disturbing parable of intrigue abroad, adding the wistful touch of a new baby in the Glitsky household. Lescroart may be testing the waters for fiction with an international flavor. For now, the winningly ironic author remains more credible on urban and legal ground than spy craft, but his authentic voice, methodical presentation and ability to juggle red herrings until all pieces fall into place will keep fans following wherever his cop-lawyer friends-heroes lead.

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Frannie and Hardy had just gotten back from their dinner when he got the call from Braun's clerk at ten fifteen. Apologizing for the late hour, she informed him that her honor had denied his motion for a hearing on deliberate prosecutorial misconduct, but that she would reconsider a motion for a mistrial if Hardy cared to renew it. Might that be his intention now?

He told her no.

Well, in either case, the judge wanted him to know that she would entertain such a motion until nine thirty the following morning, when court went into session. After that, a mistrial would be off the table and the trial would continue with the eyewitness testimony.

Now, at Glitsky's, the two babies were asleep, and the two adults and one near-adult sat at the kitchen table with cups of tea sweetened with honey. The pizza carton still covered most of the table in the middle of them, but none of them paid any mind. The mood was still far from euphoric-in the circumstances, how could it be otherwise?-but the sense of imminent doom was gone.

They were catching up, family news and gossip. Treya's daughter, Raney, had just been back home for winter break from Johns Hopkins in December, along with all of Abe's boys-Isaac from L.A., Jacob all the way from Milan, and Orel from San Jose. And of course Nat and Rachel. A full reunion. By now a large extended family, the Glitskys had celebrated both Hanukkah and Christmas before the diaspora had flung people to the far corners again.

"I'm just glad Nat got to see everyone one last time," Glitsky commented, "especially."

"What do you mean, one last time?" Leaning back on two rear legs of his kitchen chair, Orel's face clouded over. "Nat's okay, isn't he?"

"I think so. Why do you ask?"

"Because you just made it sound like he's dying of something."

"Not that I know of. But he's in his mideighties, Orel. He's not going to live forever, you know."

Orel brought his chair down, leaned into the table. "Jeez, Dad. You kill me."

"What?"

"What. Things don't always turn out bad. That's what."

"I don't think they do."

"Yes, you do. Look at me. Remember when I was thirteen or fourteen after Mom died and I started to stutter and you thought I wasn't ever going to stop?"

"Okay. So? Nobody else really thought you were going to stop, either."

"Yeah, but I did, didn't I? And then you weren't ever going to meet anybody else good enough again after Mom, were you?" He turned to his stepmother. "And look right here at this very table. Voila. Good enough, and that's saying something."

Treya inclined her head with a small smile. "Thank you."

"Yes, but…"

"But then, if you remember, you had a heart attack and somehow got completely better enough to be walking around and actually get shot a year later. oh, after having your great little baby girl who's sleeping down the hall even as we speak."

"Wait, wait. Time out." Glitsky made the signal. "In all fairness, let's acknowledge what really happened over that time, aside from my miraculous recoveries. All right, you got over your stuttering. But your mom did die. I did have a heart attack, and then got shot and then had a few minor complications after that for a year or so, if you remember."

"I do remember, Dad. But here's the deal. You got better after the complications. You didn't die."

But Glitsky wasn't going to give up his worldview without a fight. "Yeah, I got better in time for them to demote me down to payroll."

"From which, I might point out, you got promoted over half the guys with your seniority and now you're deputy chief. Way farther than you ever thought you'd go."

"Or wanted to."

Orel, shaking his head, turned to Treya. "Am I the only one who sees this?" Then, back to his father. "Sometimes-I really do think and you might consider- sometimes it's half full, Dad. On the way to full. You know? Not half empty."

Glitsky took a breath, sipped at his tea. "Everybody does die, Orel. That's a fact."

"I'll grant you that, but they live first. That's the part that counts. The living part. You can't wait around doing nothing because everybody's going to die. I mean, in a hundred years, we're all dead, right?"

"Do we have to talk about dying?" Treya asked.

Orel sighed. "I'm not talking about dying. I'm talking about living." He seemed at a loss for words for a moment, twirling his mug on the table. "Guys, look. I know it's been a tough few days…"

"You don't know," Abe said.

"Okay, right. Not as much as you, I admit. But didn't you tell me that already the kid's beaten the odds you heard at first? I mean, wiped them out? Top one percent of heart irregularities, right?"

He looked at the two parents, who looked with heavy-lidded eyes at one another.

orel lowered his voice. He didn't want to browbeat. "Didn't your doctor even say he could have a normal life?"

"But might not," Glitsky said.

"Yeah, but I might not, either. You might not. okay, so maybe the odds are slightly less for Zachary right now… "

Glitsky interrupted, putting his hand across the table over his son's. "O," he said gently, "you don't know what you're talking about. It's not all roses with the prognosis, believe me."

"I do believe you. obviously, it's hard. obviously, I don't feel it as much as both of you. But my question is what does it get you to always keep expecting the worst? That Nat's going to die before the next time we're all together. That Zachary won't get a chance to live? Look at what you've got right now, Dad. Look where you are. In spite of it all, things have worked out pretty good, haven't they? I mean, doesn't that count?"

In their bedroom, later. Glitsky getting out of bed, leaning over the bassinet, picking up Zachary for basically the first time.

"What are you doing?" Treya asked.

"Just holding him."

He sat on the side of the bed, the baby in his lap. Behind him, Treya shifted closer to him. Her hand rubbed his back, came to rest on his leg.

"I'm thinking orel's right," he whispered. "I never believe things are going to work out, and then they do, and I still don't believe it."

"I wouldn't beat myself up over that. You're fine the way you are."

"No, I miss things. I haven't held this guy yet-I don't know if you've noticed…"

"I noticed, sure."

"Well, that's because I thought he'd die and then if I'd never held him, it wouldn't be as bad. I wouldn't feel it as much. Of course, then I also wouldn't have felt this while he's here."

"Right. I know."

A small night-light glowed dimly near floor level at the door and provided the only light in the room. But it was enough to see by. Glitsky moved the blankets out from around his baby's face. "He's got your eyes," he said.

"I think so. Your nose."

"Poor kid." Glitsky scooched himself up and around so he was leaning up against the bed's headboard. Then, after a while, "I'd better enjoy every minute."

"I think so. Both of us."

The night settled heavily around them, Glitsky still holding the boy in his lap. "Out of the mouths of babes, huh?" he said.

"Orel's a good boy," she said. "Reminds me of his dad."

"Except for that rogue positive streak." "Not a bad thing, maybe."

"No."

Another extended stretch of time in the shadowy dark. "Trey?" "Yeah, hon."

"The reason I got home so late. I found something out today. Completely off topic."

"off topic's okay. What was it?"

"Hardy's case. This Missy D'Amiens. The dead woman."

"What about her?"

"She had a bank account-our branch of Bank of America, if you can believe it. You know Patti, the manager?"

"uh-huh."

"I asked her if I could look it up. The account. Completely illegal, of course. I need a subpoena. I need to go through their legal department. But she knows me…"

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