John Lescroart - The Motive

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In the latest installment of the Glitsky-Hardy crime-solving series (The 13th Juror; The Second Chair; etc.), San Francisco-based Lescroart again demonstrates his mastery of how things work in the city by the bay. Arson investigators at a Victorian townhouse fire do not call in Abe Glitsky or Dismas Hardy when they discover two bodies believed to be the remains of influential businessman Paul Hanover and his girlfriend, Missy D'Amiens. Glitsky, now deputy chief of inspectors, doesn't handle individual cases, and attorney Dismas Hardy has long since left the police force. Sgt. Dan Cuneo takes charge, quickly jumping to conclusions and slowly rekindling his grudge against the detecting duo. Unhappy with Cuneo's approach, the mayor puts Glitsky on the job, while Hardy is hired by Hanover's daughter-in-law, who was also Hardy's college sweetheart and is now a murder defendant with no alibi but plenty of motive. Parallel inquiries uncover contradictory evidence as well as loose ends: at the time of his death, Hanover was up for a federal appointment, his company was up for a city contract and his girlfriend has a mysterious past. Lescroart draws the reader in with a step-by-step description of the fire, mesmerizes with an account of the intricacies of the auto-towing business and winds up with a disturbing parable of intrigue abroad, adding the wistful touch of a new baby in the Glitsky household. Lescroart may be testing the waters for fiction with an international flavor. For now, the winningly ironic author remains more credible on urban and legal ground than spy craft, but his authentic voice, methodical presentation and ability to juggle red herrings until all pieces fall into place will keep fans following wherever his cop-lawyer friends-heroes lead.

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Cuneo sat dead still, The Thinker, his elbow resting on his chair's arm, his chin in his hand. That's what Glitsky's phone message was really about-he was serving notice. Cuneo had trash-talked and then tried to backstab him, and Glitsky had found out. Now it was payback time.

Catherine Hanover lived in a small Moorish-style two-story stucco home in the Marina District, on Beach Street a block east of the Palace of Fine Arts. As was his wont when time didn't press, Cuneo parked within sight of the address she had given him last night and sat in his car, watching and getting a feel for the place while he drummed on the steering wheel.

What he saw was a low stucco fence that bounded a well-kept property at the sidewalk. The houses on either side were both noticeably larger, outsized for their lots. The Hanovers' front yard wasn't deep by any stretch, and a brace of mature trees canopied nearly all of it. He noted the black Mercedes-Benz C-Class sedan parked in the driveway, and the lights upstairs behind what looked like a functional wooden-railed deck. This area of the city tended to get more sunshine than points farther west, and the low evening rays painted the entire neighborhood in a mellow gold.

Cuneo popped a breath mint, checked his hair in the mirror and opened the car door. A good breeze made him reach back in for his jacket.

The genes were good in the family, he thought. The teenage girl who answered the door might have been a face model. "Hi," she said. "Can I help you?" Well brought up, too.

He had his badge out, his polite smile on. "I'm Inspector Cuneo, San Francisco homicide. I was hoping to talk to your mother." He turned the wattage up on his smile. "I'm assuming Catherine Hanover is your mother?"

"You got it, every day. I'm Polly." She half turned. "Mom! There's a policeman out here to see you."

Over the young woman's shoulder, Catherine appeared from around a corner. She carried a dish towel and was wiping her hands with it. "Well, invite him in, then." As she came closer, he noticed a white streak of something high on her cheek. Her daughter saw it, too, and she took the towel and wiped off the offending stuff, whatever it was, and gave the towel back. A friendly look passed between mother and daughter; then Polly went back to wherever she'd been and Catherine, as lovely as he'd remembered, was standing in front of him. "Hello again," she said with some formality. She touched her cheek. "Flour," she said, "I'm making pasta. It gets everywhere, I'm afraid. Please, come in."

"Thank you." He was already inside, closing the door. "Did you say you were making pasta?"

"That's right."

"Not the sauce, the actual noodles?" She favored him with a smile. "The actual noodles. Do you like homemade noodles?"

"I don't believe I've ever had them."

"You should try. They're a lot of work, but worth it, I think." In the light of day, Catherine's face was nearly as perfect as her daughter's, rescued from mere cuteness by deeply set green eyes and a strong nose. A striking, mature face. "My children are so spoiled. They won't even eat store-bought anymore. It's got to be my own. Maybe I should be flattered." She twisted the towel, took in and let out a quick breath.

Cuneo was standing next to her and reached out his hand. He touched her arm as though commiserating somehow. She backed away a step. "Anyway, you're not here for that."

"No." He stayed close to her. "We like to come by and see how everybody's holding up. The day after is often worse for next of kin. Also, frankly, maybe things occur to you that might have gone right by in the emotion of the moment, like last night."

"Like what?"

"I don't know. Anything. Something your father-in-law might have been going through, or Missy said. Why he might have had a reason to kill her."

Her eyes narrowed and she cocked her head to one side. "What do you mean?"

"About what?"

"Well, you were just talking about why Paul might have wanted to kill Missy. I thought you had decided that that couldn't have happened. You, the police, I mean. That's what the other inspector told me, anyway."

"The other inspector? Glitsky?"

"That's it. Glitsky."

"You talked to him already?"

"Yes. He called a few hours ago. We talked for about fifteen minutes. I would have thought you two would have communicated together. Haven't you talked to him?"

Cuneo showed nothing. Smiling, shrugging, he made it clear that this was normal enough. He patted her arm again. "He's on days. Sometimes we cross each other. It's all right. But how did you get to Hanover not shooting anybody? That's what you said, isn't it?"

"Right." She had backed away another step and bumped her leg against one of the room's chairs. Suddenly, she put a hand to her forehead. "What am I thinking, keeping you standing out here like this?" Without waiting for an answer, she turned and led the way, pulled out a chair for him around an oval, well-used wooden table that overlooked the backyard. Then she was moving back across the kitchen. "Can I get you some water?

Coffee? Anything?"

"I'm good, thanks." He sat, half turned, kept his eyes on her. Obviously appraising, obviously approving. He thought he was keeping it low-key, even subtle. "So," he said as his fingers started tapping on the table,

"Glitsky?"

She finally tucked the dish towel into the refrigerator's handle and now, with her hands free, didn't seem to know what to do with them. Leaning up against the kitchen counter, she crossed them over her breasts. "Well, I told him about Paul's right arm being useless since the polio, so he sure didn't shoot himself over the right ear. Not with his right hand, anyway."

"No," Cuneo said, "I'd guess not."

"And then since Missy's wound was up in the back of her head-you knew that?"

He nodded, though it was news to him.

"So she probably didn't shoot herself there, either."

"So someone else was there?"

"That's what Inspector Glitsky seemed to think. It's the only thing that fit."

The sound of steps on stairs and then a tall, well-built hazel-haired teenage boy entered the kitchen. Wearing the uniform of cargo pants and a gray Cal sweatshirt, he stopped in his tracks when he saw Cuneo, looked at his mother, back to the inspector. "Hey," he said.

Cuneo nodded. "Hey."

"My son, Saul," she said. "Saul, this is Inspector Cuneo. He's investigating who might have killed your grandfather."

At the mention of it, the boy's shoulders sagged, and his face rearranged itself to accommodate the grief that threatened to show. Cuneo stood up and the boy came over to shake his hand. "Nice to meet you," he said. "I hope you catch him, whoever it was."

"You got along well with your grandfather?"

He nodded. "He was great. He rocked. He really did." Looking out the windows over Cuneo's shoulder, he shook his head. "I can't believe somebody killed him."

"Maybe they really wanted to kill his girlfriend and he was just there."

"Yeah," Saul said, "maybe that." Awkward, he stood another moment, then turned to his mother. "I was just getting some food."

"All right, but save room for dinner." She pointed toward the refrigerator and he walked over, lifted a carton of milk and went to drink from it.

"Saul!"

"Oh, yeah." He grabbed a glass from the cupboard, filled it with milk, found a handful of cookies and started to leave, but then stopped at the doorway. "I hope you catch him," he said again. "Really."

"We're trying."

When Saul's steps had retreated back upstairs, Cuneo got up from his chair and crossed over to where Catherine was standing. "You've got nice kids," he said. "Is that all of them?"

"There's one more upstairs. Heather, the youngest. It's homework time, so I'm surprised you got to see any of them. This time of day, they just disappear."

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