John Lescroart - The Motive

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In the latest installment of the Glitsky-Hardy crime-solving series (The 13th Juror; The Second Chair; etc.), San Francisco-based Lescroart again demonstrates his mastery of how things work in the city by the bay. Arson investigators at a Victorian townhouse fire do not call in Abe Glitsky or Dismas Hardy when they discover two bodies believed to be the remains of influential businessman Paul Hanover and his girlfriend, Missy D'Amiens. Glitsky, now deputy chief of inspectors, doesn't handle individual cases, and attorney Dismas Hardy has long since left the police force. Sgt. Dan Cuneo takes charge, quickly jumping to conclusions and slowly rekindling his grudge against the detecting duo. Unhappy with Cuneo's approach, the mayor puts Glitsky on the job, while Hardy is hired by Hanover's daughter-in-law, who was also Hardy's college sweetheart and is now a murder defendant with no alibi but plenty of motive. Parallel inquiries uncover contradictory evidence as well as loose ends: at the time of his death, Hanover was up for a federal appointment, his company was up for a city contract and his girlfriend has a mysterious past. Lescroart draws the reader in with a step-by-step description of the fire, mesmerizes with an account of the intricacies of the auto-towing business and winds up with a disturbing parable of intrigue abroad, adding the wistful touch of a new baby in the Glitsky household. Lescroart may be testing the waters for fiction with an international flavor. For now, the winningly ironic author remains more credible on urban and legal ground than spy craft, but his authentic voice, methodical presentation and ability to juggle red herrings until all pieces fall into place will keep fans following wherever his cop-lawyer friends-heroes lead.

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As it turned out, he only saw the shrink-Adrienne Schwartz-professionally the three times that his insurance covered it, though they dated for six weeks or so after that until she started hinting that she was looking for some kind of commitment. The best thing she'd done for him was recommend that he buy the drums and take some lessons, and now he'd almost always start his day with a twenty-minute workout, getting it all moving by playing along with some CDs of the classic big band guys-Buddy Rich, Gene Krupa, Louis Bellson.

Today, though, he didn't do his full twenty. Ten minutes into it, in the middle of "Sing, Sing, Sing," he suddenly stopped, stood up, grabbed his jacket. The Hanover woman from last night was a real babe, and he'd picked up the definite sense that she and her husband weren't doing too well. She'd told him he was down in Mexico, fishing for a week, and it didn't seem to bother her too much. He didn't think he'd have too much to do with the murder/suicide-that appeared to be straightforward enough-but he'd want to be thorough, find out what he could. You never knew. The arson inspectors and their police counterparts would have a hundred or more names they'd picked up at the scene, and he'd want to find if any of those potential witnesses had seen anything that might be telling, might call the basic facts into question.

But first the Hanover woman again. See how she was handling the tragedy. If she was lonely. Or horny.

One of the benefits of working nights was commuting against the traffic. Cuneo checked in at the Hall of Justice within twenty minutes of walking out his front door. Up in the homicide detail, Lanier wasn't in his office, and the other four inspectors still at work said hello from their desks and then cordially ignored him. The usual assortment of housekeeping and other messages cluttered his voice mail-a snitch needing some cash to hold him over until he testified in court; another witness sounding very afraid about her upcoming testimony against her husband, who was in jail for murdering their mutual lover; a friendly notice from payroll that his overtime last pay period had exceeded the approved hours; another call that he was behind on his credit union payments; the arson guy, Becker, wondering how he wanted to arrange his pickup of last night's witness list; a woman he'd stopped seeing recently.

Barely audible to the other inspectors, he was humming the opening riff to "Satisfaction" over and over and over as he listened to the messages, writing notes and phone numbers on the pad he carried in his back pocket. Glitsky's was the last message and, hearing it, Cuneo went silent. He played the message again, aware that a flush of anger was rising to his face, but otherwise trying to keep his expression neutral. He threw a quick glance around the room, wondering if any of his colleagues might have heard something, if they were watching for his reaction. But no one was paying him any mind.

The recording told him that he'd finished with his last message, to press one if he'd like to hear it again, two if he'd like to save it, three to delete it. It told him the same thing all the way through again. When it started to tell him for a third time, he finally heard it and slowly replaced the receiver.

What the hell did this mean? The deputy chief of inspectors didn't just call and say, "Oh, by the way, I'll be working with you on your latest case." Cuneo had never heard of anything like it. He'd been without a partner for almost three years now and didn't think much about whether he was popular or not. He was under the impression he'd been doing a good job, making triable cases on five killers in the past eight months, had gotten the collars. It was much better than the average for the detail. Certainly it was the best stretch he'd ever enjoyed professionally.

But what else could this be about except that somebody was checking up on him and his work? And on this of all cases, which on the face of it appeared very close to a slam dunk. It had to mean that they were going to begin some kind of bullshit documentation for moving him out of homicide, maybe out of the PD altogether.

And why would Lanier or anybody else want to do that?

Sitting back in his chair, he began tattooing the arms of it with a steady, rapid beat. It couldn't be about his work product, he thought. If it was, Lanier was straight-shooter enough to have told him, even if it was true that he and Glitsky went way back, sometimes even saw each other socially. Cuneo wondered if his lieutenant even knew about the message Glitsky had left-if he did, he certainly would have given Cuneo some warning, or at least an explanation. This kind of thing just wasn't done. It wasn't right. More, it was an insult.

And then he stopped his drumming, took in a lungful of air and let it out slowly. Suddenly, with a crystal clarity, he realized what this was really about, what it had to be about.

And it wasn't his work.

Over the months and years since he'd started in homicide, Cuneo hadn't made much of a secret of his feelings for Glitsky. When he'd been a newcomer to the detail, still partnered with Russell, one of his first cases had concerned the shooting of an old man named Sam Silver-man, who ran a pawnshop a couple of blocks off Union Square. At that time, the head of homicide was Barry Gerson, and Glitsky-nominally a lieutenant-worked in a sergeant's position as supervisor of payroll. In the course of Cuneo's investigation into Silverman's death, this nobody Glitsky somehow insinuated himself into the detail's business-butting in, offering his advice, getting in the way. He'd once run homicide, and the unwelcome interference struck Cuneo, Russell and Gerson as a power play to get his old job back.

Eventually his investigation made it clear to Cuneo that Glitsky's other motive for his involvement in that case was to help out a defense attorney friend of his named Dismas Hardy, whose client, John Holiday, was the chief suspect in the killing. When Gerson finally went out to Pier 70 to arrest Holiday-Cuneo believed the event had to have been arranged by Hardy in some way-something went terribly wrong. Holiday, Gerson and three Patrol Specials that the lieutenant had brought with him as backup all wound up shot to death, the perpetrators never identified or, of course, apprehended.

Promoted to homicide lieutenant to fill Gerson's spot, Lanier had conducted the investigation into the incident. He had a talk with his longtime friend and colleague Glitsky and, no surprise, found nothing. Hardy had never left his office that day, either-ten witnesses there said so. There was no case against either of the men, although Cuneo in his heart of hearts continued to believe that somehow they'd both been involved. When he learned that Glitsky's alibi for the time in question was Hardy's law partner Gina Roake, his belief became near certainty.

But though he took his questions to Lanier and then, on his own and top secret, to Jerry Ranzetti with the Office of Management and Control, which investigated internal affairs, he couldn't get to anything approaching proof of wrongdoing. Ranzetti even told him that he'd run across issues-not exactly hewing strictly to the department's best interests-with both Glitsky and Hardy working together in at least one other previous case. But not only were both men extremely well connected-tight with the DA, some supervisors, the chief of police, even the mayor-but knowing the system intimately as they both did, they played it like maestros and made no mistakes. His interest piqued by Cuneo's theory, though, Ranzetti did nose around for a while on the Gerson killing-after all, this was a cop shooting, and so of the highest priority-but he hadn't been able to put either Glitsky or Hardy anywhere near the scene when the shootings had occurred.

Then, the next thing Cuneo knew, Frank Batiste became chief and Glitsky the payroll clerk got himself promoted over half the rest of the qualified lieutenants to deputy chief. He considered the appointment a travesty and wasn't particularly discreet about sharing his opinion with some of his fellow cops. Without a doubt, through Lanier or one of the other homicide people who'd heard him spouting off, Glitsky had heard of Cuneo's disapproval-to say nothing of his allegations of criminal complicity and cover-up.

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