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Mark Billingham: Death Message

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Mark Billingham Death Message

Death Message: краткое содержание, описание и аннотация

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The first message sent to Tom Thorne's mobile phone was just a picture – the blurred image of a man's face, but Thorne had seen enough dead bodies in his time to know that the man was no longer alive. But who was he? Who sent the photograph? And why? While the technical experts attempt to trace the sender, Thorne searches the daily police bulletins for a reported death that matches the photograph. Then another picture arrives. Another dead man…It is the identities of the murdered men which give Thorne his first clue, a link to a dangerous killer he'd put away years before and who is still in prison. With a chilling talent for manipulation, this man has led another inmate to plot revenge on everyone he blames for his current incarceration, and for the murder of his family while he was inside. Newly released, this convict has no fear of the police, no feelings for those he is compelled to murder. Now Tom Thorne must face one of the toughest challenges of his career, knowing that there is no killer more dangerous than one who has nothing left to lose.

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Thorne took out a Waylon Jennings compilation. He slid the disc into his player, nodded along with the guitar at the opening of ‘Only Daddy That’ll Walk The Line’.

It was tricky for two police officers working on different units to spend too much time together anyway, but Louise firmly believed that not being in each other’s pockets helped keep things fresh. She had her own small flat in Pimlico – a decent enough trek by Tube or car from Thorne’s even smaller one in Kentish Town – and though they usually spent at least two or three nights a week together in one place or the other, Louise said that the distance was enough to stave off any anxiety that might otherwise creep in. Any worries about losing independence or becoming over-familiar. Or even just getting bored.

Thorne had been prone to all those anxieties at one time or another, but he had still told Louise that perhaps she was worrying a little too much. A couple of months into it, they’d been drinking coffee at the Bengal Lancer and their discussion about domestic arrangements had been starting to sound like a squad briefing. Thorne had leaned across the table and touched her fingers, and said that they should just try to relax and enjoy themselves. That taking things a day at a time couldn’t hurt.

‘That’s a typical “bloke’s” attitude,’ Louise had said.

‘What?’

‘The “just relax” shit. You know.’

Thorne had grinned, feigned ignorance.

‘I’m always amazed at the way men can barely spare five minutes to talk about a relationship, but can happily spend all day putting a CD collection into alphabetical order…’

Thorne certainly knew that Krauss came before Kristofferson. But he also knew that he felt as good about everything, as happy, as he had since his father had died two and a half years before.

As Waylon Jennings – filed between The Jayhawks and George Jones – began to sing ‘The Taker’, Thorne returned to the computer and sat down to play a few more hands. He could feel Elvis mooching around beneath the table, nosing into his shins in the hope of a late snack, or a ridiculously early breakfast.

Thorne was searching for the Go-Cat and contemplating king-ten in the hole when his mobile rang.

‘I’m sorry,’ Louise said. ‘I’m only just leaving.’

The Kidnap Investigation Unit, along with others in Specialist Operations, was housed at Scotland Yard. It was another reassuringly good distance from where Thorne’s homicide team was based at the Peel Centre in Hendon, but at this time of night, it was probably no more than twenty minutes’ drive from Kentish Town.

‘I’ll put the kettle on,’ Thorne said. There was a pause, during which he could hear Louise exchanging mumbled pleasantries with officers on security duty, as she made her way out and down towards the underground car park.

‘I think I’m going to go straight home tonight,’ she said, eventually.

‘Oh, OK.’

‘I’m knackered.’

‘That’s fine.’

‘Let’s do it tomorrow night.’

I’ll still be doing it tonight,’ Thorne said. ‘Just looks like I’ll be doing it on my own.’

She laughed; a dirty cackle. Her breathing was heavy and Thorne could picture her walking quickly, eager to get to her car and home. ‘I should have called earlier,’ she said, ‘but you know what it’s like. Have you been waiting up long?’

‘It’s not a problem.’ And it wasn’t. They’d both been working ludicrous hours of late, and there had been plenty of these late night/early morning conversations.

‘How was your day?’

‘Up and down.’ As ever, Thorne was working on half a dozen different murders, each at a different stage, somewhere between a body that was still cooling and a court case that was starting to warm up: a woman whose husband had flipped, bludgeoning her and her mother to death with an empty vodka bottle; an Asian teenager suffocated by an uncle in what looked suspiciously like an ‘honour’ killing; a young Turkish man, murdered in a pub car park. ‘What about you?’ Thorne asked.

‘A bundle of laughs,’ Louise said. ‘I had a fabulous afternoon, trying to convince a major crack dealer – who doesn’t want to press charges against another major crack dealer – that he didn’t hold himself hostage for a week and chop off three of his own fingers.’

‘How did that go?’

‘Apparently, he accidentally locked himself in a shed, decided to do a spot of DIY to pass the time and got careless with an electric saw.’

‘Don’t go jumping to any conclusions,’ Thorne said. ‘Has he got an honest face?’ Another big laugh. He heard the slight echo and realised she’d gone underground.

‘You sound tired,’ Louise said.

‘I’m fine.’

‘What have you been up to?’

‘Not a lot. I watched some shitty film… caught up on a bit of paperwork.’

‘OK.’ The call was starting to break up as the signal went. Thorne heard the squawk as she unlocked her car with the remote. ‘So, tomorrow night then, for definite?’

‘If I’m not washing my hair,’ Thorne said.

‘I’ll call you during the day.’

Thorne glanced at the computer screen as ‘ fourth street ’ was dealt. Saw that, with one card still to come, his king-ten had turned into an open-ended straight draw. ‘Drive safely…’

He walked into the kitchen to make tea, apologised to Elvis for forgetting her food and flicked on the kettle on his way to the fridge. He was reaching up for a mug when he heard the beeps of the message tone from his phone.

He knew it would be from Louise, was smiling as he pressed SHOW, and the text itself only widened the smile into a grin.

I know you’re playing poker. XXX

He was still trying to think up a funny comeback when the tone sounded again.

This time the message was not from Louise Porter.

It was a multimedia message, with a photograph attached. The picture was poorly defined, shot from close up and low down, and it wasn’t until Thorne had held the phone eighteen inches away for a few seconds and angled it correctly that he could see exactly what it was. That he finally realised what he was looking at.

The man’s face filled the small screen, pasty and distorted.

A clump of dark hair curled across the only visible cheek. The mouth hung open, its lips flecked with white and a sliver of tongue just visible inside. Chins bulged, one above the other; each black-and-silver stubbled, with a thin red line delineating the two. The single eye in shot was closed. Thorne could not be sure if the marks that ran across the brow and on to the forehead were from the camera lens or not.

He jabbed at the handset to retrieve the details of the message. Scrolled past the time and date, searching for the identity of the sender. There was no name listed, but he pressed the call button twice to dial the phone number that was shown.

Got a dead line.

He went back to the picture and stared, feeling the pulse quicken at the side of his neck. Feeling that familiar, dreadful tickle, the buzz , building further round, at the nape. When it came to a lot of things, there were times when Thorne couldn’t see what was staring him in the face; but this, for better or worse, was his area of expertise. Accountants were good with numbers, and Tom Thorne knew a dead man when he saw one.

He angled the screen again, moved the handset closer to the lamp on the desk, the poker game forgotten. He stared at the dark patch below the man’s ear that was certainly not hair. At the red line where it had run into the crack of his double chin.

Blood was not definitive, of course, but Thorne knew what the odds were. He knew that most people didn’t go around taking pictures of friends and relatives that had been struck by falling masonry or accidentally tumbled down the stairs.

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