Roper turned to look. ‘You been up in one?’
Thorne shook his head. It was right up there with bungee jumping or scrubbing a corpse.
‘I went out in one the other day. It’s a hell of a view.’
‘Everything looks better from a distance,’ Thorne said.
Roper turned back round to look at him, then down at his watch. ‘I don’t have much longer, I’m afraid…’
‘What do you think about Grant Freestone as a kidnapper?’
‘I’m not even convinced he’s a murderer,’ Roper said.
Thorne had not yet had a chance to look over the case notes, but he could see Roper’s point. It was hard to put ‘throwing someone through a coffee table’ down as a deliberately murderous act. ‘You think it was an accident?’
‘It’s possible. I’m certainly not convinced he meant to kill her, which was the way some people were thinking at the time, but there were signs of a struggle. His prints were all over the show.’
‘Who discovered the body?’
‘A neighbour was on the school’s contact list. When Hanley didn’t arrive at pick-up time, the neighbour was called. She collected the kids, then went round to drop them off at home. She had a key, and the eldest child opened the door.’
‘Jesus.’
‘Accident or not, Freestone left the woman to die. I think manslaughter would have been the very least he would have been looking at, and with his record I can’t see that he’d have come out again in a hurry. That’s why he ran.’
The idea came at Thorne like a brick through plate glass. If Freestone had made threats against Tony Mullen before he’d gone to prison, wouldn’t Mullen have been uncomfortable about his being released? With cause to fear for his safety, or for that of his family, it would certainly have suited him to have the slimy little sod well out of the way. Was it possible that Mullen could have had Grant Freestone fitted up?
Other thoughts, other considerations…
Mullen resigned from the force the same year that Grant Freestone disappeared.
If the motive for the kidnapping of Luke Mullen was based on a grudge against his old man, Grant Freestone might well have had a better reason than anyone thought for holding one.
It was Roper who brought Thorne down to earth with a bump.
‘As far as kidnapping anyone goes, I really can’t see it,’ he said. ‘If Freestone’s been happily staying out of our way all this time, why would he suddenly make himself visible again? If it is because this kid’s father put him away all those years ago or whatever, why risk being caught for something as stupid as revenge?’
Thorne had to agree that it was a bloody good point.
Louise Porter picked up the photograph, stared at the faces of the three boys, and lost herself for a moment or two.
In terms of its layout, the Area West Murder Squad HQ was a very different set-up from the one she was used to back at Scotland Yard. The Major Incident Room, on the third floor of Becke House, was an open-plan goldfish bowl, with smaller offices dotted along the corridor that curled around one side of it. It was into one of those occupied by Team 3 personnel that Porter had wandered looking for Yvonne Kitson.
An hour or so short of lunchtime, she felt as though she’d already put in a full day’s work. Since arriving at Becke House, everyone had been going flat out; and though it was early days, and operationally a little ad hoc, things seemed to be rubbing along smoothly enough. In terms of the two units working together, both DCIs had been insistent on going in at the deep end. This was evident in the pairings that had been sent after the two men whose names had yet to be crossed off the original ‘grudge’ list: Holland had been teamed up with a Kidnap Unit DC to pay a call on a career armed robber turned mature student named Harry Cotterill; while Stone and Heeney were trying to track down a second-division pimp and occasional arsonist called Philip Quinn. The latter was a former snout, who Mullen had put away when he had outlived his usefulness and who had, at the time, been resentful enough to try to burn down Mullen’s house.
While these four – and Tom Thorne – were on the street working the grudge angle, Porter and others were office bound, letting fingers do the walking at computer keyboards while a dead woman pointed the way.
One look at Amanda Tickell’s wasted body – the skin like wax-paper where it wasn’t covered in blood – had told Phil Hendricks that she was an addict, and he’d called twenty minutes into the post-mortem to confirm it, giving Porter and the others a direction in which to start moving. The rest of the morning had been spent making connections: talking to rehab centres and borough drug squads; chasing up her family and friends to try and shake loose the name of a dealer or fellow users; anyone who might give them a lead from Tickell to Conrad Allen, and from there to the possibility of a third party with whom, or at whose instruction, the pair had taken a major step up, and kidnapped Luke Mullen.
The possibility…
Without forensic evidence to the contrary, the idea that Luke Mullen had killed his kidnappers was still floating about, although Porter hadn’t spoken to many who were completely convinced, or convinced enough to climb off the fence, at any rate. She, for one, was in little doubt that Allen and Tickell had been involved with someone else; that, for reasons she couldn’t begin to fathom, this person had murdered them and was now holding Luke Mullen themself.
It was senseless, but the only explanation that made any sense. Porter wondered why she’d even bothered to hedge her bets when she’d been talking to Tom Thorne outside the Yard a few hours before.
She was still holding the photograph when she looked up and saw Yvonne Kitson in the doorway. She muttered an apology as she put the frame back on the desk. ‘Nice kids.’
‘Sometimes,’ Kitson said.
Porter smiled and glanced back at the picture as she carried a chair across; painted faces and gaps where milk teeth had once been . ‘I just came in so we could catch up, really.’
Kitson pointed back towards the corridor as she sat down. ‘Sorry, I was just in with the DCI. As a matter of fact, I won’t be around for a couple of hours this afternoon.’
‘Hot date?’
‘Not as such.’
Kitson hadn’t said much to Porter that wasn’t work-related since they’d met for the first time at that morning’s briefing. But she’d taken a look, in the way that any female copper might size up another. Or any female. Short and dark, Porter was the exact opposite of Kitson herself, and, although she was not conventionally pretty, she had a figure it was hard not to resent a little. Kitson generally didn’t mind her own body, she just tended to see it in one of two very different ways: ‘vivacious’ when she liked herself; ‘mumsy’ when she didn’t.
She saw Porter glance around the office. ‘It’s nice, isn’t it?’ Kitson said. ‘You must be green with envy.’
‘It’s fine.’
‘The disabled toilet’s bigger.’
Porter nodded towards the room’s second desk, back to back with Kitson’s and piled high with folders and box files, as though it were being used as storage space. ‘You normally share with Thorne, don’t you?’
‘Normally, but everything’s been a bit up in the air for a while. He’ll probably be wanting it back now.’
‘I can’t imagine his side of the room being quite so homely, somehow,’ Porter said. ‘Photos of his kids or whatever.’
Kitson punched at her keyboard. ‘Not even if he had any. Maybe the odd picture of Johnny Cash or Glenn Hoddle.’
‘You’re kidding. Johnny Cash?’
‘Sometimes I think he just likes to be perverse.’
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