Jeffery Deaver - The Empty Chair

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The Barnes Noble Review
May 2000
The Empty Chair is the third – or, if you count a guest appearance in the millennial thriller The Devil's Teardrop, the fourth – novel to feature Lincoln Rhyme, the irascible forensic genius who became a quadriplegic when a cave-in at a crime scene damaged his spinal cord beyond repair. The series began in 1997 with The Bone Collector, which was recently made into a so-so film starring Denzel Washington. Every Rhyme novel to date has been characterized by authentic forensic detail and wild, even extravagant plotting, and the latest entry is no exception. The Empty Chair may, in fact, be the single trickiest suspense novel published so far this year.
Unlike earlier volumes, The Empty Chair takes place outside of New York City in the bucolic but sinister environs of Paquenoke County, North Carolina. Rhyme – accompanied by his long-suffering physical therapist, Thom, and his beloved forensic assistant, Amelia Sachs – has just been accepted as a patient at the Medical Center of the University of North Carolina, where he is scheduled to undergo an experimental procedure that might increase the range of his mobility but might, on the other hand, result in his death. Shortly after his arrival, Lincoln 's plans are disrupted by an unforeseen emergency. Jim Bell, Paquenoke County sheriff, has trouble on his hands and needs Lincoln 's expertise.
According to Bell, a disturbed teenager – known, for reasons that become graphically clear, as the Insect Boy – has murdered a local football hero and abductedtwoyoung women. Convinced that the women have only hours to live, Bell asks Lincoln to examine the trace evidence found at the abduction site in the faint hope of pinpointing the kidnapper's location. Though he knows nothing about the physical composition of the surrounding area – he and Sachs, as he repeatedly comments, are "fish out of water" in the American South – Rhyme agrees to help. Once again using Amelia Sachs as his eyes and legs, he sets up an ad hoc forensic lab in a borrowed corner of the local Sheriff's office and goes to work.
This sort of scenario – a crazed killer, a race against time, a scattered handful of clues – offers more than enough drama to fuel any number of traditional suspense novels. In The Empty Chair, however, this same scenario is merely the first level of a complex, multitiered mystery that constantly confounds our most fundamental expectations. The first indication that The Empty Chair contains unexpected depths comes when Lincoln, flawlessly interpreting his disparate bits of evidence, locates both the Insect Boy (Garrett Hanlon) and his most recent victim (an oncology nurse named Lydia Johannsen) within the first 150 pages. At that point, Deaver throws away the rulebook.
After talking with Garrett Hanlon in the Paquenoke County jail, Amelia develops the instinctive sense that Garrett might, as he continually claims, be a victim, and that another unidentified killer might still be at large. In a moment of intuitive – and reckless – empathy, Amelia abandons her professional principles and escapes with Garrett, determined both to prove the boy's innocence and rescue the remaining victim, a local history student named Mary Beth McConnell. From this point forward, almost nothing that happens in The Empty Chair is even remotely predictable.
It would spoil too many of the carefully constructed surprises to reveal the plot in any more detail. Suffice it to say that the narrative – which seems, at first, a simple but effective chase story – broadens and deepens to become something stranger and infinitely more complex. Throwing a varied assortment of people and elements into the mix – a trio of Deliverance-style rednecks, an emotionally scarred cancer survivor, a revisionist account of the Lost Colony of Roanoke, an apparently deranged deputy sheriff, a pair of incipient rapists, the hidden motivations of a wealthy industrialist, and the tragic history of Tanner's Corner, a "town without children" – Deaver constructs an artful, entertaining melodrama that has much to say about the destructive consequences of uncontrolled greed.
If The Empty Chair has a besetting weakness, it is Deaver's relentless determination to dazzle the reader with his narrative sleight of hand, piling on an endless, constantly escalating series of shocks, surprises, and unexpected twists that might, in a lesser writer's hands, have become just a bit too much. But Deaver, as usual, is a consummate professional, and he holds it all together with the ease and assurance of a natural storyteller. Readers familiar with the earlier adventures of Lincoln Rhyme will be lining up for this one, which seems likely to attract a substantial number of new readers, as well. The Empty Chair is Jeffery Deaver at his best and most devious and is recommended, without reservation, to anyone in search of intelligent, high-adrenaline entertainment.
– Bill Sheehan

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The sharpshooter thought for a moment. "Has Garrett got a gun?"

"I don't know, Nathan. But tell me: 'Bout how hard is it to get a firearm in North Carolina? The phrase 'fallin' off a log' come to mind?"

"That's true."

"See, Lucy and Jesse – even Jim – they don't appreciate that kid like I do."

"Appreciate?"

"Appreciate the danger's what I mean," Mason said.

"Oh."

"He's killed three people so far, probably Todd Wilkes too, strung that little boy up by his neck. Or at least scared him into killing himself. Which is murder all the same. And that girl got stung – Meg? You see those pictures of her face after the wasps were through with her? Then think about Ed Schaeffer. You and me were out drinking with him just last week. Now he's in the hospital and he might never wake up."

"It's not like I'm a sniper or nothing, Mase."

But Mason Germain wasn't going to give an inch. "You know what the courts're going to do. He's sixteen. They're gonna say, 'Poor boy. Parents're dead. Let's put him in some halfway house.' Then he's going to get out in six months or a year and do it all over again. Kill some other football player headed for Chapel Hill, some other girl in town never hurt a soul."

"But -"

"Don't worry , Nathan. You're doing Tanner's Corner a favor."

"That ain't what I was going to say. The thing is, we kill him, we lose any chance of finding Mary Beth. He's the only one knows where she is."

Mason gave a sour laugh. "Mary Beth? You think she's alive? No way. Garrett raped and killed her, and buried her in a shallow grave someplace. We can stop worrying about her. It's our job now to make sure that don't happen to anybody else. You with me?"

Nathan didn't say anything but the snapping sound of the deputy pressing the long copper-jacketed shells into his rifle's magazine was answer enough.

II . THE WHITE DOE

13

Outside the window was a large hornets' nest. Resting her head against the greasy glass of her prison, an exhausted Mary Beth McConnell stared at it.

More than anything else about this terrible place, the nest – gray and moist and disgusting – gave her a sense of hopelessness.

More than the bars that Garrett had so carefully bolted outside of the windows. More than the thick oak door, secured with three huge locks. More than the memory of the terrible trek from Blackwater Landing in the company of the Insect Boy.

The wasps' nest was in the shape of a cone, the point facing toward the earth. It rested on a forked branch that Garrett had propped up near the window. The nest must've been home to hundreds of the glossy black-and-yellow insects that oozed in and out of the hole in the bottom.

Garrett had been gone when she'd wakened this morning and after lying in bed for an hour – groggy and nauseated from the vicious blow to her head last night – Mary Beth had climbed unsteadily to her feet and looked out the window. The first thing that she'd noticed was the nest outside the back window, near the bedroom.

The wasps hadn't made the nest here; Garrett had placed it outside the window himself. At first, she couldn't figure out why. But then, with a feeling of despair, she understood: her captor had left it as a flag of victory.

Mary Beth McConnell knew her history. She knew about warfare, knew about armies conquering other armies. The reason for flags and standards wasn't only to identify your side; it was to remind the vanquished who now controlled them.

And Garrett had won.

Well, he'd won the battle ; the outcome of the war had yet to be decided.

Mary Beth pressed the gash on her head. It had been a terrible blow to her temple, and had peeled away some skin. She wondered if it would become infected.

She found a rubber band in her backpack and tied her long brunette hair into a ponytail. Sweat trickled down her neck and she felt a fierce aching of thirst. She was breathless from the stifling heat in the closed rooms and thought about taking off her thick denim shirt – worried about snakes and spiders, she always wore long sleeves when she was on a dig around brush or tall grass. But despite the heat now she decided to leave the shirt on. She didn't know when her captor would return; she wore only a lacy pink bra underneath the shirt and Garrett Hanlon sure didn't need any encouragement in that department.

With a last glance at the nest Mary Beth stepped away from the window. Then walked around the three-room shack once more, searching futilely for a breach in the place. It was a solid building, very old. Thick walls – a combination of hand-hewn logs and heavy boards nailed together. Outside the front window was a large field of tall grass that ended in a line of trees a hundred yards away. The cabin itself was in another stand of thick trees. Looking out the back window – the hornets' nest window – she could just see through the trunks to the glistening surface of the pond they'd skirted yesterday to get here.

The rooms themselves were small but surprisingly clean. In the living room was a long brown-and-gold couch, several old chairs around a cheap dining-room table, a second table on which were a dozen quart juice jars covered with mesh and filled with insects he'd collected. A second room contained a mattress and a dresser. The third room was empty, except for several half-full cans of brown paint sitting in the corner; it seemed that Garrett had painted the exterior of the cabin recently. The color was dark and depressing and she couldn't understand why he'd picked it – until she realized it was the same shade as the bark of the trees that surrounded the cabin. Camouflage. And it occurred to her again what she'd thought yesterday – that the boy was much cagier, and more dangerous, than she'd thought.

In the living room were stacks of food – junk food and rows of canned fruits and vegetables – Farmer John brand. From the label a stolid farmer smiled at her, the image as outdated as the 1950s Betty Crocker. She searched the cabin desperately for water or soda – anything to drink – but couldn't find a thing. The canned fruits and vegetables would be packed in juice but there was no opener or any sort of tool or utensil to open them. She had her backpack with her but had left her archaeological tools at Blackwater Landing. She tried banging a can on the side of the table to split it open but the metal didn't give.

Downstairs was a root cellar that you reached via a door in the floor of the shack's main room. She glanced at it once and shivered with disgust, felt her skin crawl. Last night – after Garrett had been gone for some time – Mary Beth had worked up her courage and walked down the rickety stairs into the low-ceilinged basement, looking for a way out of the horrible cabin. But there'd been no exit – just dozens of old boxes and jars and bags.

She hadn't heard Garrett return and suddenly, in a rush, he'd charged down the stairs toward her. She'd screamed and tried to flee but the next thing she remembered was lying on the dirt floor, blood spattered on her chest and clotted in her hair, and Garrett, smelling of unwashed adolescence, walking up slowly, wrapping his arms around her, his eyes fixed on her breasts. He'd lifted her and she'd felt his hard penis against her as he carried her slowly upstairs, deaf to her protests…

No! she now told herself. Don't think about it.

Or about the pain. Or the fear.

And where was Garrett now?

As frightened as she'd been with him padding around the cabin yesterday she was nearly as scared now that he'd forget about her. Or would get killed in an accident or shot by the deputies looking for her. And she'd die of thirst here. Mary Beth McConnell remembered a project she and her graduate adviser had been involved in: a North Carolina State Historical Society-sponsored disinterment of a nineteenth-century grave to run DNA tests on the body inside, to see if the corpse was that of a descendant of Sir Francis Drake, as a local legend claimed. To her horror, when the top of the coffin was lifted off, the arm bones of the cadaver were upraised and there were scratch marks on the inside of the lid. The man had been buried alive.

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