Jeffery Deaver - The Empty Chair

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The Barnes Noble Review
May 2000
The Empty Chair is the third – or, if you count a guest appearance in the millennial thriller The Devil's Teardrop, the fourth – novel to feature Lincoln Rhyme, the irascible forensic genius who became a quadriplegic when a cave-in at a crime scene damaged his spinal cord beyond repair. The series began in 1997 with The Bone Collector, which was recently made into a so-so film starring Denzel Washington. Every Rhyme novel to date has been characterized by authentic forensic detail and wild, even extravagant plotting, and the latest entry is no exception. The Empty Chair may, in fact, be the single trickiest suspense novel published so far this year.
Unlike earlier volumes, The Empty Chair takes place outside of New York City in the bucolic but sinister environs of Paquenoke County, North Carolina. Rhyme – accompanied by his long-suffering physical therapist, Thom, and his beloved forensic assistant, Amelia Sachs – has just been accepted as a patient at the Medical Center of the University of North Carolina, where he is scheduled to undergo an experimental procedure that might increase the range of his mobility but might, on the other hand, result in his death. Shortly after his arrival, Lincoln 's plans are disrupted by an unforeseen emergency. Jim Bell, Paquenoke County sheriff, has trouble on his hands and needs Lincoln 's expertise.
According to Bell, a disturbed teenager – known, for reasons that become graphically clear, as the Insect Boy – has murdered a local football hero and abductedtwoyoung women. Convinced that the women have only hours to live, Bell asks Lincoln to examine the trace evidence found at the abduction site in the faint hope of pinpointing the kidnapper's location. Though he knows nothing about the physical composition of the surrounding area – he and Sachs, as he repeatedly comments, are "fish out of water" in the American South – Rhyme agrees to help. Once again using Amelia Sachs as his eyes and legs, he sets up an ad hoc forensic lab in a borrowed corner of the local Sheriff's office and goes to work.
This sort of scenario – a crazed killer, a race against time, a scattered handful of clues – offers more than enough drama to fuel any number of traditional suspense novels. In The Empty Chair, however, this same scenario is merely the first level of a complex, multitiered mystery that constantly confounds our most fundamental expectations. The first indication that The Empty Chair contains unexpected depths comes when Lincoln, flawlessly interpreting his disparate bits of evidence, locates both the Insect Boy (Garrett Hanlon) and his most recent victim (an oncology nurse named Lydia Johannsen) within the first 150 pages. At that point, Deaver throws away the rulebook.
After talking with Garrett Hanlon in the Paquenoke County jail, Amelia develops the instinctive sense that Garrett might, as he continually claims, be a victim, and that another unidentified killer might still be at large. In a moment of intuitive – and reckless – empathy, Amelia abandons her professional principles and escapes with Garrett, determined both to prove the boy's innocence and rescue the remaining victim, a local history student named Mary Beth McConnell. From this point forward, almost nothing that happens in The Empty Chair is even remotely predictable.
It would spoil too many of the carefully constructed surprises to reveal the plot in any more detail. Suffice it to say that the narrative – which seems, at first, a simple but effective chase story – broadens and deepens to become something stranger and infinitely more complex. Throwing a varied assortment of people and elements into the mix – a trio of Deliverance-style rednecks, an emotionally scarred cancer survivor, a revisionist account of the Lost Colony of Roanoke, an apparently deranged deputy sheriff, a pair of incipient rapists, the hidden motivations of a wealthy industrialist, and the tragic history of Tanner's Corner, a "town without children" – Deaver constructs an artful, entertaining melodrama that has much to say about the destructive consequences of uncontrolled greed.
If The Empty Chair has a besetting weakness, it is Deaver's relentless determination to dazzle the reader with his narrative sleight of hand, piling on an endless, constantly escalating series of shocks, surprises, and unexpected twists that might, in a lesser writer's hands, have become just a bit too much. But Deaver, as usual, is a consummate professional, and he holds it all together with the ease and assurance of a natural storyteller. Readers familiar with the earlier adventures of Lincoln Rhyme will be lining up for this one, which seems likely to attract a substantial number of new readers, as well. The Empty Chair is Jeffery Deaver at his best and most devious and is recommended, without reservation, to anyone in search of intelligent, high-adrenaline entertainment.
– Bill Sheehan

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No, she decided, that wasn't the right way to think. One of her angel books said there was no such thing as "trying to." You either did or you didn't. She wasn't going to try to get away. She was going to escape. She just had to have faith.

Lydia looked through a crack in the bin door, listened carefully. She heard him in one of the rooms nearby, muttering to himself and ripping open bins and closet doors. She'd hoped that he'd think she'd run outside through the collapsed wall in the burnt-out corridor but it was obvious from his methodical search that he knew she was still here. She couldn't stay in the storage closet any longer. He'd find her. She glanced out through a crack in the door and, not seeing him, she slipped out of the bin and ran into an adjoining room, moving silently on her white sneakers. The only exit from this room was a stairway leading up to the second floor. She staggered up it, gasping for breath and, not having her hands for balance, bounding off the walls and the wrought-iron railing.

She heard his voice echoing in the corridor. "You made him bite me!" he cried. "It hurts, it hurts."

Wish it had stung you in the eye or crotch , she thought and struggled up the stairs. Fuck you fuck you fuck you!

She heard him ripping open closet doors in the room below. Heard his guttural moaning. Imagined she could hear the snick, snick of his nails.

That shiver of panic again. Nausea swelling.

The room at the top of the stairs was large and had a number of windows facing the burnt portion of the mill. There was one door, which was unlocked, and she pushed it open, stepped into the grinding area itself – two large millstones sat in the center. The wooden mechanism was rotted; the sound she'd heard wasn't the stones but the waterwheel, powered by the diverted stream. It still turned slowly. Rust-colored water cascaded off it into a deep, narrow pit, like a well. Lydia couldn't see the bottom. The water must've drained back into the stream somewhere below the surface.

"Stop!" Garrett cried.

She jumped in shock at the angry sound. He stood in the doorway. His eyes were red and wide and he was cradling his arm, on which was a huge black-and-yellow bruise. "You made it sting me," he muttered, staring at her with hatred. "It's dead. You made me kill it! I didn't want to but you made me! Now get your ass downstairs. I've gotta tape your legs up now."

He started forward.

She looked at his bony face, brows knit together, his huge hands, his angry eyes. Into her thoughts came a burst of images: a cancer patient of hers, slowly wasting to death. Mary Beth McConnell locked away somewhere. The boy madly chewing his chips. The scuttling millipede. The fingernails snapping. The Outside. Her long nights alone, waiting – desperately – for a brief phone call from her boyfriend. Taking the flowers to Blackwater Landing, even though she didn't really want to…

It was all too much for her.

"Wait," Lydia said placidly.

He blinked. Stopped walking.

She smiled at him – the way she'd smile at a terminal patient – and, sending a good-bye prayer to her boyfriend, Lydia, hands still bound behind her, plunged headfirst into the narrow pit of dark water.

• • •

The crosshairs of the Hitech telescopic sight rested on the redheaded cop's shoulders.

That was some hair, Mason Germain thought.

He and Nathan Groomer were on a rise overlooking the old Anderson Rock Products quarry. About a hundred yards away from the search party.

Nathan finally stated the conclusion he must've come to a half hour ago. "This don't have anything to do with Rich Culbeau."

"No, it doesn't. Not exactly."

"What's that mean? 'Not exactly'?"

"Culbeau's out here someplace. With Sean O'Sarian -"

" That boy's scarier than two Culbeaus."

"No argument there," Mason said. "And Harris Tomel too. But that's not what we're doing."

Nathan looked back at the deputies and the redhead. "Guess not. Why're you sighting down on Lucy Kerr with my gun?"

After a moment Mason handed back the Ruger M77 and said, "'Cause I didn't bring my fucking binoculars. And it wasn't Lucy I was looking at."

They started along the ridge. Mason was thinking about the redhead. Thinking about pretty Mary Beth McConnell. And Lydia. Thinking too how sometimes life just doesn't go the way you want it to. Mason Germain knew, for instance, that he should've advanced further than senior deputy by now. He knew he should've handled his request for promotion different. Just like he should've handled things different when Kelley left him for that trucker five years ago and, for that matter, handled his whole marriage different before she left him.

And should've handled the first Garrett Hanlon case a lot different too. The case where Meg Blanchard woke from her nap and found the hornets clustered on her chest and face and arms… One hundred thirty-seven stings and a terrible slow death.

Now he was paying for those bad choices. His life was just a series of still days, worrying, sitting on his porch and drinking too much, not even finding the energy to put his boat in the Paquo and go after bass. Trying desperately to figure out how to fix what maybe couldn't be fixed. He -

"So you gonna tell me what we're doing?" Nathan asked.

"We're looking for Culbeau."

"But you just said…" Nathan's voice faded. When Mason said nothing else the deputy sighed loudly. "Culbeau's house, where we're s'posed to be, is six or seven miles away and here we are north of the Paquo, me with my deer gun and you with that zipped mouth of yours."

"I'm saying if Jim asks , we were out here looking for Culbeau," Mason said.

"And what we're really doing is…?"

Nathan Groomer could prune trees at five hundred yards with this Ruger of his. He could charm a point-five-oh DUI out of his car in three minutes. He could carve decoys that'd sell for five hundred bucks each to collectors if he ever bothered to try to sell any. But his talents and smarts didn't go much beyond that.

"We're going to get that boy," Mason said.

"Garrett."

"Yeah, Garrett. Who else? They're going to flush him for us." Nodding toward the redhead and the deputies. "And we're going to get him."

"Whatta you mean by 'get'?"

"You're going to shoot him, Nathan. And kill him dead as a stick."

"Shoot him?"

"Yessir," Mason said.

"Hold on there. You're not ramshagging my career 'cause you're hot to get that boy."

"You don't have a career," Mason snapped. "You got a job . And if you want to keep it you'll do what I'm telling you. Listen here – I've talked to him. Garrett. During those other investigations, when he killed those people."

"Yeah. Did you? I guess you would, sure."

"And know what he told me?"

"No. What?"

Mason was trying to think if this was credible. Then recalling Nathan's dog-eyed concentration as he spent hour after hour sanding the back of a pinewood duck, lost in happy oblivion, the senior deputy continued, "Garrett said if he was standing in need to he'd kill any law tried to stop him."

"He said that? That boy?"

"Yep. Looked me right in the eye and said so. And said he was looking forward to it too. Hoped I was in the lead but he'd take anybody that happened to be handy."

"That son of a bitch. You tell Jim?"

"Course I did. You think I wouldn't? But he didn't pay it a lick of mind. I like Jim Bell. You know I do. But the truth is he's more concerned about keeping his cushy job than he is with doing it."

The deputy was nodding and a portion of Mason was astonished that Nathan had bought this so easily and never even guessed that there might be another reason he was so hot to get that boy.

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