Jeffery Deaver - The Empty Chair

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The Barnes Noble Review
May 2000
The Empty Chair is the third – or, if you count a guest appearance in the millennial thriller The Devil's Teardrop, the fourth – novel to feature Lincoln Rhyme, the irascible forensic genius who became a quadriplegic when a cave-in at a crime scene damaged his spinal cord beyond repair. The series began in 1997 with The Bone Collector, which was recently made into a so-so film starring Denzel Washington. Every Rhyme novel to date has been characterized by authentic forensic detail and wild, even extravagant plotting, and the latest entry is no exception. The Empty Chair may, in fact, be the single trickiest suspense novel published so far this year.
Unlike earlier volumes, The Empty Chair takes place outside of New York City in the bucolic but sinister environs of Paquenoke County, North Carolina. Rhyme – accompanied by his long-suffering physical therapist, Thom, and his beloved forensic assistant, Amelia Sachs – has just been accepted as a patient at the Medical Center of the University of North Carolina, where he is scheduled to undergo an experimental procedure that might increase the range of his mobility but might, on the other hand, result in his death. Shortly after his arrival, Lincoln 's plans are disrupted by an unforeseen emergency. Jim Bell, Paquenoke County sheriff, has trouble on his hands and needs Lincoln 's expertise.
According to Bell, a disturbed teenager – known, for reasons that become graphically clear, as the Insect Boy – has murdered a local football hero and abductedtwoyoung women. Convinced that the women have only hours to live, Bell asks Lincoln to examine the trace evidence found at the abduction site in the faint hope of pinpointing the kidnapper's location. Though he knows nothing about the physical composition of the surrounding area – he and Sachs, as he repeatedly comments, are "fish out of water" in the American South – Rhyme agrees to help. Once again using Amelia Sachs as his eyes and legs, he sets up an ad hoc forensic lab in a borrowed corner of the local Sheriff's office and goes to work.
This sort of scenario – a crazed killer, a race against time, a scattered handful of clues – offers more than enough drama to fuel any number of traditional suspense novels. In The Empty Chair, however, this same scenario is merely the first level of a complex, multitiered mystery that constantly confounds our most fundamental expectations. The first indication that The Empty Chair contains unexpected depths comes when Lincoln, flawlessly interpreting his disparate bits of evidence, locates both the Insect Boy (Garrett Hanlon) and his most recent victim (an oncology nurse named Lydia Johannsen) within the first 150 pages. At that point, Deaver throws away the rulebook.
After talking with Garrett Hanlon in the Paquenoke County jail, Amelia develops the instinctive sense that Garrett might, as he continually claims, be a victim, and that another unidentified killer might still be at large. In a moment of intuitive – and reckless – empathy, Amelia abandons her professional principles and escapes with Garrett, determined both to prove the boy's innocence and rescue the remaining victim, a local history student named Mary Beth McConnell. From this point forward, almost nothing that happens in The Empty Chair is even remotely predictable.
It would spoil too many of the carefully constructed surprises to reveal the plot in any more detail. Suffice it to say that the narrative – which seems, at first, a simple but effective chase story – broadens and deepens to become something stranger and infinitely more complex. Throwing a varied assortment of people and elements into the mix – a trio of Deliverance-style rednecks, an emotionally scarred cancer survivor, a revisionist account of the Lost Colony of Roanoke, an apparently deranged deputy sheriff, a pair of incipient rapists, the hidden motivations of a wealthy industrialist, and the tragic history of Tanner's Corner, a "town without children" – Deaver constructs an artful, entertaining melodrama that has much to say about the destructive consequences of uncontrolled greed.
If The Empty Chair has a besetting weakness, it is Deaver's relentless determination to dazzle the reader with his narrative sleight of hand, piling on an endless, constantly escalating series of shocks, surprises, and unexpected twists that might, in a lesser writer's hands, have become just a bit too much. But Deaver, as usual, is a consummate professional, and he holds it all together with the ease and assurance of a natural storyteller. Readers familiar with the earlier adventures of Lincoln Rhyme will be lining up for this one, which seems likely to attract a substantial number of new readers, as well. The Empty Chair is Jeffery Deaver at his best and most devious and is recommended, without reservation, to anyone in search of intelligent, high-adrenaline entertainment.
– Bill Sheehan

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"Will do, Rhyme."

"Sit tight. I hope to have some directions for you soon."

• • •

Garrett and Lydia had covered another three or four miles.

The sun was high now. It was noon maybe, or close to it, and the day was hot as a tailpipe. The bottled water that Lydia had drunk at the quarry had quickly leached from her system and she was faint from the heat and thirst.

As if he sensed this Garrett said, "We'll be there soon. It's cooler. And I got more water."

The ground was open here. Broken forests, marshes. No houses, no roads. There were many old paths branching in different directions. It would be almost impossible for anyone searching for them to figure out which way they'd gone – the paths were like a maze.

Garrett nodded down one of these narrow paths, rocks to the left, a twenty-foot drop off to the right. They walked about a half-mile along this route and then he stopped. He looked back.

When he seemed satisfied that no one was nearby he stepped into the bushes and returned with a nylon string – like thin fishing line – that he ran across the path just above the ground. It was nearly impossible to see. He connected it to a stick, which in turn propped up a three- or four-gallon glass bottle, filled with a milky liquid. There was some residue on the side and she got a whiff of it – ammonia. She was horrified. Was it a bomb? she wondered. As a nurse on ER duty she'd treated several teenagers who'd been hurt making homemade explosives. She remembered how their blackened skin had actually been shattered by the detonation.

"You can't do that," she whispered.

"I don't want any shit from you." He snapped his fingernails. "I'm gonna finish up here and then we're going home."

Home?

Lydia stared, numb, at the large bottle as he covered it with boughs.

Garrett pulled her down the path once more. Despite the increasing heat of the day he was moving faster now and she struggled to keep up with Garrett, who seemed to get dirtier by the minute, covered with dust and flecks of dead leaves. It was as if he were slowly turning into an insect himself every step they got farther from civilization. It reminded her of some story she was supposed to read in school but never finished.

"Up there." Garrett nodded toward a hill. "There's a place we'll stay. Go on to the ocean in the morning."

Her uniform was soaked with sweat. The top two buttons of the white outfit were undone and the white of her bra was visible. The boy kept glancing at the rounded skin of her breasts. But she hardly cared; at the moment she wanted only to escape from the Outside, to get into some cooling shade, wherever he was taking her.

Fifteen minutes later they broke from the woods and into a clearing. In front of them was an old gristmill, surrounded by reeds, cattails, tall grass. It sat beside a stream that had largely been taken over by the swamp. One wing of the mill had burnt down. Amid the rubble stood a scorched chimney – what was called a " Sherman Monument," after the Union general who burned houses and buildings during his march to the sea, leaving a landscape of blackened chimneys behind him.

Garrett led her into the front part of the mill, the portion that had been untouched by the fire. He pushed her through the doorway and swung the heavy oak door shut, bolted it. For a long moment he stood listening. When he seemed satisfied that no one was following he handed her another bottle of water. She fought the urge to gulp down the whole container. She filled her mouth, let it sit, feeling the sting against her parched mouth, then swallowed slowly.

When she finished he took the bottle away from her, untaped her hands and retaped them behind her back. "You have to do that?" she asked angrily.

He rolled his eyes at the foolishness of the question. He eased her to the floor. "Sit there and keep your goddamn mouth shut." Garrett sat against the opposite wall and closed his eyes. Lydia cocked her head toward the window and listened for the sounds of helicopters or swamp boats or the baying of the search party's dogs. But she heard only Garrett's breathing, which she decided in her despair was really the sound of God Himself abandoning her.

10

A figure appeared in the doorway, accompanying Jim Bell.

He was a man in his fifties, thinning hair and a round, distinguished face. A blue blazer was over his arm and his white shirt was perfectly pressed and heavily starched though darkened with sweat stains under the arms. A striped tie was stuck in place with a bar.

Rhyme had thought this might be Henry Davett but the criminalist's eyes were one aspect of his physical body that had come through his accident unscathed – his vision was perfect – and he read the monogram on the man's tie bar from ten feet away: WWJD.

William? Walter? Wayne?

Rhyme didn't have a clue who he might be.

The man looked at Rhyme, squinted appraisingly and nodded. Then Jim Bell said, "Henry, I'd like you to meet Lincoln Rhyme."

So, not a monogram. This was Davett. Rhyme nodded back to the man, concluding that the tie bar had probably been his father's. William Ward Jonathan Davett.

He stepped into the room. His fast eyes took in the equipment. "Ah, you know chromatographs?" Rhyme asked, observing a flicker of recognition.

"My Research and Development Department has a couple of them. But this model…" He shook his head critically. "They don't even make it anymore. Why're you using it?"

"State budget, Henry," Bell said.

"I'll send one over."

"Not necessary."

"This is garbage," the man said gruffly. "I'll get a new one here in twenty minutes."

Rhyme said, " Getting the evidence isn't the problem. Interpreting it is. That's why I can use your help. This is Ben Kerr, my forensic assistant."

They shook hands. Ben seemed relieved that another able-bodied person was in the room.

"Sit down, Henry," Bell said, rolling an office chair up to him. The man sat and, leaning forward somewhat, carefully smoothed his tie. The gesture, his posture, the tiny dots of his confident eyes coalesced in Rhyme's perception and he thought: charming, smart… and one hell of a tough businessman.

Rhyme wondered again about WWJD. He wasn't sure he'd solved the puzzle.

"This is about those women who got kidnapped, isn't it?"

Bell nodded. "Nobody's really coming right out and saying it but in the back of our minds…" He looked at Rhyme and Ben. "… We're thinking Garrett might've already raped and killed Mary Beth, dumped her body someplace."

Twenty-four hours…

The sheriff continued, "But we've still got a chance to save Lydia, we're hoping. And we have to stop Garrett before he goes after somebody else."

The businessman said angrily, "And Billy, that was such a shame. I heard he was just being a Good Samaritan, trying to save Mary Beth, and got himself killed."

"Garrett crushed his head in with a shovel. It was pretty bad."

"So time's at a premium. What can I do?" Davett turned to Rhyme. "You said interpreting something?"

"We have some clues as to where Garrett's been and where he might be headed with Lydia. I was hoping you might know something about the area around here and might be able to help us."

Davett nodded. "I know the lay of the land pretty well. I have geology and chemical engineering degrees. I've also lived in Tanner's Corner all my life so I'm pretty familiar with Paquenoke County."

Rhyme nodded toward the evidence charts. "Can you look at those and give us any thoughts? We're trying to link those clues to a specific location."

Bell added, "It'll probably be someplace they could get to by foot. Garrett doesn't like cars. He won't drive."

Davett put on eyeglasses and eased his head back, looking up at the wall.

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