Jeffery Deaver - The Empty Chair

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The Barnes Noble Review
May 2000
The Empty Chair is the third – or, if you count a guest appearance in the millennial thriller The Devil's Teardrop, the fourth – novel to feature Lincoln Rhyme, the irascible forensic genius who became a quadriplegic when a cave-in at a crime scene damaged his spinal cord beyond repair. The series began in 1997 with The Bone Collector, which was recently made into a so-so film starring Denzel Washington. Every Rhyme novel to date has been characterized by authentic forensic detail and wild, even extravagant plotting, and the latest entry is no exception. The Empty Chair may, in fact, be the single trickiest suspense novel published so far this year.
Unlike earlier volumes, The Empty Chair takes place outside of New York City in the bucolic but sinister environs of Paquenoke County, North Carolina. Rhyme – accompanied by his long-suffering physical therapist, Thom, and his beloved forensic assistant, Amelia Sachs – has just been accepted as a patient at the Medical Center of the University of North Carolina, where he is scheduled to undergo an experimental procedure that might increase the range of his mobility but might, on the other hand, result in his death. Shortly after his arrival, Lincoln 's plans are disrupted by an unforeseen emergency. Jim Bell, Paquenoke County sheriff, has trouble on his hands and needs Lincoln 's expertise.
According to Bell, a disturbed teenager – known, for reasons that become graphically clear, as the Insect Boy – has murdered a local football hero and abductedtwoyoung women. Convinced that the women have only hours to live, Bell asks Lincoln to examine the trace evidence found at the abduction site in the faint hope of pinpointing the kidnapper's location. Though he knows nothing about the physical composition of the surrounding area – he and Sachs, as he repeatedly comments, are "fish out of water" in the American South – Rhyme agrees to help. Once again using Amelia Sachs as his eyes and legs, he sets up an ad hoc forensic lab in a borrowed corner of the local Sheriff's office and goes to work.
This sort of scenario – a crazed killer, a race against time, a scattered handful of clues – offers more than enough drama to fuel any number of traditional suspense novels. In The Empty Chair, however, this same scenario is merely the first level of a complex, multitiered mystery that constantly confounds our most fundamental expectations. The first indication that The Empty Chair contains unexpected depths comes when Lincoln, flawlessly interpreting his disparate bits of evidence, locates both the Insect Boy (Garrett Hanlon) and his most recent victim (an oncology nurse named Lydia Johannsen) within the first 150 pages. At that point, Deaver throws away the rulebook.
After talking with Garrett Hanlon in the Paquenoke County jail, Amelia develops the instinctive sense that Garrett might, as he continually claims, be a victim, and that another unidentified killer might still be at large. In a moment of intuitive – and reckless – empathy, Amelia abandons her professional principles and escapes with Garrett, determined both to prove the boy's innocence and rescue the remaining victim, a local history student named Mary Beth McConnell. From this point forward, almost nothing that happens in The Empty Chair is even remotely predictable.
It would spoil too many of the carefully constructed surprises to reveal the plot in any more detail. Suffice it to say that the narrative – which seems, at first, a simple but effective chase story – broadens and deepens to become something stranger and infinitely more complex. Throwing a varied assortment of people and elements into the mix – a trio of Deliverance-style rednecks, an emotionally scarred cancer survivor, a revisionist account of the Lost Colony of Roanoke, an apparently deranged deputy sheriff, a pair of incipient rapists, the hidden motivations of a wealthy industrialist, and the tragic history of Tanner's Corner, a "town without children" – Deaver constructs an artful, entertaining melodrama that has much to say about the destructive consequences of uncontrolled greed.
If The Empty Chair has a besetting weakness, it is Deaver's relentless determination to dazzle the reader with his narrative sleight of hand, piling on an endless, constantly escalating series of shocks, surprises, and unexpected twists that might, in a lesser writer's hands, have become just a bit too much. But Deaver, as usual, is a consummate professional, and he holds it all together with the ease and assurance of a natural storyteller. Readers familiar with the earlier adventures of Lincoln Rhyme will be lining up for this one, which seems likely to attract a substantial number of new readers, as well. The Empty Chair is Jeffery Deaver at his best and most devious and is recommended, without reservation, to anyone in search of intelligent, high-adrenaline entertainment.
– Bill Sheehan

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However, the problem with dirt as evidence is that it's too prevalent. In order for it to have any meaning forensically a bit of dirt whose source might be the criminal must be different from the dirt found naturally at the crime scene.

The first step in dirt analysis is to check known soil from the scene – an exemplar – against the sample the criminalist believes came from the perp.

Rhyme explained this to Ben and the big man picked up one bag of dirt, which Sachs had marked Exemplar soil – Blackwater Landing , along with the date and time of collection. There was also a notation in a hand that was not Sachs'. Collected by Deputy J. Corn. Rhyme pictured the young deputy eagerly scurrying off to do her bidding. Ben poured some of this dirt onto a third subscription card. He set it beside the dirt he'd dug out of Garrett's treads. "How do we compare them?" the young man asked, looking over the instruments.

"Your eyes."

"But – "

"Just look at them. See if the color of the unknown sample is different from the color of the known."

"How do I do that?"

Rhyme forced himself to answer calmly. "You just look at them."

Ben stared at one pile, then the other.

Back again. Once more.

And then once again.

Come on, come on… it isn't that tricky. Rhyme struggled to be patient. One of the hardest things in the world for him.

"What do you see?" Rhyme asked. "Is the dirt from the two scenes different?"

"Well, I can't exactly tell, sir. I think one's lighter."

"'Scope them in the comparison."

Ben mounted the samples in a comparison microscope and looked through the eyepieces. "I'm not sure. Hard to say. I guess… maybe there is some difference."

"Let me see."

Once again the massive muscles held the large microscope steady and Rhyme peered into the eyepieces. "Definitely different from the known," Rhyme said. "Lighter-colored. And it has more crystal in it. More granite and clay and different types of vegetation. So it's not from Blackwater Landing… If we're lucky it came from his hidey-hole."

A faint smile crossed Ben's lips, the first Rhyme had seen.

"What?"

"Oh, well, that's what we call the cave a moray eel takes for his home…" The young man's smile vanished as Rhyme's stare told him that this was not the time or place for anecdotes.

The criminalist said, "When you get the results of the limestone on the chromatograph run the dirt from the treads."

"Yessir."

A moment later the screen of the computer attached to the chromatograph/spectrometer flickered and lines shaped like mountains and valleys appeared. Then a window popped up and the criminalist maneuvered closer in his wheelchair. He bumped a table and the Storm Arrow jerked to the left, jostling Rhyme. "Shit."

Ben's eyes went wide with alarm. "Are you all right, sir?"

"Yes, yes, yes," Rhyme muttered. "What's that fucking table doing there? We don't need it."

"I'll get it out of the way," Ben blurted, grabbing the heavy table with one hand as if it were made of balsa wood and stashing it in the corner. "Sorry, I should've thought of that."

Rhyme ignored the zoologist's uncomfortable contrition and scanned the screen. "Large amounts of nitrates, phosphates and ammonia."

This was very troubling but Rhyme said nothing just yet; he wanted to see what substances were in the dirt that Ben had dug out of the treads. And shortly these results too were on the screen.

Rhyme sighed. "More nitrates, more ammonia – a lot of it. High concentrations again. Also, more phosphates. Detergent too. And something else… What the hell is that?"

"Where?" Ben asked, leaning toward the screen.

"At the bottom. The database's identified it as camphene. You ever hear of that?"

"No, sir."

"Well, Garrett walked through some of it, whatever it is." He looked at the evidence bag. "Now, what else do we have? That white tissue Sachs found…"

Ben picked up the bag, held it close to Rhyme. There was a lot of blood on the tissue. He glanced at the other tissue sample – the Kleenex that Sachs had found in Garrett's room. "They the same?"

"Look the same," Ben said. "Both white, both the same size."

Rhyme said, "Give them to Jim Bell. Tell him I want a DNA analysis. The drive-through variety."

"The, uhm… what's that, sir?"

"The down-and-dirty DNA, the polymerase chain reaction. We don't have time for the RFLP – that's the one-in-six-billion version. I just want to know if it's Billy Stail's blood or somebody else's. Have somebody scrounge up samples from Billy Stail's body and from Mary Beth and Lydia."

"Samples? Of what?"

Rhyme forced himself once more to remain patient. "Of genetic material. Any tissue from Billy's body. For the women, getting some hair would be the easiest – as long as the bulb's attached. Have a deputy pick up a brush or comb from Mary Beth's and Lydia 's bathrooms and get it over to the same lab that's running the test on the Kleenex."

The man took the bag and left the room. He returned a moment later. "They'll have it in an hour or two, sir. They're going to send it to the med center in Avery, not to the state police. Deputy Bell, I mean, Sheriff Bell , thought that would be easier."

"An hour?" Rhyme muttered, grimacing. "Way too long."

He couldn't help wondering if this delay might be just long enough to keep them from finding the Insect Boy before he killed Lydia or Mary Beth.

Ben stood with his bulky arms at his sides. "Uhm, I could call them back. I told 'em how important it was but… Do you want me to?"

"That's okay, Ben. We'll keep going here. Thom, time for our charts."

The aide wrote on the blackboard as Rhyme dictated to him.

FOUND AT PRIMARY CRIME SCENE -

BLACKWATER LANDING

Kleenex with Blood

Limestone Dust

Nitrates

Phosphate

Ammonia

Detergent

Camphene

Rhyme gazed at it. More questions than answers…

Fish out of water…

His eye fell on the pile of dirt that Ben had dug out of the boy's shoe. Then something occurred to him. "Jim!" he shouted, his voice booming and startling both Thom and Ben. "Jim! Where the hell is he? Jim!!"

"What?" The sheriff came running into the room, alarmed. "Something wrong?"

"How many people work in the building here?"

"I don't know. 'Bout twenty."

"And they live all over the county?"

"More'n that. Some travel from Pasquotank, Albemarle and Chowan."

"I want 'em all down here now."

"What?"

"Everybody in the building. I want soil samples from their shoes… Wait: And the floor mats in their cars."

"Soil…"

"Soil! Dirt! Mud! You know. I want it now!"

Bell retreated. Rhyme said to Ben, "That rack? Over there?"

The zoologist lumbered toward the table on which was a long rack holding a number of test tubes.

"It's a density-gradient tester. It profiles the specific gravity of materials like dirt."

He nodded. "I've heard of it. Never used one."

"It's easy. Those bottles there -" Rhyme was looking toward two dark glass bottles. One labeled tetra, the other ethanol. "You're going to mix those the way I tell you and fill up the tubes close to the top."

"Okay. What's that going to do?"

"Start mixing. I'll tell you when we're through."

Ben mixed the chemicals according to Rhyme's instructions and then filled twenty of the tubes with alternating bands of different-colored liquids – the ethanol and the tetrabromoethane.

"Pour a little of the soil sample from Garrett's shoe into the tube on the left. The soil'll separate and that'll give us a profile. We'll get samples from employees here who live in different areas of the county. If any of them match Garrett's that means the dirt he picked up could be from nearby."

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