Ларс Кеплер - Stalker

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Stalker: краткое содержание, описание и аннотация

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IF THE LIGHTS ARE ON, THEY CAN SEE YOU
A film arrives at the National Criminal Investigation Department in Stockholm. It shows a woman, alive, being filmed through the window of her house. She does not know she is being watched. The police don’t take it seriously. Until she is found dead.
BUT IF THE LIGHTS ARE OFF
When the next video arrives, Detective Margot Silverman frantically searches for any way of identifying the victim. But it is already too late. Because at the time the video was sent, the subject was already facing the terrifying final moments of their life. And without anything to link the victims, the police are powerless to help them.
IT’S ALREADY TOO LATE
Soon Stockholm is in the grip of terror. Who will the Stalker target next?

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Unless Rocky returns to Karsudden Hospital soon, so that Erik can question him properly, they’ll have to make a public appeal for information about him.

Margot switches the video off, and has a strong feeling that she’s being watched, so gets up and closes the curtains over the window looking out on to the park.

She opens her bag and takes out her powder compact, looks at herself in the little mirror, and puts some more powder on. Her nose has got shiny and the rings under her eyes look darker. She reapplies her lipstick, blots her lips on a letter from the National Police Board, adjusts her hair, then calls Jenny on Skype.

She can see herself on the screen, and as the call is connected she undoes one button on her blouse and moves backwards slightly so that her cheeks are framed better.

Jenny answers almost immediately. She looks cross but attractive, with her messy black hair tumbling over her thin shoulders. She’s wearing a washed-out vest and the little golden heart is shimmering against her neck.

‘Hi, baby,’ Margot says quietly.

‘Have you caught the bad guy yet, then?’

‘I thought I was the bad guy?’ Margot says.

Jenny smiles and stifles a yawn.

‘Did you call the bank about that ridiculous charge?’

‘Yes, and apparently there’s nothing wrong with it,’ Jenny replies.

‘That can’t be right.’

‘So call them yourself.’

‘I just meant... OK, never mind... It’s so irritating when they deduct payments for... oh, what the hell.’

‘What did you want?’ Jenny asks, picking at her armpit.

‘How are the girls?’ Margot asks.

‘Fine,’ Jenny says, glancing off to one side. ‘But Linda’s still a bit down. She needs to learn to make new friends... she’s far too nice.’

‘Being nice is a good thing, surely?’ Margot points out.

‘But she doesn’t know what to do when her best friend says she’s got fed up of her. She just gets upset and sits and waits.’

‘She’ll learn.’

Margot would like to be able to tell Jenny about the investigation, about the meaningless hatred and her feeling that the preacher is close by, watching them all.

She feels worried for herself, because she keeps forgetting all the things that normal people know, and the fact that she’s going to have a baby, and that people can be happy and secure.

‘You look nice,’ Margot says, tilting her head to one side.

‘No, I don’t.’ Jenny grins, then yawns loudly. ‘Right, I’m going to carry on watching a repeat of the Stockholm Horse Show.’

‘OK, I’ll call again later.’

Jenny blows her a kiss and ends the call, leaving Margot looking at her own face. Her father’s nose and those thick, colourless eyebrows. I look like someone’s aunt, she thinks. Like my dad, if he’d been a woman.

The suspicion that there’s something wrong between her and Jenny is snaking its way through Margot’s head when Adam Youssef comes into the room and opens the window facing the park.

He’s been in a meeting with Nathan Pollock and Elton Eriksson from the National Murder Unit in an attempt to prune the list of potential perpetrators and help move the preliminary investigation forward.

‘I had Pollock as one of my lecturers when I was training,’ Margot says.

‘Yes, he said,’ Adam replies as he sits down and leafs through a bundle of papers.

‘Have you got the new profile there?’ Margot asks.

Adam runs his hands through his thick hair in frustration.

‘They just keep repeating things we already know...’

‘That’s how it works, setting up things that seem obvious as the parameters,’ she replies, leaning back.

‘The murders are characterised by a high degree of risk-taking, forensic awareness and excessive brutality,’ he reads. ‘The victims are women of child-bearing age, the crime scenes are the victims’ homes... The motive is instrumental and the violence probably expressive.’

Margot listens to the generalisations and thinks about the fact that Anja’s list of names has grown even longer.

Considering that Sweden is the most secular country in the world, she can’t help thinking that there are an awful lot of priests and preachers.

They’ve now got almost five hundred people with direct connections to various faith organisations in the Stockholm area who match the general profile.

This investigation has ground to a halt, she finds herself thinking once more.

If only they had one sighting, just one decent piece of information to go on.

They need to bring things into focus.

There isn’t enough time to check out more than five hundred men. Given the murderer’s momentum so far, the video of his next victim could appear at any time.

In order to limit the search as things stand, we need to add in some uncertain parameters, she thinks. Previous violent crimes, for instance, or personality disorders.

‘There are forty-two men who’ve been suspects in other cases, nine have been convicted of violent crimes, none for stalking, none for murder, and none for brutality that bears any resemblance to our serial killer’s,’ Adam says. ‘Eleven have convictions for sexual offences, thirty for drugs...’

‘Just give me someone to shoot,’ she says wearily.

‘I’ve got three names... none of them is a perfect match, but two of them have been investigated for crimes of violence against more than one woman...’

‘Good.’

‘The first one is a Sven Hugo Andersson, a vicar in the parish of Danderyd... the other one’s a Pasi Jokala, he used to be active in the Philadelphia Church, but now he’s got his own congregation, known as the Gärtuna Revivalists...’

‘And the third one?’

‘I’m not sure, but he’s the only one of these five hundred who has a documented personality disorder that matches the profile. A twenty-year-old diagnosis for borderline psychosis. But he’s got no criminal record, doesn’t feature in either police or social service registers... and he’s also been married for ten years, which doesn’t fit the profile at all.’

‘Better than nothing,’ she says.

‘Anyway, his name’s Thomas Apel, and he’s the so-called stake president of the Church of Jesus Christ of Latter-day Saints, out in Jakobsberg.’

‘We’ll start with the violent ones,’ she says, and stands up.

Adam goes to his office to call his wife and tell her he’s got to work late, and Margot stops in the kitchen, looks in the cupboard and pops Petter Näslund’s packet of jam biscuits in her bag before she walks out.

Adam’s account of the perpetrator profile has made her think about stalker and serial killer Dennis Rader, whom she wrote an essay about when she was training. He used to call the police and media to tell them about his murders. He even used to send the police objects he’d taken from his victims.

In his case, the perpetrator profile was completely wrong. They had been looking for a divorced, impotent loner whereas Rader was married, had children, and was active in both the church and the scouting movement.

81

They go together in Margot’s comfortable Lincoln. To make room for her stomach she’s had to move the seat so far back that she can barely reach the pedals with her feet.

Only two of the three names are left. It turns out that Sven Hugo Andersson was in Danderyd Hospital for a bypass operation when Sandra Lundgren was murdered.

Once they’re past Södertälje they head along the 225 motorway, through fields of yellow rape, past a large industrial area dominated by Astra Zeneca’s pale grey facility. They pass beneath some tall electricity pylons, then head into a forested area.

Margot puts a biscuit in her mouth, chews, tasting the crumbly mixture of sugar and butter, then the chewy, tart jam.

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