Ariana Franklin - Mistress of the Art of Death

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When Christian children are being kidnapped and murdered in 12th century Cambridge, England, Adelia is sent to seek out the truth, and hopefully absolve the Jews being blamed for the crimes, before the townspeople take matters into their own hands. During a time when women are second-class citizens at best, and the practice of scientific autopsies is considered blasphemous, Adelia is the most skilled “speaker for the dead” hailing from progressive Naples – yet she is forced to masquerade as the meek assistant to her colleagues during their frantic search for the real child killer.
From The Washington Post
It's hard enough to produce a gripping thriller – harder still to write convincing historical fiction that recreates a living, breathing past. But this terrific book does both, and does it with a cast of characters so vivid and engaging that you'd be happy to read about them even if they weren't on the track of a sexually depraved serial child-murderer.
Mistress of the Art of Death opens with a clever takeoff on Chaucer's Canterbury Tales, which introduces the central players, a group of pilgrims returning from the shrine of the newly canonized St. Thomas à Becket: a prior and a prioress (from rival abbeys); two knights, lately returned from the Crusades; an overweight but very shrewd tax collector; a gaggle of citizens; and three Gypsies, who are in fact secret investigators sent by the king of Sicily to discover the truth behind a series of gruesome murders near Cambridge.
Four children have been found dead and mutilated. The Jews of Cambridge have been blamed for the murders, the most prominent Jewish moneylender and his wife have been killed by a mob, and the rest of the Jewish community is shut up in the castle under the protection of the sheriff.
As the only group allowed to commit usury – that is, to lend money at interest – the Jews are prosperous, and thus the king of England considers them his prize cash cows. He wants them cleared of suspicion and released, so they can go back to paying him high taxes. To this end, he appeals to his cousin, the king of Sicily, to send his best master of the art of death: a doctor skilled in "reading" bodies. Enter Vesuvia Adelia Rachel Ortese Aguilar, 25, the best mistress of death that the medical school at Salerno has ever produced. With Simon of Naples, a Jewish "fixer," and Mansur, a eunuch with a mean throwing-ax, it's her job to find a murderer before he – or she – can kill again.
Adelia comes onstage when she meets the prior under dramatic circumstances on the road, saving him from a burst bladder caused by a swollen prostate by thrusting a hollow reed up his penis. Not every man would follow up on an introduction like this, but the prior wants the mystery solved, too – and if the solution happens to ace out the rival abbey, so much the better.
Adelia finds 12th-century England a barbarous place. England finds Adelia a jaw-dropping anomaly. And Franklin exploits the contrast brilliantly. We're on Adelia's side from the start, identifying with her quite modern sensibilities – but at the same time, as she begins to know the English inhabitants as people, we sympathize with them, too. And a small but nice romantic subplot develops as the celibate, married-to-science Adelia discovers to her horror that live bodies have minds of their own.
Though the story is set in Cambridge, the Crusades run through the culture. We see both the corruption and the idealistic faith of the period, and while the Jews come off by far the best, Christians and Muslims are portrayed with evenhanded understanding. Beyond this, the story's background is a wonderful tapestry of the paradoxes and struggles of the times: Christianity and Islam, Christians and Jews, science and superstition, and the new power of Henry II's rule of law versus the stranglehold of the Church.
There are also fascinating details of historical forensic medicine, entertaining notes on women in science (the medical school at Salerno is not fictional), and a nice running commentary on science and superstition, as distinct from religious faith. Franklin does this subtly, by showing effects, rather than by beating us over the head with her opinions. These are clear enough but expressed with artistry rather than political correctness.
Franklin likewise balances cynicism, humanity and objectivity well. Adelia feels horror, fury and sympathy on behalf of the victims and the bereaved, but she doesn't let that get in the way of finding the truth. And the story makes it clear that the motives of those who want a solution to the crime are not necessarily purer than the motives of those who want to conceal it.
Mistress of the Art of Death is wonderfully plotted, with a dozen twists – and with final rabbits pulled out of not one hat but two, as both the mystery and the romance reach satisfactorily unexpected conclusions. It's a historical mystery that succeeds brilliantly as both historical fiction and crime-thriller. Above all, though, Franklin has written a terrific story, whose appeal rests on the personalities of the all-too-human beings who inhabit it.
– Diana Gabaldon, author of a series of historical novels, including "Outlander" and "A Breath of Snow and Ashes."

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“No, you bloody can’t.” Since words failed her, Gyltha’s gratitude for the safe return of her grandson could best be expressed by stuffing huge spoonfuls into Adelia’s mouth as into a baby bird’s.

There was one question that had to be asked through the bacon. “Where have they put…?” She couldn’t bring herself to name the madwoman. And I suppose, Adelia thought with even greater weariness, because she is a madwoman, I must see to it that they do not torture her.

“Next door. Being waited on like Lady Muck-a-muck.” Gyltha’s lips shriveled as if touched by acid. “They don’t believe it.”

“Don’t believe what? Who don’t?”

“As her did them…things, along of him .” Neither could Gyltha bring herself to use the names of the killers.

“Ulf can tell them. So can I. Gyltha, she threw me down the shaft.”

“See her do it, did you? And what’s Ulf’s word worth? A ignorant little slip as sells eels along of his ignorant old gran?”

“It was her.” Adelia spat out food because panic was rising in her throat. It was one thing for the nun to be spared torture, quite another that she be set free; the woman was insane; she could do it again. “Peter, Mary, Harold, Ulric…of course they went with her; they trusted her. A holy sister? Offering jujubes a crusader taught her how to make? Then the laudanum over their noses-believe me, there’s a plentiful supply at the convent.” Afresh, Adelia saw delicate hands upraised in prayer turn downward into clawed iron bands. “Almighty God…” She rubbed her forehead.

Gyltha shrugged. “Saint Raddy’s nuns don’t do that, seemingly.”

“But it was the river. I knew, that’s why I got into her boat. She had the freedom of the river, up and down-to Grantchester, to him. She was familiar; people waved at her or didn’t notice her at all. A saintly nun taking supplies to anchorites? Nobody to check her movements, certainly not Prioress Joan. And Walburga, if she was with her, Walburga always went off to her aunt’s. What do they think she was doing when she stayed out all night?”

“I know this, Ulf do knows it. But see…” Gyltha was a dogged devil’s advocate. “She’s near as hurt as you are. They brought in one of the sisters to bathe her on account of I wouldn’t touch the hag, but I took a look. Bruises all over, bites, eye closed like yourn. The nun as was a-washing her wept for how the poor thing suffered, and all for coming to help you.”

“She…liked it. She enjoyed him hurting her. It’s true. ” For Gyltha had drawn back, frowning with incomprehension. How to explain to her, to anybody, that the nun’s screams of terror during the beast’s attack had mingled with shrieks of insane, exquisite joy?

She can’t understand such perversity, Adelia thought in despair, and I can’t either. Dully, she said, “She procured those children for him. And she killed Simon.”

The bowl slipped out of Gyltha’s hand and rolled across the room, spilling broth over the wide, elm floorboards. “Master Simon?”

Adelia was back in Grantchester on the night of the feast, watching Simon of Naples talk excitedly to the tax collector at the end of the high table, the tallies in his wallet, only a few places from the chair in which sat the giver of the feast, whom they incriminated, only a few more from the woman who had procured the murderer’s victims for him.

“I saw him tell her to kill Simon.” And she saw them again now, dancing together, the crusader and the nun, the one instructing the other.

Dear Lord, she should have realized then. Irascible, woman-hating Brother Gilbert had as good as told her without knowing the import: “They stay out all night. They comport themselves in licentiousness and lust. In a decent house, they’d be whipped until their arses bled, but where’s their prioress? Out hunting.”

Simon leaving early, to examine the tallies he’d gained and find out who it was who had a financial reason for implicating Jews in the murders. His host coming back from the garden after a short absence, having seen his creature on her way.

“She left the feast early, Grantchester. I think I saw the other nuns later on, but not her. Did I? Yes, I’m sure I did. And the prioress stayed even later.”

And then what? The gentlest and most angelic of the sisters…? “ So far to walk on this dark night, Master Simon, may I not punt you home? Yes, yes, there is room. I am alone, glad of your company.”

Adelia thought of the Cam’s willow-dark stretches and a slim figure with wrists strong as steel stabbing a pole into the water, pressing it down on a man as on a speared fish while he floundered and drowned.

“He told her to kill Simon and steal his wallet,” Adelia said. “She did what he told her; she was enslaved to him. In the pit I had to take Ulf from her. I think she was going to kill him so that he couldn’t give her away.”

“Don’t I know?” Gyltha asked, even as her hands made pushing notions against the knowledge. “Ain’t Ulf told me what she did? And me knowing what both would have done to the boy if the good Lord hadn’t sent you to stop ’em. What they did to the others…” Her eyes went into slits and she stood up. “Let’s you and me go next door and stick a pillow on her face.”

“No. Everyone must know what she did, what he did.”

Rakshasa had escaped justice. His terrible end…Adelia shut her mind to avoid the vision against the sunrise…had not been justice. Eliminating that creature from the earth it sullied had not weighted its side of the scales against the pile of little bodies it had left in its passage from the Holy Land.

Even if they had captured it, dragged it to the assize, put it on trial, and executed it, the scales would have remained unbalanced for those whose children had been torn from them, but at least people would have known what it had done and seen it pay. The Jews would have been publicly exonerated. Most important, the law that brought order from chaos, that separated civilized humanity from the animals, would have been upheld.

While Gyltha helped her to dress, Adelia examined her conscience to see whether her objection against capital punishment had been abandoned. No, it had not; it was a principle. The mad must be restrained, certainly, yet not judicially killed. Rakshasa had escaped legal exposure: His collaborator must not. Her actions had to be recounted in full common view so that some equilibrium was brought into the world.

“She has to stand trial,” Adelia said.

“You think she’s a-going to?”

A knock on the door was Prior Geoffrey’s. “My dear girl, my poor, dear girl. I thank the Lord for your courage and deliverance.”

She brushed his prayers aside. “Prior, the nun…She was his accomplice in everything. As much a killer as he was, she murdered Simon of Naples without a thought. You do believe that?”

“I fear I must. I have listened to Ulf’s account, which, though confused by whatever soporific she gave him, leaves no doubt that she abducted him to that place where he was put in danger of his life. I have also heard what Sir Rowley and the hunter had to tell. This very evening I visited that hole with them…”

“You’ve been to Wandlebury?”

“I have,” the prior said wearily. “And never was I so close to hell. Oh, dear, the equipment we found there. One can only rejoice that Sir Joscelin’s soul will burn for eternity. Joscelin …” The emphasis was to help him believe it. “A local boy. I had marked him as a future sheriff of the county.” A spark of indignation enlivened the prior’s tired eyes. “I even accepted a donation toward our new chapel from those heinous hands.”

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