Ariana Franklin - Mistress of the Art of Death

Здесь есть возможность читать онлайн «Ariana Franklin - Mistress of the Art of Death» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Триллер, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Mistress of the Art of Death: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Mistress of the Art of Death»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

When Christian children are being kidnapped and murdered in 12th century Cambridge, England, Adelia is sent to seek out the truth, and hopefully absolve the Jews being blamed for the crimes, before the townspeople take matters into their own hands. During a time when women are second-class citizens at best, and the practice of scientific autopsies is considered blasphemous, Adelia is the most skilled “speaker for the dead” hailing from progressive Naples – yet she is forced to masquerade as the meek assistant to her colleagues during their frantic search for the real child killer.
From The Washington Post
It's hard enough to produce a gripping thriller – harder still to write convincing historical fiction that recreates a living, breathing past. But this terrific book does both, and does it with a cast of characters so vivid and engaging that you'd be happy to read about them even if they weren't on the track of a sexually depraved serial child-murderer.
Mistress of the Art of Death opens with a clever takeoff on Chaucer's Canterbury Tales, which introduces the central players, a group of pilgrims returning from the shrine of the newly canonized St. Thomas à Becket: a prior and a prioress (from rival abbeys); two knights, lately returned from the Crusades; an overweight but very shrewd tax collector; a gaggle of citizens; and three Gypsies, who are in fact secret investigators sent by the king of Sicily to discover the truth behind a series of gruesome murders near Cambridge.
Four children have been found dead and mutilated. The Jews of Cambridge have been blamed for the murders, the most prominent Jewish moneylender and his wife have been killed by a mob, and the rest of the Jewish community is shut up in the castle under the protection of the sheriff.
As the only group allowed to commit usury – that is, to lend money at interest – the Jews are prosperous, and thus the king of England considers them his prize cash cows. He wants them cleared of suspicion and released, so they can go back to paying him high taxes. To this end, he appeals to his cousin, the king of Sicily, to send his best master of the art of death: a doctor skilled in "reading" bodies. Enter Vesuvia Adelia Rachel Ortese Aguilar, 25, the best mistress of death that the medical school at Salerno has ever produced. With Simon of Naples, a Jewish "fixer," and Mansur, a eunuch with a mean throwing-ax, it's her job to find a murderer before he – or she – can kill again.
Adelia comes onstage when she meets the prior under dramatic circumstances on the road, saving him from a burst bladder caused by a swollen prostate by thrusting a hollow reed up his penis. Not every man would follow up on an introduction like this, but the prior wants the mystery solved, too – and if the solution happens to ace out the rival abbey, so much the better.
Adelia finds 12th-century England a barbarous place. England finds Adelia a jaw-dropping anomaly. And Franklin exploits the contrast brilliantly. We're on Adelia's side from the start, identifying with her quite modern sensibilities – but at the same time, as she begins to know the English inhabitants as people, we sympathize with them, too. And a small but nice romantic subplot develops as the celibate, married-to-science Adelia discovers to her horror that live bodies have minds of their own.
Though the story is set in Cambridge, the Crusades run through the culture. We see both the corruption and the idealistic faith of the period, and while the Jews come off by far the best, Christians and Muslims are portrayed with evenhanded understanding. Beyond this, the story's background is a wonderful tapestry of the paradoxes and struggles of the times: Christianity and Islam, Christians and Jews, science and superstition, and the new power of Henry II's rule of law versus the stranglehold of the Church.
There are also fascinating details of historical forensic medicine, entertaining notes on women in science (the medical school at Salerno is not fictional), and a nice running commentary on science and superstition, as distinct from religious faith. Franklin does this subtly, by showing effects, rather than by beating us over the head with her opinions. These are clear enough but expressed with artistry rather than political correctness.
Franklin likewise balances cynicism, humanity and objectivity well. Adelia feels horror, fury and sympathy on behalf of the victims and the bereaved, but she doesn't let that get in the way of finding the truth. And the story makes it clear that the motives of those who want a solution to the crime are not necessarily purer than the motives of those who want to conceal it.
Mistress of the Art of Death is wonderfully plotted, with a dozen twists – and with final rabbits pulled out of not one hat but two, as both the mystery and the romance reach satisfactorily unexpected conclusions. It's a historical mystery that succeeds brilliantly as both historical fiction and crime-thriller. Above all, though, Franklin has written a terrific story, whose appeal rests on the personalities of the all-too-human beings who inhabit it.
– Diana Gabaldon, author of a series of historical novels, including "Outlander" and "A Breath of Snow and Ashes."

Mistress of the Art of Death — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Mistress of the Art of Death», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Rowley saw her look. “May we go on now?” he asked, as if she had demanded the delay. He pulled on the reins without waiting for a reply.

Adelia roused herself. “I haven’t thanked you,” she told him, and felt the pressure of Ulf’s hand on her shoulders. “We thank you…” There weren’t words for it.

She might have dislodged a stone from a dam.

“What in hell did you think you were doing? Do you know what you put me through?”

“I’m sorry,” she told him.

“Sorry? Is that an apology? Are you apologizing ? Have you any conception…? Let me tell you it was God’s mercy I left the assize early. I set out for Old Benjamin’s because I was sorry for you in your misery. Misery? Mary of God, what was it for me when I found you gone?”

“I’m sorry,” she said again. Somewhere, deep in the impassivity of exhaustion that encased her, a tiny shift, a bubble of movement.

“Matilda B. said you’d likely gone to church to pray. But I knew, oh, I knew. She was waiting for the bloody river to tell her something, I said. It’s told her. She’s gone after the bastard like the witless female she is.”

The bubble grew and was joined by others. She heard Ulf snuffling, like he did when he was amused. “You see…” she said.

But Rowley was remorseless, his wrongs too great. He’d heard Hugh’s horn blowing on the other bank and had waded the bloody river to get to him. Immediately, the huntsman had suggested tracking Adelia by Safeguard’s scent.

“Hugh said Prior Geoffrey attached the bloody animal to you for that very purpose, having worried for your safety in an alien town and no other canine leaving a scent so rank. I always wondered why you went everywhere with the cur, but at least it had the sense to leave a trail, which was more than you did”

Bless him, so cross. Adelia looked down at the tax inspector and breathed in the magic of the man.

He’d made a dash into Old Benjamin’s house and up to Adelia’s room, he said. Grabbed the mat the Safeguard slept on and came down again to shove it under Hugh’s hounds’ noses. He’d acquired the horses by snatching them from under passing, innocent, protesting riders.

Galloping along the towpath…following the scent along the Cam, then the Granta. Nearly losing it across country…“And would have if that dog of yours hadn’t stank the heavens out. And years off my life with it, you shatterbrained harpy. Do you know what I’ve suffered?”

Ulf was now openly guffawing. Adelia, hardly able to breathe, thanking Almighty God for such a man. “I do love you, Rowley Picot,” she managed.

“That’s neither here nor there,” he’d said. “And it’s not funny .”

She began drifting off to sleep and was kept in the saddle only by the pressure of Ulf’s hands on her shoulders-for him to clasp her round the body was too painful.

Later, she was to remember passing through Barnwell priory’s great gates and thinking of the last time she and Simon and Mansur had entered them in a peddler’s cart, as ignorant as babes unborn of what faced them. They’ll know now, Simon. Everybody will know.

After that, the dozes deepened into a long unconsciousness in which she was only vaguely aware of Rowley’s voice like the rap of a drum issuing explanation, orders, and Prior Geoffrey’s, appalled but also giving instruction. They were overlooking the most important thing, and Adelia woke up long enough to voice it-“I want a bath”-before relapsing to sleep.

“…AND IN THE NAME OF GOD, stay there,” Rowley told her. A door slammed.

She and Ulf were alone on a bed in a room, and she was looking up at the timber beams and purlins of a ceiling she’d seen before. Candles- candles? Wasn’t it day? Yes, but shutters were closed against rain that beat on them.

“Where are we?”

“Prior’s guesthouse,” Ulf said.

“What’s happening?”

“Dunno.”

He sat beside her with his knees drawn up, staring at nothing.

What is he seeing? Adelia put her undamaged arm round him and hugged him close. He is my only companion, she thought, as I am his. The two of them had survived a travail that no one now living had made; only they knew how great was the distance they’d traveled and how long it had taken them and, indeed, how far they had yet to go. Exposure to the extremes of darkness had made them aware of things, not least about themselves, that they should not have known.

“Tell me,” she said.

“Nothin’ to tell. She poles up to where I was fishing and it’s ‘Oh, Ulf, I think the punt’s leaking.’ Nice as honey. Next thing there’s stuff over my face and I’m gone. Woke up in the pit.”

He threw back his head and an incredulous cry that spoke for the shattered innocence of the ages rang through the room. “Why?”

“I don’t know.”

Desperately, the little boy turned on her. “She was a lily. He was a crusader.”

“They were freaks. It didn’t show in their countenance, but they were freaks that found each other. Ulf, there are more of us than there are of those. Infinitely more. Hold fast to that.” She was trying to hold fast to it herself.

The child’s eyes fed off hers. “You come after me.”

“They were not going to have you.”

He considered it for a while, and then something of its old self crept back into the ugly little face. “I heard you. Gor, you didn’t half swear. I ain’t heard cussing like that, not even when the troopers came to town.”

“You ever tell anybody and it’s back to the pit.”

Gyltha was in the doorway. Like Rowley, who loomed behind her, she was furious with relief. Tears ran down her face. “You little maggot,” she shouted at Ulf. “Didn’t I tell you? I’ll wallop your backside for you.”

Sobbing, she ran to gather up her grandson, who gave a sigh of contentment and held out his arms to her.

“Out,” Rowley told them. There were laden servants behind him; Adelia saw the concerned face of Brother Swithin, the priory guest-master.

As Gyltha headed for the door with Ulf in her arms, she paused to ask Rowley, “Sure as I can’t do nothing for her?”

“No. Out you go.”

Gyltha still lingered, looking at Adelia. “Was a good day when you came to Cambridge,” she said. She went out.

Men came in with a huge tin bath and began pouring steaming jugs of water in it; one had bars of yellow soap resting on a pile of the harsh segments of old sheeting that passed for towels in the monastery.

Adelia watched the preparations hungrily; if she could not wash the filth the killers had imposed on her mind, she could at least scrub it from her body.

Brother Swithin was troubled by the arrangements. “The lady is injured, I should fetch the infirmarian.”

Rowley said, grimly, “When I found the lady, she was rolling on the ground in battle with the forces of darkness; she will survive.”

“There should at least be a female attendant…”

“Out,” Rowley said. “Out now.” He opened his arms and scooped the whole boiling of them to the door and shut it on them. He was a massive man, Adelia realized. The fat she’d derided was lessened; he was still heavy, but great strength of muscle had been revealed.

Lumbering to where she lay, he put his hands under her armpits, lifted her so that she stood on the floor, and began undressing her, picking her dreadful clothes off with surprising delicacy.

She felt very small. Was this seduction? For certain he would stop when he reached her shift.

It wasn’t and he didn’t; this was care. As he picked up her naked body and slipped it into the bath, she looked into his face; it might have been Gordinus’s, intent over an autopsy.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Mistress of the Art of Death»

Представляем Вашему вниманию похожие книги на «Mistress of the Art of Death» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Mistress of the Art of Death»

Обсуждение, отзывы о книге «Mistress of the Art of Death» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x