Ariana Franklin - Mistress of the Art of Death

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When Christian children are being kidnapped and murdered in 12th century Cambridge, England, Adelia is sent to seek out the truth, and hopefully absolve the Jews being blamed for the crimes, before the townspeople take matters into their own hands. During a time when women are second-class citizens at best, and the practice of scientific autopsies is considered blasphemous, Adelia is the most skilled “speaker for the dead” hailing from progressive Naples – yet she is forced to masquerade as the meek assistant to her colleagues during their frantic search for the real child killer.
From The Washington Post
It's hard enough to produce a gripping thriller – harder still to write convincing historical fiction that recreates a living, breathing past. But this terrific book does both, and does it with a cast of characters so vivid and engaging that you'd be happy to read about them even if they weren't on the track of a sexually depraved serial child-murderer.
Mistress of the Art of Death opens with a clever takeoff on Chaucer's Canterbury Tales, which introduces the central players, a group of pilgrims returning from the shrine of the newly canonized St. Thomas à Becket: a prior and a prioress (from rival abbeys); two knights, lately returned from the Crusades; an overweight but very shrewd tax collector; a gaggle of citizens; and three Gypsies, who are in fact secret investigators sent by the king of Sicily to discover the truth behind a series of gruesome murders near Cambridge.
Four children have been found dead and mutilated. The Jews of Cambridge have been blamed for the murders, the most prominent Jewish moneylender and his wife have been killed by a mob, and the rest of the Jewish community is shut up in the castle under the protection of the sheriff.
As the only group allowed to commit usury – that is, to lend money at interest – the Jews are prosperous, and thus the king of England considers them his prize cash cows. He wants them cleared of suspicion and released, so they can go back to paying him high taxes. To this end, he appeals to his cousin, the king of Sicily, to send his best master of the art of death: a doctor skilled in "reading" bodies. Enter Vesuvia Adelia Rachel Ortese Aguilar, 25, the best mistress of death that the medical school at Salerno has ever produced. With Simon of Naples, a Jewish "fixer," and Mansur, a eunuch with a mean throwing-ax, it's her job to find a murderer before he – or she – can kill again.
Adelia comes onstage when she meets the prior under dramatic circumstances on the road, saving him from a burst bladder caused by a swollen prostate by thrusting a hollow reed up his penis. Not every man would follow up on an introduction like this, but the prior wants the mystery solved, too – and if the solution happens to ace out the rival abbey, so much the better.
Adelia finds 12th-century England a barbarous place. England finds Adelia a jaw-dropping anomaly. And Franklin exploits the contrast brilliantly. We're on Adelia's side from the start, identifying with her quite modern sensibilities – but at the same time, as she begins to know the English inhabitants as people, we sympathize with them, too. And a small but nice romantic subplot develops as the celibate, married-to-science Adelia discovers to her horror that live bodies have minds of their own.
Though the story is set in Cambridge, the Crusades run through the culture. We see both the corruption and the idealistic faith of the period, and while the Jews come off by far the best, Christians and Muslims are portrayed with evenhanded understanding. Beyond this, the story's background is a wonderful tapestry of the paradoxes and struggles of the times: Christianity and Islam, Christians and Jews, science and superstition, and the new power of Henry II's rule of law versus the stranglehold of the Church.
There are also fascinating details of historical forensic medicine, entertaining notes on women in science (the medical school at Salerno is not fictional), and a nice running commentary on science and superstition, as distinct from religious faith. Franklin does this subtly, by showing effects, rather than by beating us over the head with her opinions. These are clear enough but expressed with artistry rather than political correctness.
Franklin likewise balances cynicism, humanity and objectivity well. Adelia feels horror, fury and sympathy on behalf of the victims and the bereaved, but she doesn't let that get in the way of finding the truth. And the story makes it clear that the motives of those who want a solution to the crime are not necessarily purer than the motives of those who want to conceal it.
Mistress of the Art of Death is wonderfully plotted, with a dozen twists – and with final rabbits pulled out of not one hat but two, as both the mystery and the romance reach satisfactorily unexpected conclusions. It's a historical mystery that succeeds brilliantly as both historical fiction and crime-thriller. Above all, though, Franklin has written a terrific story, whose appeal rests on the personalities of the all-too-human beings who inhabit it.
– Diana Gabaldon, author of a series of historical novels, including "Outlander" and "A Breath of Snow and Ashes."

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No reference to the incident on the top of the hill, but it was well done; an apology for his friend without directly apologizing, and a reproof to her. Though why call her pretty when she was not, nor, in her present role, did she set out to be? Were men obliged to flirt? If so, she thought reluctantly, this one probably had more success than most.

He had taken off his helmet and coif, revealing thick, dark hair curled with sweat. His eyes were a startling blue. And, considering his status, he was showing courtesy to a woman who apparently had none.

The huntsman stood apart, unspeaking, sullenly watching them all.

Sir Joscelin inquired after the prior. She was careful to say, indicating Mansur, that the doctor believed his patient to be responding to treatment.

Sir Joscelin bowed to the Arab, and Adelia thought that, if nothing else, he’d learned manners on his crusade. “Ah, yes, Arab medicine,” he said. “We gained a respect for it, those of us who went to the Holy Land.”

“Did you and your friend go there together?” She was curious about this disparity between the two men.

“At separate times,” he said. “Oddly enough, though both of us are Cambridge men, we did not meet up again until our return. A vast place, Outremer.”

He had done well out of it, to judge from the quality of his boots and the heavy gold ring on his finger.

She nodded and walked on, remembering only after she and Mansur had passed that she ought to have curtsied to him. Then she forgot him, even forgot the brute who was his friend; she was a doctor, and her mind was directed to her patient.

WHEN THE PRIOR CAME BACK in triumph to the camp, it was to find that the woman had returned and was sitting alone by the remains of the fire while the Saracen packed the cart and harnessed the mules.

He’d dreaded the moment. Distinguished as he was, he had lain, half-naked and puling with fear, before a woman, a woman, all restraint and dignity gone.

Only indebtedness, the knowledge that without her ministration he would have died, had stopped him from ignoring her or stealing away before they could meet again.

She looked up at his step. “Have you passed water?”

“Yes.” Curtly.

“Without pain?”

“Yes.”

“Good,” she said.

It was…he remembered now. A vagabond woman had gone into a difficult labor at the priory gates, and Brother Theo, the priory infirmarian, had perforce attended her. Next morning, when he and Theo had visited mother and baby, he wondering which would be most ashamed by their encounter-the woman, who’d revealed her most intimate parts to a man during the birth, or the monk, who’d had to involve himself with them.

Neither. No embarrassment. They had looked on each other with pride.

So it was now. The bright brown eyes regarding him were briskly without sex, those of a comrade-in-arms; he was her fellow soldier, a junior one perhaps; they had fought against the enemy together and won.

He was as grateful to her for that as for his deliverance. He hurried forward and took her hand to his lips. “Puella mirabile.”

Had Adelia been demonstrative, which she wasn’t, she would have hugged the man. It had worked then. Not having practiced general medicine for so long, she had forgotten the incalculable pleasure of seeing a creature released from suffering. However, he had to be aware of the prognosis.

“Not as mirabile as all that,” she told him. “It could happen again.”

“Damn,” the prior said, “damn, damn it.” He recovered himself. “I beg your pardon, mistress.”

She patted his hand and sat him down on the log, settling herself on the grass, her legs tucked beneath her. “Men have a gland that is accessory to the male generative organs,” she said. “It surrounds the neck of the bladder and the commencement of the urethra. In your case, I believe it to be enlarged. Yesterday it pressed so hard that the bladder could not function.”

“What am I to do?” he asked.

“You must learn to relieve the bladder, should the occasion arise, as I did-using a reed as a catheter .”

“Catheter?” She’d used the Greek word for a tube.

“You should practice. I can show you.”

Dear God, he thought, she would. Nor would it mean anything to her but a medical procedure. I am discussing these things with a woman; she is discussing them with me.

On the journey from Canterbury he’d barely noticed her, except as one of the ragtag-though, now that he came to think of it, during the overnight rests at the inns she had joined the nuns in the women’s quarters rather than staying in the cart with her men. Last night, when she had frowned down on his privates, she might have been one of his scribes concentrating on a difficult manuscript. This morning, her professionalism sustained them both above the murky waters of gender.

Yet she was a woman and, poor thing, as plain as her talk. A woman to blend so well into a crowd as to disappear, a background woman, a mouse among mice. Since she was now in the forefront of his attention, Prior Geoffrey felt an irritation that this should be so. There was no reason for such homeliness; the features were small and regular, as was what little he could see of her body beneath an enveloping cloak. The complexion was good, with the dusky, downy fairness to be found sometimes in northern Italy and Greece. Teeth white. Presumably there was hair beneath the cap with its rolled brim pulled down to her ears. How old was she? Still young.

The sun shone on a face that eschewed prettiness for intelligence, shrewdness taking away its femininity. No trace of artifice, she was clean, he gave her that, scrubbed like a washboard, but, while the prior was the first to condemn paint on women, this one’s lack of artifice was very nearly an affront. A virgin still, he would swear to it.

Adelia saw a man overfed, as so many monastic superiors were, though in this case gluttony was not the result of an appetite for food compensating for the deprivation of sex; she felt safe in his company. Women were natural beings for him; she knew that in an instant because it was so rare, neither harpies nor temptresses. The desires of the flesh were there but not indulged, nor kept in check by the birch. The nice eyes spoke of someone at ease with himself, worldliness living cheek by jowl-too much jowl-with goodness, a man who tolerated petty sins, including his own. He found her curious, of course-everybody did once they’d noticed her.

Nice as he was, she was becoming irritated; she’d been up most of the night attending to him; the least he could do was attend to her advice now.

“Are you listening to me, my lord?”

“I beg pardon, mistress.” He sat up straight.

“I said I can show you the use of a catheter. The procedure is not difficult when you know how to do it.”

He said, “I think, madam, we will wait upon the necessity.”

“Very well.” It was up to him. “In the meantime, you carry too much weight. You must take more exercise and eat less.”

Stung, he said, “I hunt every week.”

“On horseback. Follow the hounds on foot instead.”

Domineering, Prior Geoffrey thought. And she comes from Sicily? His experience of Sicilian women-it had been short but unforgettable-remembered the allures of Araby: dark eyes smiling at him above a veil, the touch of hennaed fingers, words as soft as the skin, the scent of…

God’s bones, Adelia thought, why do they attach such importance to frippery? “I can’t be bothered,” she said snappily.

“Eh?”

She sighed with impatience. “I see you are regretting that the woman, like the doctor, is unadorned. It always happens.” She glared at him. “You are getting the truth of both, Master Prior. If you want them bedecked, go elsewhere. Turn over that stone”-she pointed to a flint nearby-“and you will find a charlatan who will dazzle you with the favorable conjunction of Mercury and Venus, flatter your future, and sell you colored water for a gold piece. I can’t be bothered with it. From me you get the actuality.”

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