Jonathan Strahan - Eclipse Three

"I have," I agree.

"Well, this is a decent defensive weapon," Ed says. Ed does not fit my pre-conceived notions of a gun owner. Ed fits my pre-conceived notions of the guy who sells you a cell phone at the local strip mall. His hair is short and graying. He doesn't look at all like the kind of guy who would either marry Sherie or raise goats. He told me one time that his degree is in anthropology. Which, he said, was a difficult field to get a job in.

"Offer her a cold drink!" Sherie yells from the bathroom. In her pregnant state, Sherie can't ride twenty minutes in the sprung-shocked truck without having to pee.

He offers me iced tea and then gets the gun, checks to see that it isn't loaded, and hands it to me. He explains to me that the first thing I should do is check to see if the gun is loaded.

"You just did," I say.

"Yeah," he says, "but I might be an idiot. It's a good thing to do."

He shows me how to check the gun.

It is not nearly so heavy in my hand as I thought it would be. But, truthfully, I have found that the thing you thought would be life changing so rarely is.

Later he takes me around to the side yard and shows me how to load and shoot it. I am not even remotely surprised that it is kind of fun. That is exactly what I expected.

Out of the blue, an email from Rachel Mazar of Chicago.

I am writing you to ask you if you have had any personal or business dealings with my husband, Ellam Mazar. If I do not get a response from you, your next correspondence will be from my attorney.

I don't quite know what to do. I dither. I make vegetarian chili. Oddly enough, I check my gun which I keep in the bedside drawer. I am not sure what I am going to do about the gun when Sherie has her baby. I have offered to baby-sit, and I'll have to lock it up, I think. But that seems to defeat the purpose of having it.

While I am dithering, my cell rings. It is, of course, Rachel Mazar.

"I need you to explain your relationship with my husband, Ellam Mazar," she says. She sounds educated, with that eradication of regional accent that signifies a decent college.

"My relationship?" I say.

"Your email was on his phone," she says, frostily.

I wonder if he is dead. The way she says it sounds so final. "I didn't know your husband," I say. "He just bought the dolls."

"Bought what?" she says.

"The dolls," I say.

"Dolls?" she says.

"Yes," I say.

"Like… sex dolls?"

"No," I say. "Dolls. Reborns. Handmade dolls."

She obviously has no idea what I am talking about, which opens a world of strange possibilities in my mind. The dolls don't have orifices. Fetish objects? I tell her my website and she looks it up.

"He ordered specials," I say.

"But these cost a couple of thousand dollars," she says.

A week's salary for someone like Ellam Mazar, I suspect. I envision him as a professional, although, frankly, for all I know he works in a dry cleaning shop or something.

"I thought they were for you," I say. "I assumed you had lost a child. Sometimes people who have lost a child order one."

"We don't have children," she says. "We never wanted them." I can hear how stunned she is in the silence. Then she says, "Oh my God."

Satanic rituals? Some weird abuse thing?

"That woman said he told her he had lost a child," she says.

I don't know what to say so I just wait.

"My husband… my soon to be ex-husband," she says. "He has apparently been having affairs. One of the women contacted me. She told me that he told her we had a child that died and that now we were married in name only."

I hesitate. I don't know legally if I am allowed to tell her about transactions I had with her husband. On the other hand, the emails came with both their names on them. "He has bought three," I say.

"Three?"

"Not all at once. About once a year. But people who want a special send me a picture. He always sends the same picture."

"Oh," she says. "That's Ellam. He's orderly. He's used the same shampoo for fifteen years."

"I thought it was strange," I say. I can't bear not to ask. "What do you think he did with them?"

"I think the twisted bastard used them to make women feel sorry for him," she says through gritted teeth. "I think he got all sentimental about them. He probably has himself half-convinced that he really did have a daughter. Or that it's my fault that we didn't have children. He never wanted children. Never."

"I think a lot of my customers like the idea of having a child better than having one," I say.

"I'm sure," she says. "Thank you for your time and I'm sorry to have bothered you."

So banal. So strange and yet so banal. I try to imagine him giving the doll to a woman, telling her that it was the image of his dead child. How did that work?

Orders for dildos begin to trickle in. I get a couple of doll orders and make a payment on the credit line and put away some towards real estate taxes. I may not have to live in my car.

One evening, I am working in the garden when Abby and Hudson start barking at the back gate.

I get off my knees, aching, but lurch into the house and into the bedroom where I grab the 9 mm out of the bedside table. It isn't loaded, which now seems stupid. I try to think if I should stop and load it. My hands are shaking. It is undoubtedly just someone looking for a meal and a place to recharge. I decide I can't trust myself to load and, besides, the dogs are out there. I go to the back door, gun held stiffly at my side, pointed to the ground.

There are in fact two of them, alike as brothers, indian looking with a fringe of black hair cut in a straight line above their eyebrows.

"Lady," one says, "we can work for food?" First one, then the other sees the gun at my side and their faces go empty.

The dogs cavort.

"I will give you something to eat, and then you go," I say.

"We go," the one who spoke says.

"Someone robbed me," I say.

"We no rob you," he says. His eyes are on the gun. His companion takes a step back, glancing at the gate and then at me as if to gauge if I will shoot him if he bolts.

"I know," I say. "But someone came here, I gave him food, and he robbed me. You tell people not to come here, okay?"

"Okay," he says. "We go."

"Tell people not to come here," I say. I would give them something to eat, something to take with them. I hate this. They are two young men in a foreign country, hungry, looking for work. I could easily be sleeping in my car. I could be homeless. I could be wishing for someone to be nice to me.

But I am not. I'm just afraid.

" Hudson! Abby!" I yell, harsh, and the two men flinch. "Get in the house."

The dogs slink in behind me, not sure what they've done wrong.

"If you want some food, I will give you something," I say. "Tell people not to come here."

I don't think they understand me. Instead they back slowly away a handful of steps and then turn and walk quickly out the gate, closing it behind them.

I sit down where I am standing, knees shaking.

The moon is up in the blue early evening sky. Over my fence I can see scrub and desert, a fierce land where mountains breach like the petrified spines of apocalyptic animals. The kind of landscape that seems right for crazed gangs of mutants charging around in cobbled-together vehicles. Tribal remnants of America, their faces painted, their hair braided, wearing jewelry made from shiny CDs and cigarette lighters scrounged from the ruins of civilization. The desert is Byronic in its extremes.

I don't see the two men. There's no one out there in furs, their faces painted blue, driving a dune buggy built out of motorcycle parts and hung with the skulls of their enemies. There's just a couple of guys from Nicaragua or Guatemala, wearing t-shirts and jeans.