Jonathan Strahan - Eclipse Three

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Eclipse Three: краткое содержание, описание и аннотация

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In a brilliant, wide-ranging anthology, Strahan presents stories by authors as diverse as Karen Joy Fowler, Elizabeth Bear, and Paul Di Filippo. Ellen Klages contributes “Lotion,“ a story about imaginary numbers and the strange powers of math, in which a young girl discovers the magical potential of pure math. Ellen Kushner’s “Dolce Domum” is, perhaps, not about what its characters think it is. Bear’s “Swell” is a fairy tale about a musician seeking her voice, in which a mermaid’s gift is not as wonderful as at first glance it seems. Molly Gloss’ “The Visited Man” presents a lonely pensioner who lives upstairs from le douanier Rousseau and the relationship that develops after the painter brings the retiree a stray cat. As for the previous Eclipse anthologies, Strahan has picked stories whose authors care about both the craft of storytelling and the stories they tell. Each piece is distinctive and haunting.

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At the obstetrician's office, I sit in the waiting room and try not to fall asleep. I'm stuffed on Brenda's chicken and cheese sandwich and corn chowder. People Magazine has an article about Tom Cruise getting telemerase regeneration therapy which will extend his lifespan an additional forty years. There's an article on some music guy's house, talking about the new opulence: cutting edge technology that darkens the windows at the touch of a hand and walls that change color, rooms that sense whether you're warm or cold and change their temperature, and his love of ancient Turkish and Russian antiques. There's an article on a woman who has dedicated her life to helping people in Siberia who have AIDs.

Sherie comes out of the doctor's office on her cell phone. The doctor tells her that, if she had insurance, they'd do a routine ultrasound. I can hear half the conversation as she discusses it with her mother. "This little guy," Sherie says, hand on her belly, "is half good Chinese peasant stock. He's doing fine." They decide to wait for another month.

Sherie is convinced that it's a boy. Ed is convinced it's a girl. He sings David Bowie's "China Girl" to Sherie's stomach which for some reason irritates the hell out of her.

We stop on our way out of town and stock up on rice and beans, flour, sugar, coffee. We can get all this in Belen, but it's cheaper at Sam's Club. Sherie has a membership. I pay half the membership and she uses the card to buy all our groceries then I pay her back when we get to the car. The cashiers surely know that we're sharing a membership, but they don't care.

It's a long hot drive back home. The air conditioning doesn't work in the truck. I am so grateful to see the trees that mark the valley.

My front door is standing open.

"Who's here?" Sherie says.

Abby is standing in the front yard and she has clearly recognized Sherie's truck. She's barking her fool head off and wagging her tail, desperate. She runs to the truck. I get out and head for the front door and she runs towards the door and then back towards me and then towards the door, unwilling to go in until I get there, then lunging through the door ahead of me.

" Hudson?" I call the other dog, but I know if the door is open, he's out roaming. Lost. My things are strewn everywhere, couch cushions on the floor, my kitchen drawers emptied on the floor, the back door open. I go through to the back, calling the missing dog, hoping against hope he is in the back yard. The back gate is open, too.

Behind me I hear Sherie calling, "Don't go in there by yourself!"

"My dog is gone," I say.

" Hudson?" she says.

I go out the back and call for him. There's no sign of him. He's a great boy, but some dogs, like Abby, tend to stay close to home. Hudson isn't one of those dogs.

Sherie and I walk through the house. No one is there. I go out to my workshop. My toolbox is gone, but evidently whoever did this didn't see the computer closed and sitting on the shelf just above eye level.

It had to be the guy I gave soup to. He probably went nearby to wait out the heat of the day and saw me leave.

I close and lock the gate, and the workshop. Close and lock my back door. Abby clings to me. Dogs don't like things to be different.

"We'll look for him," Sherie says. Abby and I climb into the truck and for an hour we drive back roads, looking and calling, but there's no sign of him. Her husband Ed calls us. He's called the county and there's a deputy at my place waiting to take a statement. We walk through the house and I identify what's gone. As best I can tell, it isn't much. Just the tools, mainly. The sheriff says they are usually looking for money, guns, jewelry. I had all my cards and my cell phone with me, and all my jewelry is inexpensive stuff. I don't have a gun.

I tell the deputy about the migrant this morning. He says it could have been him, or someone else. I get the feeling we'll never know. He promises to put out the word about the dog.

It is getting dark when they all leave and I put the couch cushions on the couch. I pick up silverware off the floor and run hot water in the sink to wash it all. Abby stands at the backdoor, whining, but doesn't want to go out alone.

It occurs to me suddenly that the doll I was working on is missing. He stole the doll. Why? He's not going to be able to sell it. To send it home, I guess, to the baby in the photo. Or maybe to his wife, who has a real baby and is undoubtedly feeling a lot less sentimental about infants than most of my customers do. It's a couple of weeks of work, not full time, but painting, waiting for the paint to cure, painting again.

Abby whines again. Hudson is out there in the dark. Lost dogs don't do well in the desert. There are rattlesnakes. I didn't protect him. I sit down on the floor and wrap my arms around Abby's neck and cry. I'm a stupid woman who is stupid about my dogs, I know. But they are what I have.

I don't really sleep. I hear noises all night long. I worry about what I am going to do about money.

Replacing the tools is going to be a problem. The next morning I put the first layer of paint on a new doll to replace the stolen one. Then I do something I have resisted doing. Plastic doll parts aren't the only thing I can mold and sell on the internet. I start a clay model for a dildo. Over the last couple of years I've gotten queries from companies who have seen the dolls online and asked if I would consider doing dildos for them. Realistic penises aren't really any more difficult to carve than realistic baby hands. Easier, actually. I can't send it to Tony, he wouldn't do dildos. But a few years ago they came out with room temperature, medical grade silicon. I can make my own molds, do small runs, hand finish them. Make them as perfectly lifelike as the dolls. I can hope people will pay for novelty when it comes to sex.

I don't particularly like making doll parts, but I don't dislike it either. Dildos, on the other hand, just make me sad. I don't think there is anything wrong with using them, it's not that. It's just… I don't know. I'm not going to stop making dolls, I tell myself.

I also email the Chicago couple back and accept the commission for the special, to make the same doll for the third time. Then I take a break and clean my kitchen some more. Sherie calls me to check how I'm doing and I tell her about the dildos. She laughs. "You should have done it years ago," she says. "You'll be rich."

I laugh, too. And I feel a little better when I finish the call.

I try not to think about Hudson. It's well over 100 today. I don't want to think about him in trouble, without water. I try to concentrate on penile veins. On the stretch of skin underneath the head (I'm making a circumcised penis.) When my cell rings I jump.

The guy on the phone says, "I've got a dog here, has got this number on his collar. You missing a dog?"

"A golden retriever?" I say.

"Yep."

"His name is Hudson," I say. "Oh thank you. Thank you. I'll be right there."

I grab my purse. I've got fifty-five dollars in cash. Not much of a reward, but all I can do. "Abby!" I yell. "Come on girl! Let's go get Hudson!"

She bounces up from the floor, clueless, but excited by my voice.

"Go for a ride?" I ask.

We get in my ancient red Impreza. It's not too reliable, but we aren't going far. We bump across miles of bad road, most of it unpaved, following the GPS directions on my phone, and end up at a trailer in the middle of nowhere. It's bleached and surrounded by trash-an old easy chair, a kitchen chair lying on its side with one leg broken and the white unstained inside like a scar, an old picnic table. There's a dirty green cooler and a bunch of empty 40-ounce bottles. Frankly, if I saw the place my assumption would be that the owner made meth. But the old man who opens the door is just an old guy in a baseball cap. Probably living on social security.

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