Jonathan Strahan - Eclipse Three

"I'm Nick," he says. He's wearing a long-sleeved plaid shirt despite the heat. He's deeply tanned and has a turkey wattle neck.

I introduce myself. Point to the car and say, "That's Abby, the smart one that stays home."

The trailer is dark and smells of old man inside. The couch cushions are covered in cheap throws, one of them decorated with a blue and white Christmas snowman. Outside, the scrub shimmers, flattened in the heat. Hudson is laying in front of the sink and scrabbles up when he sees us.

"He was just ambling up the road," Nick says. "He saw me and came right up."

"I live over by the river, off 109, between Belen and Jarales," I say. "Someone broke into my place and left the doors open and he wandered off."

"You're lucky they didn't kill the dogs," Nick says.

I fumble with my purse. "There's a reward," I say.

He waves that away. "No, don't you go starting that." He says he didn't do anything but read the tag and give him a drink. "I had dogs all my life," he says. "I'd want someone to call me."

I tell him it would mean a lot to me and press the money on him. Hudson leans against my legs to be petted, tongue lolling. He looks fine. No worse for wear.

"Sit a minute. You came all the way out here. Pardon the mess. My sister's grandson and his friends have been coming out here and they leave stuff like that," he says, waving at the junk and the bottles.

"I can't leave the other dog in the heat," I say, wanting to leave.

"Bring her inside."

I don't want to stay, but I'm grateful, so I bring Abby in out of the heat and he thumps her and tells me about how he's lived here since he was in his twenties. He's a Libertarian and he doesn't trust government and he really doesn't trust the New Mexico state government which is, in his estimation, a banana republic lacking only the fancy uniforms that third-world dictators seem to love. Then he tells me about how lucky it was that Hudson didn't get picked up to be a bait dog for the people who raise dogs for dog fights. Then he tells me about how the American economy was destroyed by operatives from Russia as revenge for the fall of the Soviet Union.

Half of what he says is bullshit and the other half is wrong, but he's just a lonely guy in the middle of the desert and he brought me back my dog. The least I can do is listen.

I hear a spitting little engine off in the distance. Then a couple of them. It's the little motorbikes the kids ride. Nick's eyes narrow as he looks out.

"It's my sister's grandson," he says. "Goddamn."

He gets up and Abby whines. He stands, looking out the slatted blinds.

"Goddamn. He's got a couple of friends," Nick says. "Look you just get your dogs and don't say nothing to them, okay? You just go on."

" Hudson," I say and clip a lead on him.

Outside, four boys pull into the yard, kicking up dust. They have seen my car and are obviously curious. They wear jumpsuits like prison jumpsuits, only with the sleeves ripped off and the legs cut off just above the knees. Khaki and orange and olive green. One of them has tattoos swirling up his arms.

"Hey Nick," the tattooed one says, "new girlfriend?"

"None of your business, Ethan."

The boy is dark but his eyes are light blue. Like a Siberian Husky. "You a social worker?" the boy says.

"I told you it was none of your business," Nick says. "The lady is just going."

"If you're a social worker, you should know that old Nick is crazy and you can't believe nothing he says."

One of the other boys says, "She isn't a social worker. Social workers don't have dogs."

I step down the steps and walk to my car. The boys sit on their bikes and I have to walk around them to get to the Impreza. Hudson wants to see them, pulling against his leash, but I hold him in tight.

"You look nervous, lady," the tattooed boy says.

"Leave her alone, Ethan," Nick says.

"You shut up, Uncle Nick, or I'll kick your ass," the boy says absently, never taking his eyes off me.

Nick says nothing.

I say nothing. I just get my dogs in my car and drive away.

Our life settles into a new normal. I get a response from my dildo email. Nick in Montana is willing to let me sell on his sex site on commission. I make a couple of different models, including one that I paint just as realistically as I would one of the reborn dolls. This means a base coat, then I paint the veins in. Then I bake it. Then I paint an almost translucent layer of color and bake it again. Six layers. And then a clear over layer of silicon because I don't think the paint is approved for use this way. I put a pretty hefty price on it and call it a special. At the same time I am making my other special. The doll for the Chicago couple. I send the mold to Tony and have him do a third head from it. It, too, requires layers of paint, and sometimes the parts bake side by side.

Because my business is rather slow, I take more time than usual. I am always careful, especially with specials. I think if someone is going to spend the kind of money one of these costs, the doll should be made to the best of my ability. And maybe it is because I have done this doll before, it comes easily and well. I think of the doll that the man who broke into my house stole. I don't know if he sent it to his wife and daughter in Mexico, or if he even has a wife and daughter in Mexico. I rather suspect he sold it on eBay or some equivalent-although I have watched doll sales and never seen it come up.

This doll is my orphan doll. She is full of sadness. She is inhabited by the loss of so much. I remember my fear when Hudson was wandering the roads of the desert. I imagine Rachel Mazar, so haunted by the loss of her own child. The curves of the doll's tiny fists are porcelain pale. The blue veins at her temples are traceries of the palest of bruises.

When I am finished with her, I package her as carefully as I have ever packaged a doll and send her off.

My dildos go up on the website.

The realistic dildo sits in my workshop, upright, tumescent, a beautiful rosy plum color. It sits on a shelf like a prize, glistening in its topcoat as if it were wet. It was surprisingly fun to make, after years and years of doll parts. It sits there both as an object to admire and as an affront. But to be frank, I don't think it is any more immoral than the dolls. There is something straightforward about a dildo. Something much more clear than a doll made to look like a dead child. Something significantly less entangled.

There are no orders for dildos. I lie awake at night thinking about real estate taxes. My father is dead. My mother lives in subsidized housing for the elderly in Columbus. I haven't been to see her in years and years, not with the cost of a trip like that. My car wouldn't make it, and nobody I know can afford to fly anymore. I certainly couldn't live with her. She would lose her housing if I moved in.

If I lose my house to unpaid taxes, do I live in my car? It seems like the beginning of the long slide. Maybe Sherie and Ed would take the dogs.

I do get a reprieve when the money comes in for the special. Thank God for the Mazars in Chicago. However crazy their motives, they pay promptly and by internet, which allows me to put money against the equity line for the new tools.

I still can't sleep at night and instead of putting all of the money against my debt, I put the minimum and I buy a 9 millimeter handgun. Actually, Ed buys it for me. I don't even know where to get a gun.

Sherie picks me up in the truck and brings me over to the goat farm. Ed has several guns. He has an old gun safe that belonged to his father. When we get to their place, he is in back, putting creosote on new fence posts, but he is happy to come up to the house.

"So you've given in," he says, grinning. "You've joined the dark side."