Charlie Huston - The Mystic Arts of Erasing All Signs of Death

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If you love crime fiction-preferably wickedly profane, unabashedly grisly, and laugh-out-loud funny "pulp" fiction-your number one New Year's resolution needs to be to read Charlie Huston. It only takes one to get you so hooked you'll read everything you can get your hands on, so take a couple of days off and give yourself room to binge on the brutal and hilarious Hank Thompson and Joe Pitt series, the blistering Shotgun Rule, and this latest and greatest stand-alone, The Mystic Arts of Erasing All Signs of Death. The best thing about reading a Huston novel is that you never see it coming-laughter, tears, the passing urge to vomit-everything is a surprise, creating a wholly unsettling and exciting reading experience. The Mystic Arts of Erasing All Signs of Death has all the makings of a perfect Charlie Huston novel-the down-but-not-out antihero, the outrageous supporting characters (each of whom deserves their own spin-off), the very bad situation involving money and violence, and the hilariously inappropriate dialogue that is Huston's signature-but with one surprising addition, hope. It does little good to break down the plot of a book this bizarre and brilliant. You're just going to have to trust us (and our Guest Reviewer, Stephen King), and read it.
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With a style that is razor sharp, an eye that never shies from the gritty details, and a taste for stories that simultaneously shock, disturb, and entertain, Charlie Huston is one of a kind. And The Mystic Arts of Erasing All Signs of Death is the type of story-swift, twisted, hilarious, somehow hopeful-that only he could dream up.
The fact is, whether it’s a dog hit by a train or an old lady who had a heart attack on the can, someone has to clean up the nasty mess. And that someone is Webster Fillmore Goodhue, who just may be the least likely person in Los Angeles County to hold down such a gig. With his teaching career derailed by tragedy, Web hasn’t done much for the last year except some heavy slacking. But when his only friend in the world lets him know that his freeloading days are over, and he tires of taking cash from his spaced-out mom and refuses to take any more from his embittered father, Web joins Clean Team-and soon finds himself sponging a Malibu suicide’s brains from a bathroom mirror, and flirting with the man’s bereaved and beautiful daughter.
Then things get weird: The dead man’s daughter asks a favor. Her brother’s in need of somebody who can clean up a mess. Every cell in Web’s brain tells him to turn her down, but something else makes him hit the Harbor Freeway at midnight to help her however he can. Is it her laugh? Her desperate tone of voice? The chance that this might be history’s strangest booty call? Whatever it is, soon enough it’s Web who needs the help when gun-toting California cowboys start showing up on his doorstep. What’s the deal? Is it something to do with what he cleaned up in that motel room in Carson? Or is it all about the brewing war between rival trauma cleaners? Web doesn’t have a clue, but he’ll need to get one if he’s going to keep from getting his face kicked in. Again. And again. And again.
Full of black humor, stunning violence, singular characters, and neon dialogue, The Mystic Arts of Erasing All Signs of Death is classic Charlie Huston: a wild ride that’ll leave you breathless and shaken, grinning and begging for more.

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I closed the door and went up to see L.L.

THE ABSENT PHOTO

The house smelled like mold and whiskey.

Piled books squeezed the entryway, leaving just clearance enough to open the door and scrape through. Bindings and pages swollen and dotted with rot from the damp canyon air, the stacks teetered and listed, propped up by more books. Shelves lined the walls. Shelves that were little more than more stacks of books broken by the occasional strata of a pine plank used to create stability. The fireplace, long out of use, vomited books. The couch rested on a pedestal of them. Looking into the kitchen, I could see that the doors had been removed from the cabinets to allow more room for the spines of oversized editions to jut out. If I opened the fridge, I had little doubt I'd have found paperbacks wedged into the crisper, first editions of Mailer growing ice crystals in the freezer. The only thing to challenge the rule of books were the empty bottles lining window ledges, mounded in the sink, overflowing from liquor store delivery cartons.

I picked my way through the heaps, noticing, above the books’ high watermark on the walls, the occasional slightly less dingy patch of paint where L.L. had once hung posters from his halcyon years. Five Easy Pieces signed by Jack. An original lobby card from The Thin Man. An Alfred Hitchcock silhouette, also signed. A photo of himself and Mom, when the novelty of Hollywood could still hold her wandering attention, flanked by Francis Ford and Eleanor Coppola at the Afocalyfse Now opening night after-party

But over the mantel, on the wall that had been entirely rebuilt following the fire, there was no mark to show where there had once been a picture taken by Mom: L.L. reclining on a lounge chair, a wineglass in one hand, pen in the other, marking up a script propped on his knees, a sleeping baby in his lap. And beyond him, mugging and holding his own child over his head like a trophy, Chev's dad, a cigarette between his lips, sideburns to his jawline, his wife beside him in a purple Mexican housedress, brushing long gold hair.

I walked past the absent photo and out onto the deck where it had been taken.

Ringed with wood vegetable crates filled with more waterlogged books, by the light of several candles pressed into a mass of melted wax that flowed over a rusting tin-top table and dripped to the planks below, L.L. dozed with an open copy of Tom Jones on his stomach.

– L.L.

He lurched, came awake with a phlegmy cough.

– Nguh. Hm.

He took his glasses off and rubbed his eyes without turning.

– Money's in the jar, Raj. Leave it anywhere.

He put the glasses back on and started to crane his head around, the book slipping from his belly and onto the deck.

– Could you maybe take out a few of the empties for me?

He saw me. Cleared his throat. Looked at the book he'd dropped.

– I'd make a cliché comment about the prodigal, but it wouldn't really apply, would it?

He reached for the book, missed it, and his shoulder jostled the table, sending the candle flames jittering and the various glasses and empty bottles clinking.

I bent and picked up the book and held it out to him.

– Here.

He took it.

– Thank you.

He found his place and scanned the page.

– Thought you were the delivery boy.

– Late for deliveries.

He looked at his watch.

– Suppose it is.

I nudged a box of full bottles by the table.

– Looks like he was here earlier.

L.L. pulled his glasses low on his nose and looked at me over the rims.

– Is that someone I know casting judgments about? Is that, wait, allow me to cup my ear.

He cupped his hand to his ear and angled his head at me.

– Is that perhaps the voice of my absent wife speaking to me through her son?

He removed his hand.

– A prodigious bit of ventriloquism for her to accomplish from her far northern climes. Perhaps, if I speak distinctly, I can send a message back to her via the same medium.

He put his hand to the side of his mouth.

– Althea, dear bitch, get out of the boy's head, he's sufficiently fucked up now, we need neither of us endure in the effort.

He wiped his brow.

– There. With luck that will transmit to her and she will desist in dispensing her opinions about how I live my life, through my own flesh and blood. However misbegotten said flesh and blood may be.

He took a full bottle of Seagram's from the carton and held it to the light.

– Drink?

I shook my head.

– No thanks.

He shrugged, picked up a glass, sloshed the dregs at its bottom over the edge of the deck into the toyon, chaparral, coast oak and walnut growing up from the hillside, and poured himself a double.

– I'll have one for the both of us.

I moved some books from another chair and took a seat.

– Was there any doubt?

He saluted me with the glass.

– In your mind? Apparently none.

He downed the whiskey.

– But I generally don't drink alone.

I looked back into the dark house, the moonlight glinting off all the empty bottles.

– Been having a lot of company, have you?

He swung his arm in an arc, indicating his massed library.

– My oldest friends. My enduring companions. Those that stand by me.

I picked at the wax on the table.

– And experiencing the delights of Renaissance technology, as well, I see.

He topped off his glass, sipped this time.

– The electric bills. They send them, God knows they're here somewhere, I just never quite find the time to deal with them.

I looked up at the sky, remembered that same sky projected inside the Griffith Observatory planetarium, how the stars would swim and race down the horizon as the view shifted, season by season, between the hemispheres. L.L. providing commentary, whispering in my ear.

– You could always get someone to take care of that shit for you.

– I have an ex-wife, my boy, I don't need another.

– I was thinking more in the way of an assistant. Or a business manager.

Didn't you used to have one?

He opened his book, turned a page, ignored the implication that he might once have been in the kind of business that would require a manager.

– L.L.

– Yes, I attend.

– Has it ever occurred to you, all these books, the alcohol, open flames?

He turned a page.

– Has it ever occurred to you, mother's son that you are, to mind your own business?

I snapped a stalactite of wax from the edge of the table.

– L.L.

– Web.

– I don't want you to die.

He pressed the back of his hand to the corner of his mouth and closed his book.

– I'm choked up, filled with emotion. Imagine, my son not wanting me to die. How many fathers can say the same?

– Shut the fuck up, Dad.

He turned his head, looked at me through the candlelight, and waited.

I threw the spear of wax over the rail.

– I don't want you to die. I don't mean just that I don't actively wish that you would die, I mean that I don't want you to die at all. I don't want you to trip and fall over that rail one night and break your neck. I don't want you to pass out on your back and vomit and choke to death. I don't want one of these candles to tip into a puddle of 101 and ignite a copy of Madame Bovary and incinerate you.

He touched his throat.

– I loathe Bovary. Wouldn't be caught dead with a copy in the house.

I stretched my arm and slapped the side of his head.

He looked at me through skewed glasses.

– You have my attention.

I stood up.

– You're a fucker, L.L. The champion fucker of the world. I'm never gonna take the crown from you. I concede, you have the throne all to yourself.

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