Charlie Huston - The Mystic Arts of Erasing All Signs of Death

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If you love crime fiction-preferably wickedly profane, unabashedly grisly, and laugh-out-loud funny "pulp" fiction-your number one New Year's resolution needs to be to read Charlie Huston. It only takes one to get you so hooked you'll read everything you can get your hands on, so take a couple of days off and give yourself room to binge on the brutal and hilarious Hank Thompson and Joe Pitt series, the blistering Shotgun Rule, and this latest and greatest stand-alone, The Mystic Arts of Erasing All Signs of Death. The best thing about reading a Huston novel is that you never see it coming-laughter, tears, the passing urge to vomit-everything is a surprise, creating a wholly unsettling and exciting reading experience. The Mystic Arts of Erasing All Signs of Death has all the makings of a perfect Charlie Huston novel-the down-but-not-out antihero, the outrageous supporting characters (each of whom deserves their own spin-off), the very bad situation involving money and violence, and the hilariously inappropriate dialogue that is Huston's signature-but with one surprising addition, hope. It does little good to break down the plot of a book this bizarre and brilliant. You're just going to have to trust us (and our Guest Reviewer, Stephen King), and read it.
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With a style that is razor sharp, an eye that never shies from the gritty details, and a taste for stories that simultaneously shock, disturb, and entertain, Charlie Huston is one of a kind. And The Mystic Arts of Erasing All Signs of Death is the type of story-swift, twisted, hilarious, somehow hopeful-that only he could dream up.
The fact is, whether it’s a dog hit by a train or an old lady who had a heart attack on the can, someone has to clean up the nasty mess. And that someone is Webster Fillmore Goodhue, who just may be the least likely person in Los Angeles County to hold down such a gig. With his teaching career derailed by tragedy, Web hasn’t done much for the last year except some heavy slacking. But when his only friend in the world lets him know that his freeloading days are over, and he tires of taking cash from his spaced-out mom and refuses to take any more from his embittered father, Web joins Clean Team-and soon finds himself sponging a Malibu suicide’s brains from a bathroom mirror, and flirting with the man’s bereaved and beautiful daughter.
Then things get weird: The dead man’s daughter asks a favor. Her brother’s in need of somebody who can clean up a mess. Every cell in Web’s brain tells him to turn her down, but something else makes him hit the Harbor Freeway at midnight to help her however he can. Is it her laugh? Her desperate tone of voice? The chance that this might be history’s strangest booty call? Whatever it is, soon enough it’s Web who needs the help when gun-toting California cowboys start showing up on his doorstep. What’s the deal? Is it something to do with what he cleaned up in that motel room in Carson? Or is it all about the brewing war between rival trauma cleaners? Web doesn’t have a clue, but he’ll need to get one if he’s going to keep from getting his face kicked in. Again. And again. And again.
Full of black humor, stunning violence, singular characters, and neon dialogue, The Mystic Arts of Erasing All Signs of Death is classic Charlie Huston: a wild ride that’ll leave you breathless and shaken, grinning and begging for more.

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She stuck her thumbnail in the crease and pressed till the flesh around it turned white.

– That night he killed himself.

She pressed harder.

– Which could have been his plan all along. Or not. His note didn't spec-ify

She looked at the butt in her hand, frowned, rolled the window down a little more and tossed it out.

– He was wrong about that whole blowing through the filter thing. Doesn't make it any better at all.

She looked at me.

– So where to now?

I started the truck.

I could have told her about her dad's continued interest in human trafficking. I could have told her what else he might have been thinking about when he wrote that note. But I didn't much see the point. She was going to know soon enough that he'd broken that promise. And I didn't feel like being the guy to tell her.

So instead I headed up the 110 toward home.

– I was getting these calls, these guys I knew my dad had a deal going with. He'd gotten involved with these truckers or something. It was a quick thing, I guess. Cash. A lot of it. And Dad, he liked the fast action, so he took it on. And now they called and I told them he was dead and they started freaking out. Threatening to go to the cops and. I don't know. I should have realized they wouldn't do that, but I was. Confused. I didn't. The cops. They would have dug into everything once they found out Dad was involved in that. I mean, these days, post 9/11, any kind of smuggling and I figured they'd dig up his whole life. I didn't want people to know. What had happened before. I didn't want them to know I had known. And that I'd confronted him. And what happened after. I.

She jammed the heels of her hands against her eyes and pressed.

I took the interchange to the 10 West, the traffic loop circling, a lone apartment building jutting high enough from its center for me to be able to see into an uncovered window on the top floor, a glimpse of a woman in front of a vanity mirror, rubbing away the day's makeup.

Soledad uncovered her eyes, looked around.

– Where are we?

I pointed north.

– I need to make a stop.

– Jaime stole the gun.

She was staring out the window at the gated faces of the businesses along Fairfax.

– I mean, I assume he did. He knew my dad had two. A set of them. Those pistols. They were fancy or something. Dad knew Jaime liked that kind of shit and showed them to him once. After I called and asked if he could help with the truckers and their fucking almonds and he came over, he must have stolen it from Dad's desk. The one the cops hadn't taken. The one Dad hadn't used.

We passed the Silent Movie Theater just before Melrose. Her Grave Mistake on the marquee.

Soledad read it and turned and smiled at me.

– Now that's funny.

– I was with him at the motel. When I called you to clean up after Talbot. I didn't take a cab down there. I went with him to meet the guys to make sure Jaime didn't completely screw things up. I mean, by then I was a little more clearheaded. Fuck. If it had just been a matter of sending the almonds on their way, I could have done that. If it had been legal, I could have done that. But I didn't know what to do with a load like that. What precautions to take. And Jaime, he's the only, you know, shifty character I know.

She blew her nose into an already damp Kleenex.

– Except for my dad, I mean.

We crossed Sunset, climbed toward Hollywood Boulevard.

– And he screwed it up. I kept telling him to settle down, we'd pay for the stupid motel room and the food and whatever. But he'd been drinking. And he has to have things exactly his way. It's like he gets a picture of how it should all work, and if it doesn't work that way he freaks out. More baggage from our mom.

I took a left onto Hollywood.

– I met her first pimp.

She looked at me.

– Homero?

I stopped at the light.

– The bait dealer.

She nodded.

– Yeah. He and my dad did business sometimes. He introduced Dad to our mom. He's a scumbag. And there's a good chance he's Jaime's dad. Still.

She rapped the side of her head against the window.

– If I'd been thinking, I would have called him about the almonds.

The light turned green. I veered right and merged into northbound traffic again.

– Jaime did. It didn't seem to help.

She chewed a nail.

– Not much Jaime does ever seems to help. And he needs so much help himself. He needs something for himself. To make him, I don't know, to give him some kind of reason. Not that that's an excuse. The way he treated you that night. Web. I didn't mean to. I wasn't trying to cause trouble when I called. But that mess in the room. It would have caused problems. I was still thinking about police. And what they'd find. I wasn't thinking about. About anything. Except not wanting people to know.

I touched one of the many knots I'd collected on my scalp that last few days.

– Thinking clearly doesn't seem to have been anyone's specialty this week.

She nodded, pointed at the twisting road climbing ahead of us.

– What's in Laurel Canyon?

I took us around one of the hairpins and slid into the left-turn lane for Kirkwood.

– An old man.

We were parked, the Apache pulled half onto the sidewalk to keep narrow Weepah Way open to two-way traffic.

– So, was the story as bad as you thought?

I looked at her, looked out at the sky. Here above the Los Angeles Basin floor, a sheet of stars visible.

– No, not quite.

She leaned forward to join me looking out the windshield and up at the stars.

Not quite. You must have had some pretty fucked-up ideas about what happened.

I tapped the glass, pointing at a constellation.

– Know what that is?

– No. You?

– That's Corvus. The Crow.

– Never heard of it. I thought there were only twelve constellations. Like the zodiac.

– No. There are lots more.

– Where'd you learn?

– My dad.

I leaned back and looked at her.

– So on the subject of not thinking clearly, I thought Harris and those guys maybe killed your dad. I thought maybe you knew about it. I thought maybe you made a deal to take care of the almonds for them if they did it for you. Killed your dad for you.

I pulled the towel over my leg where it had fallen to the side.

– Still want to go home with me?

She kept looking at the stars.

– Well, I'm not really in much of a position to criticize you for thinking bad things about me right now, am I?

I put that in my top ten of Most Loaded Questions Ever and ignored it.

She ignored me ignoring it, and moved on.

– You promise to teach me a few more constellations?

– Sure.

She shrugged.

– Then I still want to go home with you.

I put my hand on the door.

– Soledad.

– Hm?

– The reason we didn't have the truck, the almonds, why we had to get all tricky and, you know, all that crazy shit. That was because Customs was seizing all your dad's property. So, stuff is probably gonna. You know.

She put her hand to the glass.

– Yeah. I know. Jaime told me outside the inn.

She tapped the glass.

– Is that one?

I looked.

– No. But.

I took her finger and traced a circle on the glass.

– All those, those are Vela. The Sails.

– Huh.

I got out.

– I'll be back in a few minutes.

She didn't look.

– OK.

I swung the door back and forth a little, the hinge creaking.

– Soledad, I thought maybe you had killed him yourself. Killed your dad.

She drew her finger around the circle I'd traced.

– You were close enough on that one.

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