Minette Walters - The Devil's Feather

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The Devil's Feather: краткое содержание, описание и аннотация

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Have you ever wanted to bury a secret so deeply that no one will find out about it? With private security firms supplying bodyguards in every theatre of war, who will notice the emergence of a sexual psychopath from the ranks of the mercenaries? Amidst the turmoil of Sierra Leone's vicious civil war, the brutal murder of five women is of little consequence and no one questions the 'confessions' that were beaten out of three child soldiers. Except for Reuters correspondent Connie Burns. After witnessing a savage attack on a prostitute, Connie believes a foreigner's responsible. She has seen him before, and she suspects he uses the chaos of war to act out sadistic fantasies against women. Two years later in Iraq, the consequences of her second attempt to expose him are devastating. Terrified, degraded and destroyed, she goes into hiding in England where she strikes up a friendship with Jess Derbyshire, a loner whose reclusive nature may well be masking secrets of her own. Seeing parallels between herself and Jess, Connie borrows from the other woman's strength and makes the hazardous decision to attempt a third unmasking of a serial killer…Knowing he will come looking for her…

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…I used to be afraid of the dark, but now I sit for hours with the lights off. It felt as if red-hot pokers were burning through my lids when Dan ripped the duct tape away. He was upset when I refused to open my eyes and look at him but I didn’t know who it was. He could have been anyone. The voice didn’t sound like Dan’s. He didn’t smell like Dan either.

…I do find it frightening that I can’t bear anyone to come too close. My invadable space has grown to house-size proportions. Is that how the mind works? I shut myself in little spaces but need a palace around them to give me room to breathe. I can manage to sit in a room with my parents, but no one else. I freak if I’m in the street and a passer-by brushes against me. I don’t go out now unless I’m in my car.

…I told my parents I was going for counselling, and it’s odd how much better it’s made them feel. I must be OK if I’m in the hands of “experts.” Despite my mother’s endless questions, I think she’s secretly relieved that I’ve rejected Reuters’ help. The quid pro quo for official support would have been an obligation to deliver my “story.” But she and Dad are private people. It was hard for them when I was all over the newspapers and the phone never stopped ringing…

…Instead of counselling, I go to a church in Hampstead for a couple of hours every other day. It’s cool and quiet and has its own car park. No one troubles me much. They seem to feel it’s bad form to question why anyone would want to sit there. Perhaps they think I’m talking to God…

Barton House

4 IN ORDINARY CIRCUMSTANCES I wouldnt have met Jess Derbyshire She was so - фото 4
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4

IN ORDINARY CIRCUMSTANCES I wouldn’t have met Jess Derbyshire. She was so reclusive that only a handful of people in Winterbourne Barton had seen inside her house; and the rest were happy to spread the rumour that the local policeman went in once a month to check she was still alive. He didn’t, of course. He was as scared of her dogs as everyone else, and he took the view that the postman would notice if she wasn’t collecting her mail from the American-style box at her gate. She owned and managed Barton Farm, which lay to the south-west of the village, and her house was even more detached from the community than mine.

I discovered very quickly that Jess was both the most invisible resident of Winterbourne Valley, and the most talked-about. The first thing any newcomer learnt was that her immediate family had been killed in a car crash in 1992. She’d had a younger brother and sister, and two thoroughly nice parents, until a drunk in a Range-Rover ploughed into her father’s ancient Peugeot at seventy miles an hour on the Dorchester bypass. The second, that she was twenty when it happened, making her older than she looked; and the third, that she’d turned her family home into a shrine to the dead.

There’s no question she had an uncongenial personality, something she was happy to foster with her pack of thirty-inch high, hundred-and-eighty-pound mastiffs. It showed itself most obviously in her unfriendly stares and curt way of speaking, but it was the close relationship between her immature looks-“arrested development”-and her morbid interest in her dead family-“refusal to move forward”-that most people felt explained her peculiarity. Her “loner” status made them wary, even though few seemed to know her.

My own first impression was no different-I thought her very strange-and when I opened my eyes I was relieved to find she’d gone. I do remember wondering if she’d set her dogs on me deliberately, and what kind of person would abandon another who was so obviously distressed, but it reawakened too many memories of Iraq and I pushed her from my mind. It meant I wasn’t prepared for her return. When she drove her Land Rover through Barton House gates fifteen minutes later and deliberately blocked my exit, alarm immediately coursed through my system again.

In my rear-view mirror I watched her climb out with a metal toolbox in her hand. She walked to the front of the Mini and examined me through the windscreen, apparently to satisfy herself that I was still alive. Her flat, narrow face was so impassive, and the intrusive stare so unwelcome, that I closed my eyes to blot her out. I could cope with anything as long as I couldn’t see it. Like an ostrich with its head in the sand.

“I’m Jess Derbyshire,” she said, loud enough for me to hear. “I’ve called Dr. Coleman. He’s with a patient but he’s promised to come straight on when he’s finished.” There was a hint of a Dorset burr in her voice, but it was the deepness of her register that struck me the most. She seemed to want to sound like a man as well as dress like one.

I thought if I didn’t reply she might go away.

“Shutting your eyes won’t help,” she said. “You need to open your window. It’s too hot in there.” I heard something tap against the glass. “I’ve brought a bottle of water for you.”

Desperate for something to drink, I opened my eyes a crack and met her unwelcome stare again. The sun was beating relentlessly down on the roof and my hair was plastered to my scalp with sweat. She waited while I lowered the window four inches, then passed the bottle through before nodding towards the door of the house. She twisted her hand as if to indicate that she was going to unlock it, then moved away to kneel on the doorstep. I watched her take a can of WD-40 from her toolbox and spray a fine mist into the lock before sitting back on her heels.

In a funny sort of way she reminded me of Adelina, small and neat and competent, but without the Italian’s expressiveness. Jess’s movements were economical and spare, as if the method of releasing a key was something she’d practised for years. And perhaps she had.

“It always sticks,” she said, stooping to talk through the window. “Lily never used it…she bolted the door inside and came in and out through the scullery. The oil takes about ten minutes to work. Were you given any other keys? There should be a mortise and a Yale for the back door.”

I glanced at an envelope on the passenger seat.

She followed my gaze. “May I have them?” she asked, holding out her hand.

I shook my head.

“Try counting birds,” she said abruptly. “It always worked for me. By the time I got to twenty, I’d usually forgotten why I’d started.” Her dark eyes searched my face for a moment before, with a shrug, she went back to the doorstep and squatted on her haunches in front of it. After a while she took a pair of pliers from her toolbox and used them to tease the key back and forth. When she finally managed to turn it, she twisted the handle and disappeared inside. A few seconds later, a light came on in the hall. After that, she moved along the ground floor, opening windows to let in the fresh air.

I wanted to get out and shout at her. Stop interfering. Who’s going to close the place up again after I’ve left? But I’d become so comfortable with doing nothing that that’s what I continued to do. I did watch the birds, however. I couldn’t avoid it. The garden was alive with them. Flocks of house-sparrows, endangered in the cities, chattered and darted about the trees, while swallows and house-martins flashed in and out of nests beneath the eaves.

When Jess reappeared, she hunkered down beside my door to put herself on the same level as me. “The Aga needs lighting. Do you want me to show you how to do it?”

I might have gone on ignoring her if I’d cared less about seeming rude or looking foolish, so perhaps counting birds did work. I ran my tongue around my mouth to produce some saliva. “No, thank you.”

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