Minette Walters - The Ice House

He lived in a modern box on a large estate to the northwest of Silverborne where every house was depressingly similar and where individuality expressed itself only in what colour you chose to paint your front door. It had satisfied him once. Before he had seen Streech Grange.

"Hello, Andy," said Kelly. She was standing irresolutely by the kitchen sink, mop in hand, washing the dirty dishes he had left untouched for ten days. He had forgotten how stunning she was and how easily that fabulous body had once been able to turn him on.

"Hello."

"Pleased to see me?"

He shrugged. "Sure. Look, you don't need to do those. I was planning to tackle them over the weekend. I haven't been around much this week."

"I know. I've been trying to phone you."

He went to the fridge and took out a piece of cheese from among the opened tins of furred tomatoes and sliced cling peaches. He held it out to her. "Want some?" She shook her head, so he ate the whole lump before looking at his watch. "I've a phone call to make, then I'll grab a quick shower before I go out." He waved his arm to encompass the whole house. "Take your time and take what you like." He smiled without hostility. "Except my books and my two boat paintings. You won't quibble over those, will you? You always said they were only good for gathering dust." So much so that they had been relegated, along with him, to the spare room.

He was on his way to the stairs when his conscience smote and he turned round. "Look, really, don't do the washing-up. It's not necessary. I'd have done it myself if I'd had the time." He smiled again. "You'll ruin your nail varnish."

Her mouth trembled. "Jack and me, it didn't work." She flung herself after him and burrowed her sweet-smelling head into his chest. "Oh, Andy, I've missed you. I want to come home. I want to come home so much."

An awful lethargy stole over him then, like the lethargy a drowning man must feel in the moment before he gives up. His eyes looked into the middle distance above her head, seeking straws. There were none. He held her for a second or two, then gently disentangled himself. "Come home," he said. "It's yours as much as mine."

"You're not angry?"

"Not at all. I'm glad."

Her wonderful eyes shone like stars. "Your mother said you would be."

Straws, he thought, were useless to drowning men. It was the unquenchable longing for life that kept heads above water. "I'll have that shower, then I'll be off," he said. "I'll fetch the books and the paintings tomorrow, and maybe the records I bought before we were married." He glanced through the sitting-room door at the chromium coffee table, the oatmeal carpet, the net curtains, the white formica wall units and the dainty pastel three-piece suite, and he thought, no one has even lived here. He shook his head. "There's nothing else I want."

She caught him by the arm. "You are angry."

His dark face cracked into a grin. "No. I'm glad. I needed a push. I hate this place. I always have done. It's so"-he sought for a word-"sterile." He looked at her with compassion. "Like our marriage."

She dug her fingers into his arm. "I knew you'd bring that up, you bastard. But it's not my fault. You never wanted kids any more than I did."

He removed her hands. "That wasn't quite the sterility I was referring to."

She was bitter. "You've found someone else."

He moved to the telephone, took a piece of paper from his pocket and dialled the number written on it. "McLoughlin," he said into the mouthpiece. "We've identified the body. That's it, all over the newspapers tomorrow, so if he's any sense he'll lie low. Yes, it'll have to be tonight. Damn right, I want him. Let's just say I take what he did personally. So can you swing it?" He listened for a moment. "Just make the point that they've got away with murder again. I'll be with you by ten." He looked up and caught Kelly's eye.

Water had gathered in great droplets round the mascaraed lashes. "Where will you go?"

"I don't know yet. Maybe Glasgow."

Tears turned to anger, and her anger lashed out at him as it always had done. "You've left that bloody job, haven't you? After all the begging I did for you to leave, you've left it because someone else asked you."

"No one's asked me, Kelly, and I haven't left it, not yet."

"But you will."

"Maybe."

"Who is she?"

He found he wanted to hurt her, so there must be some feeling left. Perhaps there always would be. Seven years, however sterile, had left their mark. "She's my rose," he said, "my red, red rose." And Kelly, who had heard enough of hated Rabbie Burns to last a lifetime, felt a knot of panic tighten round her heart.

Phoebe rocked Diana's shoulder and prodded her into wakefulness. "We've got visitors," she whispered. "I need help." Somewhere in the darkness behind her came the low growls of the dogs.

Diana squinted at her out of 'one eye. "Turn the light on," she said sleepily.

"No, I don't want them to know we're awake." She bundled Diana's dressing-gown on to her chest. "Come on, old girl, get a move on."

"Have you called the police?" Diana sat up and shrugged her arms into the dressing-gown.

"No point. It'll be over one way or another long before the police get here." Phoebe switched on a small torch and pointed it at the floor. "Come on," she urged, "we haven't much time."

Diana pulled on her slippers and padded after her. "Why are the dogs here? Why aren't they outside? And where's McLoughlin?"

"He didn't come tonight." She sighed. "The one night we needed him, he didn't turn up."

"So what are you planning to do?"

Phoebe lifted her shotgun from where she had propped it outside Diana's bedroom door. "I'm going to use this," she said, leading the way downstairs, "and I don't want to shoot the dogs by mistake. It'll be their turn to have a go if the bastards manage to break in."

"Lord, woman," muttered Diana, "you're not intending to kill anyone, are you?"

"Don't be a fool." She crept across the hall and into her drawing-room. "I'm going to scare the shit out of the creeps. They didn't get rid of me last time. They won't get rid of me now." She gestured Diana to one side of the curtains and, switching off the torch, took up a position on the other side. "Keep your eyes peeled. If you see anyone on the far side of the terrace, let me know."

"I'm going to regret this," Diana groaned, twitching the curtain aside and peering into the darkness. "I can't see a bloody thing. How do you know they're out there?"

"Benson came in through the cellar window and woke me. I trained him to do it after the first time these yobs had a go at me." She patted the old dog's head. "You're such a good boy, aren't you. It's years since I've had you patrolling the grounds and you haven't forgotten." The sound of the dog's tail swishing backwards and forwards across the carpet was loud in the quiet room. Hedges, unborn at the time of David Maybury's disappearance, crouched by his mistress's feet, muscles tensed for when his turn came. Phoebe scanned the wide terrace for signs of movement. "Your eyes will soon adjust."

"There is someone," said Diana suddenly. "By the right-hand wall. Do you see him?"

"Yes. There's another coming round Anne's wing." She gripped her shotgun firmly. "Can you unlock the windows without making a noise?"

For a brief moment Diana hesitated, then she shrugged and applied herself carefully to the key. Phoebe, she argued, knew all there was to know about hell. She had been there. She wouldn't willingly go back a second time. In any case, the adrenaline was racing in her as strongly as it was racing in Phoebe. It was backs-against-the-wall time, she thought, when everyone, even rabbits, showed their teeth. "OK," she whispered, as the lock clicked quietly open. She peeped past the edge of the curtain again. "Oh, lord," she breathed, "there are dozens of them."