Wallace Stroby - Gone 'Til November

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Gone 'Til November: краткое содержание, описание и аннотация

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It's late at night when Florida sheriff's deputy Sara Cross arrives at the scene of a roadside shooting along a deserted highway. Another deputy, Billy Flynn, her former partner, who also happens to be her former lover, has fatally shot a twenty-two-year-old man during what started out as a routine traffic stop, and she's the first to arrive on the scene. He claims that the man pulled a gun, and that when he didn't respond to Billy's commands to drop it, Billy shot him. Billy is clearly upset, shaken up; Sarah sees the gun in the dead man's hand and the bag of illegal weapons in the trunk of his car and believes Billy's actions were justified.
Up north in New Jersey, Mikey-Mike runs a major drug operation and is tightening his hold on the competition, making a deal with a new supplier. Morgan, a middle-aged enforcer for Mikey who's been in the life too long, would like to make one last score, walk away, and retire for good. Mike asks Morgan to head to Florida to find out what's holding up his new deal, and Morgan sees the job as a possibility for his last big payday.
As more details of the roadside shooting emerge with Sara's investigation, and as Morgan follows the trail Mikey lays out for him, the two storylines begin to merge into a much darker, more menacing scenario than either Morgan or Sara imagined. Sara, in order to protect herself and her son, must follow the truth no matter where it leads.
Acclaimed crime writer Wallace Stroby delivers a gripping novel that is part modern noir, part intense character study--and totally compelling from start to finish.

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He started back up the road.

Billy peered out the front window. Without a word, he leaned down, picked up the rifle, blew out the candle.

“What is it?” Sara said.

“Heard something, maybe. Keep quiet now.”

A cloud crossed the moon, and the room dropped into darkness.

Morgan waited for a cloud to pass, then pushed through the trees again, the moon lighting his way. Branches slapped at him. The AK seemed to grow heavier, and twice he considered leaving it behind, but he didn’t know how many of them there would be, didn’t want to lose the advantage it might give him.

He was sweating freely now. Mosquitoes whined around his head. His foot caught a root and he fell hard to his knees, held on to the AK. He stayed like that, knees in the dirt, listening. He counted a long sixty, got to his feet again.

The refinery loomed closer. He kept it as his landmark, stopping every few feet to listen. When he came out onto the service road, there were shacks to his left and, parked in front of them, the dark shape of a vehicle, no one in it.

He crossed the road, followed a chain-link fence to the rear of the refinery. Through the trees, he could see the glow of light inside the building.

He found a spot where the fence sagged low, put a foot on it to push it down farther. He waited, listening. Then he stepped on the chain-link with both feet, rode it to the ground on the other side, stepped off. The sprung fence rose up wearily behind him.

Sara looked at the open door, the catwalk beyond. She could see the flickering glow of the Coleman lamp below.

Her head ached where it had hit the floor, but her vision had cleared. Billy was ignoring her, looking out into the night, the Bushmaster’s forend stock resting on the sill.

She looked at the pipe again. It was maybe three inches in diameter, with a bolted elbow sleeve holding the horizontal and vertical ends together. It would have to be old, worn. If she could work at the sleeve, she might be able to pull one of the pipes loose. Less than an inch and she could slip the cuff through.

Then what?

She looked at his back. If she could get free, through that door and down those stairs fast enough, she could find a way out. Would he shoot her in the back?

If you’re quick enough, he won’t get the chance.

At the window, Billy braced the butt of the rifle against his shoulder. He pointed the muzzle out into the darkness, slipped his finger over the trigger.

When he reached the edge of the trees, Morgan saw them, moving shadows against a deeper blackness. Four men. They came together in the moonlight, gathering around one of them who gave instructions with hand gestures. They all wore ski masks. The leader and another man carried rifles, the familiar silhouette of the AK. Above them, Morgan could see light in the rear windows. That’s where the money is, he thought. My money.

They split up. The leader and another went around to the front of the building, one on each side. Morgan could see a rear door now. The two that were left approached it, one with an AK at port arms, the other with an automatic in a two-handed grip. They stopped a few feet from the door, as if awaiting a signal.

Morgan watched them. Years since he’d fired an AK. He lifted it to his shoulder, left hand bracing the stock, right hand closing around the pistol grip, finger sliding over the trigger. The two were about a hundred feet away, their backs to him.

He stepped out of the trees.

TWENTY-NINE

Sara jumped when she heard the shooting. It came from behind the refinery, the flat crack, crack, crack of an automatic rifle.

Billy looked at her. Then they heard movement out front, and he was back at the window, firing, the AR-15 bucking, brass clattering on the concrete floor. She could hear yelling, the noise of the rifle drowning it out, echoing through the room.

He wheeled away from the window, and shots came through the empty frame, punched into the ceiling. A stray bullet sparked the wall near her, whined away inches from her ear, hit something farther back in the room. Then more shots, shouting from outside.

He took aim again, fired until the bolt locked back, swung away.

“Got the bastard that time.”

He ejected the magazine, reversed it, slapped the full one in, turned back to the window.

She pulled hard on the cuff, heard the pipes rattle, pulled again, felt a little give. Then the shots and shouting were closer, and she knew they were inside.

Morgan watched the two men go down. The butt of the AK kicked against him, the barrel rising. He heard shells hit wood, break glass.

The one with the handgun rolled, got to his feet, sprinted for the left side of the building and cover. Morgan shifted his aim, squeezed the trigger, muzzle flashes making spots dance in front of his eyes. He saw splinters fly from the side of the building, heard ricochets whine off, and then the man was gone, out of sight and range.

Morgan turned, fired again at the man on the ground, bullets kicking up dirt. Then the gun was empty and smoking, the noise still echoing in his ears. He dropped it in the dirt and drew the Beretta.

Billy turned from the window, looked at her, then at the door, the catwalk. More shouting came from inside. He took the Glock, pushed it into the belt at the small of his back. The Python went into the front, butt angled to the right. He gripped the rifle.

“Billy, don’t go out there. Don’t do it.”

Then he was through the door and gone.

When Morgan got to the man on the ground, he was facedown, motionless. Morgan kicked the AK away, went past him to the door, pulled on the handle. It rattled but didn’t open.

Shots from inside, the chatter of an AK and then another gun, spaced shots. Flashes in the windows above him. He went to the loading dock, pulled himself up onto it. There was another door here, set in the wall beside the roll-up gate. He tried it. Locked. He aimed the Beretta at the keyhole, fired three times, metal fragments and wood splinters flying back at him, then kicked at the door, felt it give.

Alone in the room, Sara swiveled to look at the pipe. She pulled on the cuff again, saw her wrist was bleeding, but there was more give, the elbow sleeve looser than before.

From down below, the sound of Billy’s rifle, then other shots, bullets whining off the catwalk. One flew into the room, winged off the ceiling above her. Dust drifted down.

She slid the cuff up onto the horizontal pipe, braced her hips and back against the concrete floor for leverage, raised her right foot. Outside, the popping of the Bushmaster echoed away, fell silent. Then other, scattered shots. Pistol fire.

She kicked, the heel of her sneaker thudding into the underside of the horizontal pipe. Once, twice. Pain in her heel, her ankle, but the slight squeal of metal giving way. She kicked out again, felt the pipe loosen, the sleeve almost free.

When Morgan came through the door, it was all over. Flynn stood in the center of the big room, lit by the glow of a camping lamp atop a crate. An automatic rifle lay at his feet, casings scattered on the floor. In his right hand, he held the big revolver Morgan had seen before, a Colt Python. His left was pressed against his stomach, and Morgan could see blood there. The room reeked of gunpowder.

Morgan stayed in the shadows, unseen. There were two bodies on the floor, about ten feet apart. One was facedown, an AK just out of reach. The leader. The other was slumped in a sitting position against a wall, ski mask shredded, half his head shot away, a handgun in his lap. Moths flitted around the lamp.

The leader shuddered, coughed. Flynn walked stiffly toward him.

There were three short steps from the loading dock to the main floor. Morgan went down them without a sound.

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