John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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My rib ached as I returned to where I had left Rachel, after kicking Ricky’s corpse from my leg. I approached carefully, conscious of the Smith & Wesson I had left with her. When I reached the tomb, Rachel was gone.

I found her about fifty yards away, crouching beside the body of a young girl who was barely beyond her teens. As I approached, Rachel reached for the gun by her side and spun toward me.

“Hey, it’s me. You okay?”

She nodded and returned the gun to its resting place. I noticed that she had kept her hand pressed on the young girl’s stomach for the entire exchange.

“How is she?” I asked, but as I looked over her shoulder, I knew the answer. The blood oozing from the gunshot wound was almost black. Liver shot. The girl, shivering uncontrollably, her teeth gritted in agony, was not going to live. Around us, mourners were emerging from hiding, some sobbing, some trembling with shock. I saw two of Lionel Fontenot’s men running toward us, both with pistols, and I took hold of Rachel’s arm.

“We have to go. We can’t afford to wait for the cops to arrive.”

“I’m staying. I’m not leaving her.”

“Rachel.” She looked at me. I held her gaze and we shared our knowledge of the girl’s impending death. “We can’t stay.”

The two Fontenots were beside us now. One of them, younger than the other, dropped to his knee beside the girl and took her hand. She gripped it tightly and he whispered her name. “Clara,” he said. “Hold on, Clara, hold on.”

“Please, Rachel,” I repeated.

She took the younger man’s hand and pressed it against Clara’s stomach. The girl cried out as the pressure was reapplied.

“Keep your hand there,” hissed Rachel. “Don’t take it away until the medics get here.”

She picked up the gun and handed it to me. I took it from her, slipped the safety, and put it back in my holster. We made our way from the focus of the mayhem, until the shouting had diminished, then I stopped and she reached out and held me tightly. I cradled her in my arms and kissed the top of her head and breathed in the scent of her. She squeezed me and I gasped as the pain in my ribs increased dramatically.

Rachel pulled back quickly. “Are you hurt?”

“I took a kick, nothing else.” I held her face in my hands. “You did all that you could for her.”

She nodded but her mouth trembled. The girl had an importance to her that went beyond the simple duty to save her life. “I killed that man,” she said.

“He would have killed us both. You had no choice. If you hadn’t done it, you’d be dead. Maybe I’d be dead too.” It was true, but it wasn’t enough, not yet. I held her tightly as she cried, the pain in my side inconsequential beside her own suffering.

40

I HAD NOT THOUGHT of Daddy Helms in many years, not until I spoke of him to Rachel the previous night and recalled the part he played in my absence during my mother’s lingering death.

Daddy Helms was the ugliest man I had ever seen. He ran most of Portland from the late sixties to the early eighties, building up a modest empire that had started with Daddy Helms boosting liquor warehouses and moved on to take in the sale of drugs over three states.

Daddy Helms weighed over three hundred pounds and suffered from a skin ailment that had left him with raised bumps all over his body, but most visible on his face and hands. They were a deep red color and formed a kind of scaly skin over his features, blurring them so that the observer always seemed to be seeing Daddy Helms through a red mist. He wore three-piece suits and Panama hats and always smoked Winston Churchill cigars, so you smelled Daddy Helms before you saw him. If you were smart enough, this usually gave you just enough time to be somewhere else before he arrived.

Daddy Helms was mean, but he was also a freak. If he had been less intelligent, less bitter, and less inclined toward violence, he would probably have ended up living in a little house in the woods of Maine and selling Christmas trees door-to-door to sympathetic citizens. Instead, his ugliness seemed to be an outward manifestation of some deeper spiritual and moral blight within himself, a corruption that made you think that Daddy Helms’s skin might not be the worst thing about him. There was a rage inside him, a fury at the world and its ways.

My grandfather, who had known Daddy Helms since he was a young boy and was generally a man who empathized with those around him, even the criminals he was forced to arrest when he served as a sheriff’s deputy, could see nothing but evil in Daddy Helms. “I used to think maybe it was his ugliness that made him what he is,” he said once, “that the way he behaves is because of the way he looks, that he’s finding a way to strike back at the world he sees around him.” He was sitting on the porch of the house that he shared with my grandmother, my mother, and me, the house in which we had all lived since my father’s death. My grandfather’s basset hound, Doc-named after the country singer Doc Watson for no reason other than that my grandfather liked his rendition of the song “ Alberta ”-lay curled at his feet, his ribs expanding in deep sleep and small yelps occasionally erupting from his jowls as he enjoyed dog dreams.

My grandfather took a sip of coffee from a blue tin mug and then laid it down by his feet. Doc stirred slightly, opened one bleary eye to make sure he wasn’t missing anything interesting, and then went back to his dreams.

“But Daddy Helms isn’t like that,” he continued. “Daddy Helms just has something wrong with him, something I can’t figure. Only thing I wonder is what he might have made of himself if he weren’t so damn ugly. I reckon he could have been the president of the United States, if he’d wanted to be and if people could have beared to look at him, ’cept he would’ve been more like Joe Stalin than John Kennedy. You oughta have stayed outta his way, boy. You learned a hard lesson yesterday, a hard lesson at the hands of a hard man.”

I had come from New York with the idea that I was a tough guy, that I was smarter and faster and, if it came down to it, harder than those I would come up against in the Maine boondocks. I was wrong. Daddy Helms taught me that.

Clarence Johns, a kid who lived with his drunk father near Maine Mall Road, learned that lesson too. Clarence was amiable but dumb, a natural sidekick. We had been hanging out together for about a year, firing off his air rifle on lazy summer afternoons, drinking beers stolen from his old man’s stash. We were bored and we let everybody know it, even Daddy Helms.

He had bought an old, run-down bar on Congress Street and was slowly working to transform it into what he imagined would be a pretty high-class establishment. This was before the refurbishment of the port area, before the arrival of the T-shirt stores, the craft shops, the art house cinema, and the bars that serve free nibbles to the tourist crowd between five and seven. Maybe Daddy Helms had a vision of what was to come, for he replaced all of the old windows in the bar, put a new roof on the place, and bought up furnishings from some old Belfast church that had been deconsecrated.

One Sunday afternoon, when Clarence and I were feeling particularly at odds with the world, we sat on the wall at the back of Daddy Helms’s half-finished bar and broke just about every goddamned window in the place, flinging stones with pinpoint accuracy at the new panes. Eventually, we found an old abandoned septic tank, and, in a final act of vandalism, we hoisted it through the large arched window at the back of the premises, which Daddy Helms had intended would span the bar itself like a fan.

I didn’t see Clarence for a few days after that and thought nothing of the consequences until one night, as we walked down St. John with an illicitly bought six-pack of beer, three of Daddy Helms’s men caught us and dragged us toward a black Cadillac Eldorado. They cuffed our hands and put duct tape over our mouths and tied dirty rags over our eyes, then dumped us in the trunk and closed it. Clarence Johns and I lay side by side as we were carried away and I was conscious of the sour, unwashed smell from him, until I realized that I probably smelled the same.

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