John Connolly - Every Dead Thing

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Every Dead Thing: краткое содержание, описание и аннотация

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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“Should I ask what that exchange was about?” she said.

I walked to her balcony window and looked out on the street below.

“What Woolrich said about Louis is true. It’s not as simple as that, maybe, but he has killed people in the past. Now, I’m not so sure. I don’t ask, and I’m not in a position to pass judgment on him. But I trust both Angel and Louis. I asked them to come because I know what they’re good at.”

She came out of the bathroom buttoning her shirt, her damp hair hanging. She dried her hair with a travel dryer, then applied a little makeup. I had seen Susan do the same things a thousand times, but there was a strange intimacy in watching Rachel perform them in front of me. I felt something stir inside me, a tiny yet significant shift in my feelings toward her. She sat on the edge of the bed and slipped her bare feet into a pair of black slingbacks, her finger moving inside each one to ease the progress of her heel. As she leaned foward, moisture glistened on the small of her back. She caught me looking at her and smiled cautiously, as if afraid of misinterpreting what she had seen. “Shall we go?” she said.

I held the door open for her as we left, her shirt brushing my hand with a sound like water sizzling on hot metal.

We ate in Mr. B’s on Royal Street, the big mahogany room cool and dark. I had steak, tender and luscious, while Rachel ate blackened redfish, the spices causing her to gasp at the first bite. We talked of little things, of plays and films, of music and reading. It emerged that we had both attended the same performance of The Magic Flute at the Met in ’91, both of us alone. I watched her as she sipped her wine, the reflected light playing on her face and dancing in the darkness of her pupils like moonlight seen from a lakeshore.

“So, you often follow strange men to distant lands?”

She smiled. “I bet you’ve been waiting to use that line all your life.”

“Maybe I use it all the time.”

“Oh puh -lease. Next thing you’ll be wielding a club and asking the waiter to step outside.”

“Okay, guilty as charged. It’s been a while.”

I felt myself redden and caught something playful but uncertain in her glance-a kind of sadness, a fear of hurting and being hurt. Inside me, something twisted and stretched its claws, and I felt a little tear in my heart.

“I’m sorry. I know almost nothing about you,” I said quietly.

She reached out gently and brushed along the length of my left hand, from the wrist to the end of the little finger. She followed the curves of my fingers, delicately tracing the lines and whorls of my fingerprints, her touch soft as a leaf. At last, she let her hand rest on the table, the tips of her fingers resting on top of my own, and began to speak.

She was born in Chilson, near the foothills of the Adirondacks. Her father was a lawyer, her mother taught kindergarten. She liked basketball and running, and her prom date got the mumps two days before the prom, so her best friend’s brother went with her instead and tried to feel her breast during “Only the Lonely.” She had one brother of her own, Curtis, ten years her elder. For five of his twenty-eight years, Curtis had been a cop. He was two weeks short of his twenty-ninth birthday when he died. “He was a detective with the State Police, newly promoted. He wasn’t even on duty the day he was killed.” She spoke without hesitation, not too slowly, not too quickly, as if she had gone over the story a thousand times, examining it for flaws, tracing its beginning, its resolution, cutting all extraneous detail from it until she was left with the gleaming core of her brother’s murder, the hollow heart of his absence.

“It was a quarter after two, a Tuesday afternoon. Curtis was visiting some girl in Moriah-he always had two or three girls trailing him at any one time. He just broke their hearts. He was carrying a bunch of flowers, pink lilies bought in a store five doors from the bank. He heard some shouting and saw two people come running from the bank, both armed, both masked, a man and a woman. There was another man sitting in a car, waiting for them to come out.

“Curtis was drawing his gun when they saw him. They both had sawed-offs and they didn’t hesitate. The man emptied both barrels into him and then, while he lay dying on the ground, the woman finished him off. She shot him in the face, and he was so handsome, so lovely.”

She stopped talking and I knew that this was a story she had told only in her mind, that it was something not to be shared, but to be safeguarded. Sometimes, we need our pain. We need it to call our own.

“When they caught them, they had three thousand dollars. That was all they got from the bank, all that my brother was worth to them. The woman had been released from an institution the week before. Someone decided that she no longer posed a threat to the community.”

She lifted her glass and drained the last of her wine. I signaled for more and she remained silent as the waiter refilled her glass.

“And here I am,” she said at last. “Now I try to understand, and sometimes I get close. And sometimes, if I’m lucky, I can stop things from happening to other people. Sometimes.”

I found that her hand was now gripped tightly in mine, and I could not recall how that had happened. Holding her hand, I spoke for the first time in many years about leaving New York and the move to Maine with my mother.

“Is she still alive?”

I shook my head. “I got in trouble with a local big shot named Daddy Helms,” I said. “My grandfather and my mother agreed that I should go away to work for the summer, until things quieted down. A friend of his ran a store in Philly, so I worked there for a while, stocking shelves, cleaning up at night. I slept in a room above the store.

“My mother began taking physiotherapy for a trapped nerve in her shoulder, except it turned out that she had been misdiagnosed. She had cancer. I think she knew, but she chose not to say anything. Maybe she thought that if she didn’t admit it to herself, she could fool her system into giving her more time. Instead, one of her lungs collapsed as she left the therapist’s office.

“I came back two days later on a bus. I hadn’t seen her in two months and when I tried to find her in the hospital ward, I couldn’t. I had to check the names on the ends of the beds because she had changed so much. She lasted six weeks after that. Toward the end, she became lucid, even with the painkillers. It happens a lot, I believe. It can fool you into thinking they’re getting better. It’s like the cancer’s small joke. She was trying to draw a picture of the hospital the night before she died, so she would know where she was going when it was time to leave.”

I sipped some water. “I’m sorry,” I said. “I don’t know why all those things should have come back to me.”

Rachel smiled and I felt her hand tighten again on mine.

“And your grandfather?”

“He died eight years ago. He left me his house in Maine, the one I’m trying to fix up.” I noticed that she didn’t ask me about my father. I guessed that she knew all there was to know.

Later, we walked slowly back through the crowds, the music from the bars blending together into one blast of sound in which familiar tunes could sometimes be identified. When we came to the door of her room we held each other for a while, then kissed softly, her hand on my cheek, before we said good night.

Despite Remarr and Joe Bones and my exchanges with Woolrich, I slept peacefully that night, my hand still holding the specter of her own.

39

IT WAS A COOL, clear morning and the sound of the St. Charles streetcar carried on the air as I ran. A wedding limousine passed me on its way to the cathedral, white ribbons rippling on its hood. I jogged west along North Rampart as far as Perdido, then back through the Quarter along Chartres. The heat was intense, like running with my face in a warm, damp towel. My lungs struggled to pull in the air and my system rebelled, struggling to reject it, but still I ran.

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