John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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I was used to training three or four times each week, alternating circuits for a month or so with a split bodybuilding workout. After a few days outside my training regimen I felt bloated and out of condition, as if my system was full of toxins. Given the choice between exercise and colon cleansers, I opted for exercise as the less uncomfortable option.

Back at the Flaisance I showered and changed the dressing on my wounded shoulder; it still ached a little, but the wounds were closing. Finally, I left a batch of clothes at the local laundry, since I hadn’t figured on staying quite so long in New Orleans and my underwear selection was becoming pretty limited.

Stacey Byron’s number was in the phone book-she hadn’t reverted to her maiden name, at least not as far as the phone company was concerned-so Angel and Louis volunteered to take a trip to Baton Rouge and see what they could find out from her, or about her. Woolrich wouldn’t be pleased, but if he wanted her left in peace then he shouldn’t have said anything at all.

Rachel e-mailed details of the kind of illustrations she was seeking to two of her research students at Columbia and Father Eric Ward, a retired professor in Boston who had lectured at Loyola in New Orleans on Renaissance culture. Instead of hanging around waiting for a response, she decided to come with me to Metairie, where David Fontenot was due to be buried that morning.

We were silent as we drove. The subject of our growing intimacy and what it might imply had not come up between us, but it seemed that we were both acutely aware of it. I could see something of it in Rachel’s eyes when she looked at me. I thought that she could probably see the same in mine.

“So what else do you want to know about me?” she asked.

“I guess I don’t know too much about your personal life.”

“Apart from the fact that I’m beautiful and brilliant.”

“Apart from that,” I admitted.

“By personal, do you mean sexual?”

“It’s a euphemism. I don’t want to seem pushy. If it makes you happier you can start with your age, since you didn’t tell me last night. The rest will seem easy by comparison.”

She gave me a twisted grin and the finger. I chose to ignore the finger.

“I’m thirty-three but I admit to thirty, if the lighting is right. I have a cat and a two-bedroom apartment on the Upper West Side, but no one to share it with currently. I do step aerobics three times a week and I like Chinese food, soul music, and cream ale. My last relationship ended six months ago and I think my hymen may be growing back.”

I arched an eyebrow at her and she laughed. “You do look shocked,” she said. “You need to get out more.”

“Sounds like you do, too. Who was the guy?”

“A stockbroker. We’d been seeing each other for over a year and we agreed to live together on a test basis. He had a one-bed, I had a two-bed, so he moved in with me and we used the second bedroom as a shared study.”

“Sounds idyllic.”

“It was. For about a week. It turned out that he couldn’t stand the cat, he hated sharing a bed with me because he said I kept him awake by turning over all the time, and all my clothes started to smell of his cigarettes. That clinched it. Everything stank: the furniture, the bed, the walls, the food, the toilet paper, even the cat. Then he came home one evening, told me he was in love with his secretary, and moved to Seattle with her three months later.”

“ Seattle ’s nice, I hear.”

“Fuck Seattle. I hope it falls into the sea.”

“At least you’re not bitter.”

“Very funny.” She looked out of her window for a while and I felt an urge to reach out and touch her, an urge enhanced by what she said next. “I still feel reluctant to ask you too many questions,” she said, gently. “After what happened.”

“I know.” Slowly, I extended my right hand and touched her lightly on the cheek. Her skin was smooth and slightly moist. She leaned her head toward me, increasing the pressure against my hand, and then we were pulling up outside the entrance to the cemetery and the moment was gone.

Branches of the Fontenots had lived in New Orleans since the late nineteenth century, long before the family of Lionel and David had moved to the city, and the Fontenots had a large vault in Metairie Cemetery, the largest of the city’s cemeteries, at Metairie Road and Pontchartrain Boulevard. The cemetery covered one hundred and fifty acres and was built on the old Metairie racecourse. If you were a gambling man, it was an appropriate final resting place, even though it proved that, in the end, the odds are always stacked in favor of the house.

New Orleans cemeteries are strange places. While most cemeteries in big cities are carefully manicured and encourage discreet headstones, the dead citizens of New Orleans rested in ornate tombs and spectacular mausoleums. They reminded me of Père Lachaise in Paris, or the Cities of the Dead in Cairo, where people still lived among the bodies. The resemblance was echoed by the Brunswig tomb at Metairie, which was shaped like a pyramid and guarded by a sphinx.

It was not simply the funerary architecture of Spain and France that had caused the cemeteries to develop the way they did. Most of the city was below sea level, and until the development of modern drainage systems, graves dug in the ground had rapidly filled with water. Aboveground tombs were the natural solution.

The Fontenot funeral had already entered the cemetery when we arrived. I parked away from the main body of vehicles and we walked past the two police cruisers at the gate, their occupants’ eyes masked by shades. We followed the stragglers past the four statues representing Faith, Hope, Charity, and Memory, at the base of the long Moriarity tomb, until we came to a Greek Revival tomb marked with a pair of Doric columns. FONTENOT was inscribed on the lintel above the door.

It was impossible to tell how many Fontenots had come to rest in the family vault. The tradition in New Orleans was to leave the body for a year and a day, after which the vault was reopened, the remains moved to the back, and the rotting casket removed to make way for the next occupant. A lot of the vaults in Metairie were pretty crowded by this point.

The wrought iron gate, inlaid with the heads of angels, stood open and the small party of mourners had surrounded the vault in a semicircle. A man I guessed to be Lionel Fontenot towered above them. He was wearing a black, single-breasted suit and a thick black tie. His face had been weathered to a reddish brown, and deep lines etched his forehead and snaked out from the corners of his eyes. His hair was dark but streaked with gray at the temples. He was a big man, certainly six-three at least and weighing close to two hundred and forty pounds, maybe two-fifty. His suit seemed to struggle to contain him.

Beyond the mourners, ranged at intervals around the vaults and tombs, or standing beneath trees scanning the cemetery, were four hard-faced men in dark jackets and trousers. Their pistols caused the jackets to bulge slightly. A fifth man, a dark overcoat hanging loosely on his shoulders, turned at an old cypress and I caught a glimpse of the tell-tale sights of an M16-based submachine gun concealed beneath its folds. Two others stood at either side of Lionel Fontenot. The big man wasn’t taking any chances.

The mourners, both black and white, young white men in snappy black suits, old black women wearing black dresses gilded with lace at the neckline, grew silent as the priest began to read the rites of the dead from a tattered prayer book with gold-edged pages. There was no wind to carry away his words and they hung in the air around us, reverberating from the surrounding tombs like the voices of the dead themselves.

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