John Connolly - Every Dead Thing

“Our Father, who art in heaven…”

The pallbearers moved forward, struggling awkwardly to fit the casket through the narrow entrance to the vault. As it was placed inside, a pair of New Orleans policemen appeared between two round vaults about eighty feet west of the funeral party. Two more emerged from the east and a third pair moved slowly down past a tree to the north. Rachel followed my glance.

“An escort?”

“Maybe.”

“Thy kingdom come, thy will be done on earth…”

I felt uneasy. They could have been sent to ensure that Joe Bones wasn’t tempted to disturb the mourners, but something was wrong. I didn’t like the way they moved. They looked uncomfortable in the uniforms, as if their shirt collars were too tight and their shoes pinched.

“Forgive us our trespasses…”

Fontenot’s men had spotted them too, but they didn’t look too concerned. The policemen’s arms hung loosely by their sides and their guns remained in their holsters. They were about thirty feet away from us when something warm splashed my face. An elderly moonfaced woman in a tight black dress, who had been sobbing quietly beside me, spun sideways and tumbled to the ground, a dark hole in her temple and a damp glistening in her hair. A chip of marble flew from the vault, the area around it stained a vivid red. The sound of the shot came almost simultaneously, a dull subdued noise like a fist hitting a punching bag.

“But deliver us from evil…”

It took the mourners a few seconds to realize what was happening. They looked dumbly at the fallen woman, a pool of blood already forming around her head as I pushed Rachel into the space between two vaults, shielding her with my body. Someone screamed and the crowd began to scatter as more bullets came, whining off the marble and stone. I could see Lionel Fontenot’s bodyguards rush to protect him, pushing him to the ground as the bullets bounced from the tomb and rattled its iron gate.

Rachel covered her head with her arms and crouched to try to make herself a smaller target. Over my shoulder, I saw the two cops to the north separate and pick up machine pistols concealed in the bushes at either side of the avenue. They were Steyrs, fitted with sound suppressors: Joe Bones’s men. I saw a woman try to run for the cover of the out-spread wings of a stone angel, her dark coat whipping around her bare legs. The coat puffed twice at the shoulder and she sprawled face forward on the ground, her hands outstretched. She tried to drag herself forward but her coat puffed again and she was gone.

Now there were pistol shots and the rattle of a semiautomatic as Fontenot’s men returned fire. I drew my own Smith & Wesson and joined Rachel as a uniformed figure appeared in the gap between the tombs, the Steyr held in a two-handed grip. I shot him in the face and he crumpled to the ground.

“But they’re cops!” said Rachel, her voice almost drowned by the exchange of fire around us.

I reached out and pushed her down further. “They’re Joe Bones’s men. They’re here to take out Lionel Fontenot.” But it was more than that: Joe Bones wanted to sow chaos and to reap blood and fear and death from the consequences. He didn’t simply want Lionel Fontenot dead. He also wanted others to die-women, children, Lionel’s family, his associates-and for those left alive to remember what had taken place and to fear Joe Bones more because of it. He wanted to break the Fontenots and he would do it here, beside the vault where they had buried generations of their dead. This was the action of a man who had moved beyond reason and passed into a dark, flame-lit place, a place that blinded his vision with blood.

Behind me, there was a scuffling, tumbling sound and one of Fontenot’s men, the overcoated man with the semi-automatic, fell to his knees beside Rachel. Blood bubbled from his mouth and I heard her scream as he fell forward, his head coming to rest by her feet. The M16 lay on the grass beside him. I reached for it but Rachel got to it first, a deep, unquenchable instinct for survival now guiding her actions. Her mouth and eyes were wide as she fired a burst over the prone frame of the bodyguard.

I flung myself to the end of the tomb and aimed in the same direction, but Joe Bones’s man was already down. He lay on his back, his left leg spasming and a bloody pattern etched across his chest. Rachel’s hands were shaking as the adrenaline coursed through her system. The M16 began to fall from her fingers. Its strap became entangled in her arm and she shook herself furiously to release it. Behind her, I could see mourners running low through the avenues of tombs. Two white women dragged a young black man by his arms over the grass. The belly of his white shirt was smeared with blood.

I figured that there must have been a fourth set of Joe Bones’s men who approached from the south and fired the first shots. At least three were down: the two killed by Rachel and me and a third who lay sprawled by the old cypress. Fontenot’s man had taken one of them out before he was hit himself.

I helped Rachel to her feet and moved her quickly to a grimy vault with a corroded gate. I struck at the lock with the butt of the M16 and it gave instantly. She slipped inside and I handed her my Smith & Wesson and told her to stay there until I came back for her. Then, gripping the M16, I ran east past the back of the Fontenot tomb, using the other vaults as cover. I didn’t know how many shots were left in the M16. The selector switch was set for three-round bursts. Depending on the magazine capacity, I might have anything between ten and twenty rounds left.

I had almost reached a monument topped by the figure of a sleeping child when something hit me on the back of the head and I stumbled forward, the M16 slipping from my grasp. Someone kicked me hard in the kidneys, the pain lancing through my body as far as the shoulder. I was kicked again in the stomach, which forced me on to my back. I looked up to see Ricky standing above me, the reptilian coils of his hair and his small stature at odds with the NOPD uniform. He had lost his hat and the side of his face was cut slightly where he had been hit by splinters of stone. The muzzle of his Steyr pointed at my chest.

I tried to swallow but my throat seemed to have constricted. I was conscious of the feel of the grass beneath my hands and the glorious pain in my side, sensations of life and existence and survival. Ricky raised the Steyr to point it at my head.

“Joe Bones says hello,” he said. His finger tightened on the trigger in the same instant as his head jerked back, his stomach thrusting forward and his back arching. A burst of fire from the Steyr raked the grass beside my head as Ricky fell to his knees and then toppled sideways, his body lying prone across my left leg. There was a jagged red hole in the back of his shirt.

Behind him, Lionel Fontenot stood in a marksman’s stance, the pistol in his hand slowly coming down. There was blood on his left hand and a bullet hole in the upper left arm of his suit. The two bodyguards who had stood beside him at the cemetery walked quickly from the direction of the Fontenot tomb. They glanced at me, then turned their attention back to Fontenot. I could hear the sound of sirens approaching from the west.

“One got away, Lionel,” said one. “The rest are dead.”

“What about our people?”

“Three dead, at least. More injured.”

Beside me, Ricky stirred slightly and his hand moved feebly. I could feel his body move against my leg. Lionel Fontenot walked over and stood above him for a moment before shooting him once in the back of the head. He looked at me curiously once more, then picked up the M16 and tossed it to one of his men.

“Now go help the wounded,” he said. He cradled his injured left arm with his right hand and walked back toward the Fontenot tomb.