John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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“In other words, lust was the sin of the devil. Lust for humanity, the ‘weakness of our kind.’ ” She closed the notebook and permitted herself a small smile of triumph.

“So this guy believes he’s a demon,” said Angel eventually.

“Or the offspring of an angel,” added Louis. “Depends on how you look at it.”

“Whatever he is, or thinks he is, the Book of Enoch is hardly likely to turn up on Oprah’s book choice,” I said. “Any idea what his source might have been?”

Rachel reopened the notebook. “The most recent reference I could find is a nineteen eighty-three New York edition: The Old Testament Pseudepigrapha: Enoch, edited by a guy called Isaac, appropriately enough,” she said. “There’s also an older translation from Oxford, published in nineteen thirteen by R. H. Charles.”

I noted the names. “Maybe Morphy or Woolrich can check with the University of New Orleans, see if anyone local has been expressing an interest in the obscure end of biblical studies. Woolrich might be able to extend the search to the other universities. It’s a start.”

We paid the bill and left. Angel and Louis headed off toward the lower Quarter to check out the gay night life while Rachel and I walked back to the Flaisance. We didn’t speak for a time, both of us conscious that we were on the verge of some intimacy.

“I get the feeling that I shouldn’t ask what those two currently do for a living,” said Rachel, as we paused at a crossing.

“Probably not. It’s best to view them as independent operators and leave it at that.”

She smiled. “They seem to have a certain loyalty to you. It’s unusual. I’m not sure that I understand it.”

“I’ve done things for them in the past, but if there ever was a debt, it was paid a long time ago. I owe them a lot.”

“But they’re still here. They still help when they’re asked.”

“I don’t think that’s entirely because of me. They do what they do because they like it. It appeals to their sense of adventure, of danger. In their own separate ways, they’re both dangerous men. I think that’s why they came: they sensed danger and they wanted to be part of it.”

“Maybe they see something of that in you.”

“I don’t know. Maybe they do.”

We walked through the courtyard of the Flaisance, stopping only to pat the dogs. Her room was three doors down from mine. Between our rooms were the room shared by Angel and Louis and one unoccupied single room. She opened the door and stood at the threshold. From inside, I could feel the coolness of the air-conditioning and could hear it pumping at full power.

“I’m still not sure why you’re here,” I said. My throat felt dry and part of me was not certain that it wanted to hear an answer.

“I’m still not sure either,” she said. She stood on her toes and kissed me gently, softly on the lips, and then she was gone.

I went to my room, took a book of Sir Walter Ralegh’s writings from my bag, and headed back out to the Napoleon House, where I took a seat by the portrait of the Little Corporal. I didn’t want to lie on my bed, conscious of the presence of Rachel Wolfe so near to me. I was excited and troubled by her kiss, and by the thought of what might follow.

Almost until the very end, Susan and I had enjoyed an incredible intimacy together. When my drinking truly began to take its toll on us, that intimacy had disintegrated. When we made love it was no longer totally giving. Instead, we seemed to circle each other warily in our lovemaking, always holding something back, always expecting trouble to rear its head and cause us to spring back into the security of our own selves.

But I had loved her. I had loved her until the end and I still loved her now. When the Traveling Man had taken her he had severed the physical and emotional ties between us, but I could still feel the remains of those ties, raw and pulsing at the very extremity of my senses.

Maybe this is common to all those who lose someone whom they have loved deeply. Making contact with another potential partner, another lover, becomes an act of reconstruction, a building not only of a relationship but also of oneself.

But I felt myself haunted by my wife and child. I felt them, not only as an emptiness or a loss, but as an actual presence in my life. I seemed to catch glimpses of them at the edges of my existence, as I drifted from consciousness to sleep, from sleep to waking. Sometimes, I tried to convince myself that they were simply phantoms of my guilt, creations born of some psychological imbalance.

Yet I had heard Susan speak through Tante Marie, and once, like a memory from a delirium, I had awakened in the darkness to feel her hand on my face and I had caught a trace of her scent beside me in the bed. More than that, I saw traces of Susan and Jennifer in every young wife, in each female child. In a young woman’s laughter, I heard the voice of my wife. In the footsteps of a little girl, I heard the echo of my daughter’s shoes.

I felt something for Rachel Wolfe, a mixture of attraction and gratitude and desire. I wanted to be with her but only, I thought, when my wife and child were at peace.

36

DAVID FONTENOT died that night. His car, a vintage Jensen Interceptor, was found on 190, the road that skirts Honey Island and leads down to the shores of the Pearl. The front tires of the car were flat and the doors were hanging open. The windshield had been shattered and the interior was peppered with 9 millimeter holes.

The two St. Tammany cops followed a trail of broken branches and flattened scrub to an old trapper’s shack made of bits of salvaged wood, its tin roof almost obscured by overhanging Spanish moss. It overlooked a bayou lined with gum trees, its waters thick with lime green duckweed and ringing with the sound of mallards and wood ducks.

The shack had been abandoned for a long time. Few people now trapped in Honey Island. Most had moved farther out into the bayous, hunting beaver, deer, and in some cases, alligators.

There were noises coming from the shack as the party approached, sounds of scuffling and thudding and heavy snorting drifting through the open door.

“Hog,” said one of the deputies.

Beside him, the local bank official who had called them in flicked the safety on his Ruger rifle.

“Shit, that won’t do no good against no hog,” said the second deputy. The local, a thick-set, balding man in a Tulane Green Wave T-shirt and an almost unused hunting jacket, reddened. He was carrying a 77V with a telescopic sight, what they used to call in Maine a “varmint rifle.” It was good for small game and some police forces even used it as a sniper rifle, but it wouldn’t stop a feral hog first time unless the shot was perfect.

They were only a few feet away from the shack when the hog sensed them. It erupted from the open door, its tiny, vicious eyes wild and blood dripping from its snout. The man with the Ruger dived into the bayou waters to avoid it as it came at him. The hog spun, cornered at the water’s edge by the party of armed men, then lowered its head and charged again.

There was an explosion in the bayou, then a second, and the hog went down. Most of the top of its head was gone and it twitched briefly on the ground, pawing at the dirt, until eventually it ceased to move. The deputy blew smoke theatrically from the long barrel of a Colt Anaconda, ejected the spent.44 Magnum cartridges with the ejector rod, then reloaded.

“Jesus,” said the voice of his partner. He was standing in the open doorway of the shack, his gun by his side. “Hog sure got at him, but it’s Dave Fontenot all right.”

The hog had ruined most of Fontenot’s face and part of his right arm was gnawed away, but even the damage caused by the hog couldn’t disguise the fact that someone had forced David Fontenot from his car, hunted him through the trees, and then cornered him in the shack, where he was shot in the groin, the knees, the elbows, and the head.

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