John Connolly - Every Dead Thing

Здесь есть возможность читать онлайн «John Connolly - Every Dead Thing» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Триллер, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Every Dead Thing: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Every Dead Thing»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

Every Dead Thing — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Every Dead Thing», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

I nodded.

“It’s the same guy? The same guy who did Tee Jean and the old woman?”

“He called me yesterday. It’s him.”

“He say anything?”

“The feds have it on tape. He says he’s going to do more.”

Morphy rubbed the back of his neck with his hand and squeezed his eyes shut tightly. I knew he was seeing Tante Marie in his head again.

“You going to stay here?”

“For a while, yes.”

“Could be the feds ain’t gonna like it.”

I smiled. “I know.”

Morphy smiled back. He reached beneath his seat and handed me a long brown envelope. “I’ll be in touch,” he said. I slipped the envelope under my jacket and stepped from the car. He gave a small wave as he drove away through the midday crowd.

I opened the envelope in my hotel room. Inside were a set of crime scene pictures and photocopied extracts of the police reports, all stapled together. Stapled separately was a copy of the coroner’s report. One section had been emphasized with a luminous yellow felt tip.

The coroner had found traces of ketamine hydrochloride in the bodies of Tante Marie and Tee Jean, equivalent to a dosage of one milligram per two pounds of weight. According to the report, ketamine was an unusual drug, a special type of anesthetic used for some minor surgical procedures. No one was too clear on its precise mode of action apart from the fact that it was a PCP analogue and worked on sites in the brain, affecting the central nervous system.

It was becoming the drug of choice in the clubs of New York and L.A. while I was still on the force, usually in capsules or tabs made by heating the liquid anesthetic to evaporate the water, leaving ketamine crystals. Users described a ketamine trip as “swimming in the K pool” since it distorted the perception of the body, creating a feeling that the user was floating in a soft yet supportive medium. Other side effects included hallucinations, distortions in the perception of space and time, and out-of-body experiences.

What the coroner did note was that ketamine could be used as a chemical restrainer on animals, since it induced paralysis and dulled pain while allowing the normal pharyngeal-laryngeal reflexes to continue. It was for this purpose, he surmised, that the killer had injected both Tante Marie and Tee Jean Aguillard with the drug.

When they were flayed and anatomized, the report concluded, Tante Marie and her son had been fully conscious.

34

WHEN I HAD FINISHED reading the coroner’s report, I put on my sweats and running shoes and did about four miles on Riverfront Park, back and forth past the crowds lining up to take a trip on the Natchez paddle steamer, the sound of its wheezing calliope sending tunes like messengers across the Mississippi. I was thick with sweat when I was done, and my knees ached. Even three years ago, four miles wouldn’t have troubled me to such a degree. I was getting old. Soon, I’d be looking at wheelchairs and feeling impending rain in my joints.

Back at the Flaisance, Rachel Wolfe had left a message to say that she would be flying in later that evening. The flight number and the arrival time were listed at the bottom of the message slip. I thought about Joe Bones and decided then that Rachel Wolfe might like some company on the flight down to New Orleans.

I called Angel and Louis.

The Aguillard family collected the bodies of Tante Marie, Tee Jean, and Florence later that day. A firm of Lafayette undertakers placed Tante Marie’s coffin into a wide-back hearse. Tee Jean and Florence lay side by side in a second.

The Aguillards, led by the eldest son, Raymond, and accompanied by a small group of family friends, followed the hearses in a trio of pickup trucks, dark-skinned men and women seated on pieces of sackcloth amid machine parts and farm tools. I stayed behind them as they slipped from the highway and made their way down the rutted track, past Tante Marie’s, where the police tape fluttered lightly in the breeze, and on to the house of Raymond Aguillard.

He was a tall, large-boned man in his late forties or early fifties, running to fat now but still an imposing figure. He wore a dark cotton suit, a white shirt, and a slim black tie. His eyes were red rimmed from crying. I had seen him briefly at Tante Marie’s the night the bodies were found, a strong man trying to hold his family together in the face of violent loss.

He spotted me as the coffins were unloaded and carried toward the house, a small group of men struggling with Tante Marie. I stood out, since I was the only white face in the crowd. A woman, probably one of Tante Marie’s daughters, shot me a cold look as she passed by, a pair of older women at each shoulder. When the bodies had been carried into the house, a raised, slatted-wood building not unlike the home of Tante Marie herself, Raymond kissed a small cross around his neck and walked slowly toward me.

“I know who you are,” he said, as I extended my hand. He paused for a moment before taking it in a short, firm grip.

“I’m sorry,” I said, “sorry about it all.”

He nodded. “I know that.” He walked on, past the white fence at the boundary of the house, and stood by the side of the road, staring out at the empty stretch of track. A pair of mallards flew overhead, their wing beats slowing as they approached the water below. Raymond watched them with a kind of envy, the envy that a man deeply grieving feels for anything untouched by his sorrow.

“Some of my sisters, they think maybe you brought this man with you. They think you got no right to be here.”

“Is that what you think?”

He didn’t answer. Then: “She felt him comin’. Maybe that’s why she sent Florence to the party, to get her away from him. And that’s why she sent for you: she felt him comin’ and I think she knowed who he was. Deep down, I think she knowed.” His voice sounded thick in his throat.

He fingered the cross gently, rubbing his thumb back and forth along its length. I could see that it had originally been ornately carved-it was still possible to discern some details of spirals at its edges-but for the most part it had been rubbed smooth by the action of this man’s hand over many years.

“I don’t blame you for what happened to my momma and my brother and sister. My momma, she always done what she believed was right. She wanted to find that girl and to stop the man that killed her. And that Tee Jean…” He smiled sadly. “The policeman said that he’d been hit three, maybe four times from behind, and there were still bruises on his knuckles where he tried to fight this man.”

Raymond coughed and then breathed deeply through his mouth, his head tipped back slightly like a man who has run a great distance in pain.

“He took your woman, your child?” he said. It was as much a statement as a question, but I answered it anyway.

“Yes, he took them. Like you said, Tante Marie believed that he took another girl too.”

He dug the thumb and forefinger of his right hand into the corners of his eyes and blinked out a tear.

“I know. I seen her.”

The world around me seemed to grow silent as I shut out the noise of the birds, the wind in the trees, the distant sound of water splashing on the banks. All I wanted to hear was Raymond Aguillard’s voice.

“You saw the girl?”

“That’s what I said. Down by a slough in Honey Island, three nights ago. Night before my momma died. Seen her other times too. My sister’s husband, he got hisself some traps down there.” He shrugged. Honey Island was a nature reserve. “You a superstitious man, Mista Parker?”

“I’m getting there,” I replied. “You think that’s where she is, down in Honey Island?”

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Every Dead Thing»

Представляем Вашему вниманию похожие книги на «Every Dead Thing» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Every Dead Thing»

Обсуждение, отзывы о книге «Every Dead Thing» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x