John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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Visuals are the visible marks left on surfaces by a dirty or bloody hand, latents the invisible marks left by natural secretions of the skin. Visuals can be photographed or lifted using adhesive tape, but latents need to be dusted, typically with a chemical reagent like iodine vapor or ninhydrin solution. Electrostatic and fluorescence techniques are also useful, and in the search for latents on human skin, specialized X-ray photography can be used.

But if what Angel had said was correct, Remarr was too much of a professional to risk a job without gloves and then to leave not merely a latent, but a visual. He must have been wearing gloves, but something had gone wrong.

“You working it through in your head, Bird?” smirked Angel.

“Go on, Sherlock, baffle us with your brilliance,” I responded.

His smirk widened to a grin, and he continued. “It’s possible to get a fingerprint from inside a glove, assuming you have the glove. Rubber or plastic gloves are best for obtaining prints: your hands get sweaty under them.

“But what most people don’t know is that the exterior surface of a glove can act like a fingerprint as well. Say it’s a leather glove, then you got wrinkles, you got holes, you got scars, you got tears, and no two leather gloves are gonna be the same. Now, in the case of this guy Remarr, what we have is a print and no gloves. Unless Remarr can’t tie his shoelaces without falling over, we know that he was probably wearing gloves, but he still manages to leave a print. It’s a mystery.” He made a small, exploding gesture with his hands, like a magician making a rabbit disappear in a puff of smoke, then his face became serious.

“My guess is that Remarr was wearing only a single pair of gloves, probably latex. He imagined this was going to be an easy job: either he was gonna off the old lady and her son, or he was gonna put the frighteners on her, maybe leave a calling card in the house. Since the son, from what I hear, wasn’t the kind of guy to let anyone frighten his momma, I’d say Remarr went in there thinking that he might have to kill someone.

“But when he arrives, they’re either dead or they’re in the process of being killed. Again, my guess is they were already dead: if Remarr stumbled in on the killer, Remarr would be dead as well.

“So Remarr is going in, his one pair of gloves on, and maybe he spots the kid and it throws him. He probably starts to sweat. He goes into the house and finds the old lady. Bam! Second shock, but he goes to take a closer look, steadying himself as he leans over her. He touches blood and maybe considers wiping it away, but he figures wiping it away will only attract more attention to it and, anyway, he’s got his gloves.

“But the problem with latex gloves is that one pair isn’t enough. You wear them for too long and your prints start coming through. You get thrown, you start to sweat, the prints are gonna come through faster. Could be Remarr has been eating before he came out, maybe some fruit or some kind of pasta with vinegar. That causes extra moisture on the skin, so now Remarr is in real trouble. He’s left a print he doesn’t even know about, and now the cops, the feds, and difficult people like our good selves want to ask him about it. Ta-da!” He gave a small bow from the waist. Rachel gave him a round of applause. Louis just raised an eyebrow in resignation.

“Fascinating,” said Rachel. “You must read a lot of books.” Her tone was heavily ironic.

“He does, then Barnes and Noble gonna be grateful that their stolen stock being put to good use,” remarked Louis.

Angel ignored him. “Maybe I dabbled in these things, in my younger days.”

“Did you learn anything else, in your ‘younger’ days?” Rachel smiled.

“ Lot of things, some of them hard lessons,” said Angel with feeling. “Best thing I ever learned: don’t hold on to nothin’. If you don’t have it, can’t nobody prove you took it.

“And I have been tempted. There was this figure of a knight on a horse once. French, seventeenth century. Gold inlaid with diamonds and rubies. About this tall.” He held the palm of his hand flat about six inches above the table. “It was the most beautiful thing I ever saw.” His eyes lit up at the memory. He looked like a child.

He sat back in his chair. “But I let it go. In the end, you have to let things go. The things you regret are the things you hold on to.”

“So is nothing worth holding on to?” asked Rachel.

Angel looked at Louis for a while. “Some things are, yeah, but they ain’t made of gold.”

“That’s so romantic,” I said. Louis made choking noises as he tried to swallow his water.

Before us, the remains of our coffee lay cold in the cups. “Do you have anything to add?” I asked Rachel when Angel had finished playing to the gallery.

She glanced back through her notes. Her brow furrowed slightly. She held a glass of red wine in one hand and the light caught it, reflecting a streak of red across her breast like a wound.

“You said you had pictures, crime scene pictures?” she asked.

I nodded.

“Then I’d like to hold off until I’ve had a chance to see them. I have an idea based on what you told me over the phone, but I’d prefer to keep it to myself until I’ve seen the pictures and done a little more research. I do have one thing, though.” She took a second notebook from her bag and flicked through the pages to where a yellow Post-it note stuck out. “ ‘I lusted for her, but that has always been a weakness of my kind,’ ” she read. “ ‘Our sin was not pride, but lust for humanity.’ ”

She turned to me, but I already recognized the words. “They were the words this Traveling Man said to you when he called,” she said. I was aware of Angel and Louis moving forward in their chairs.

“It took a theologian in the archbishop’s residence to track down the reference. It’s pretty obscure, at least if you’re not a theologian.” She paused, then asked, “Why was the devil banished from heaven?”

“Pride,” said Angel. “I remember Sister Agnes telling us that.”

“It was pride,” said Louis. He glanced at Angel. “I remember Milton telling us that.”

“Anyway,” said Rachel pointedly, “you’re right, or partially right. From Augustine onward, the devil’s sin is pride. But before Augustine, there was a different viewpoint. Up until the fourth century, the Book of Enoch was considered to be part of the biblical canon. Its origins are a matter of dispute-it may have been written in Hebrew or Aramaic, or a combination of both-but it does seem to have provided a basis for some concepts that are still found in the Bible today. The Last Judgment may have been based on the Similitudes of Enoch. The fiery hell ruled by Satan also appears for the first time in Enoch.

“What is interesting for us is that Enoch takes a different view of the devil’s sin.” She turned a page of her notebook and began to read again.

“ ‘And it came to pass, when men began to multiply on the face of the earth, and daughters were born unto them, that the sons of God saw the daughters of men that they were fair; and they took them wives of all which they chose…’”

She looked up again. “Now that’s from Genesis, which derives from a similar source as Enoch. The ‘sons of God’ were the angels, who gave in to sexual lust against the will of God. The leader of the sinning angels, the devil, was cast into a dark hole in the desert and his accomplices were thrown into the fire for their punishment. Their offspring, ‘evil spirits upon the earth,’ went with them. The martyr Justin believed that the children of the union between angels and human women were responsible for all evil on the earth, including murder.

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