John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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“Mon,” said the hog killer, exhaling deeply. “When Lionel hears about this, there’s gonna be hell to pay.”

I learned most of what had taken place during a hurried telephone conversation with Morphy and a little more from WDSU, the local NBC affiliate. Afterward, Angel, Louis, and I breakfasted at Mother’s on Poydras Street. Rachel had barely worked up the energy to answer the phone when we called her room, and had decided to sleep on and eat later in the morning.

Louis, dressed in an ivory-colored linen suit and a white T-shirt, shared my bacon and homemade biscuits, washed down with strong coffee. Angel opted for ham, eggs, and grits.

“Old folks eat grits, Angel,” said Louis. “Old folks and the insane.”

Angel wiped a white grit trail from his chin and gave Louis the finger.

“He’s not so eloquent first thing in the morning,” said Louis. “Rest of the day, he don’t have no excuse.”

Angel gave Louis the finger again, scraped the last of the grits from the bowl, and pushed it away.

“So, you figure Joe Bones took a preemptive strike against the Fontenots?” he said.

“Looks that way,” I replied. “Morphy figures he used Remarr to do the job-pulled him out of hiding, then squirreled him away again. He wouldn’t entrust a job like that to anyone else. But I don’t understand what David Fontenot was doing out by Honey Island without any backup. He must have known that Joe Bones would take a crack at him if the opportunity arose.”

“Could be one of his own people set him up, hauled him out there on some dead-end pretext, and let Joe Bones know he was coming?” said Angel.

It sounded plausible. If someone had drawn Fontenot out to Honey Island, then it must have been someone he trusted enough to make the trip. More to the point, that someone must have been offering something that Fontenot wanted, something to make him risk the drive to the reserve late at night.

I said nothing to Angel or Louis, but I was troubled that both Raymond Aguillard and David Fontenot had, in their own different ways, drawn my attention to Honey Island in a period of less than one day. I thought that, after I had spoken to Joe Bones, I might have to disturb Lionel Fontenot in his time of grief.

My cell phone rang. It was the desk clerk from the Flaisance, informing us that a delivery addressed to a Mr. Louis had arrived and a courier was waiting for us to sign. We took a taxi back to the hotel. Outside, a black transit van was parked with two wheels on the curb.

“Courier,” said Louis, but there were no markings on the van, nothing to identify it as a commercial vehicle.

In the lobby, the desk clerk sat nervously watching a huge black man who was squeezed into an easy chair. He was shaven-headed and wearing a black T-shirt with Klan Killer written in jagged white writing across the chest. His black combat trousers were tucked into nine-hole army boots. At his feet lay a long steel container, locked and bolted.

“Brother Louis,” he said, rising. Louis took out his wallet and handed over three hundred-dollar bills. The man tucked the money into the thigh pocket of his combats, removed a pair of Ray-Ban sunglasses from the same pocket, and put them on before strolling out into the sunlight.

Louis motioned to the container. “If you gentlemen would like to take that up to the room,” he said. Angel and I took an end each and followed him up to the suite. The case was heavy and something inside rattled as we walked.

“Those UPS couriers are sure getting bigger,” I said, as I waited for him to open the door.

“It’s a specialized service,” said Louis. “There are some things the airlines just wouldn’t understand.”

When he had closed and locked the door behind us, he took a set of keys from the pocket of his suit and opened the case. It was separated into three layers, which opened up like those in a tool kit. On the first layer were the constituent parts of a Mauser SP66, a three-round heavy-barreled sniper rifle with a combined muzzle brake and flash hider. The parts were packed in a removable case. Beside it, a SIG P226 pistol and a shoulder holster lay in a fitted compartment.

In the second compartment sat two Calico M-960A minisubs, made in the good old U.S. of A., each handheld sub fitted with a short barrel that extended less than an inch and a half beyond the fore end. With the stock retracted, each gun measured a little over two feet in length and, empty, weighed just under five pounds. They were exceptionally lethal little guns, with a rate of fire of seven hundred and fifty rounds per minute. The third compartment contained an array of ammunition, including four one-hundred-round magazines of 9 millimeter Parabellum for the subs.

“Christmas present?” I asked.

“Yup,” said Louis, loading a fifteen-round magazine into the butt of the SIG. “I’m hoping to get a rail gun for my birthday.”

He handed Angel the case containing the Mauser, slipped on the holster, and inserted the SIG. He then relocked the case and went into the bathroom. As we watched, he removed the paneling from beneath the sink with a screwdriver and shoved the case into the gap before replacing the panel. When he was satisfied that it was back in place, we left.

“You think Joe Bones will be pleased to see a bunch of strangers show up on his doorstep?” asked Angel, as we walked to my rental.

“We ain’t strangers,” said Louis. “We’re just friends he ain’t met yet.”

Joe Bones owned three properties in Louisiana, including a weekend house at Cypremort Point, where his presence must have made the more respectable weekenders, with their expensive holiday houses bearing jokey names like Eaux-Asis and End of the Trail, distinctly uneasy.

His city residence lay across from Audubon Park, almost opposite the bus stop for the shuttle bus that took tourists to the New Orleans Zoo. I had taken a trip on the St. Charles streetcar to inspect the house, a brilliantly white confection adorned with black wrought iron balconies and a cupola topped with a gold weather vane. Finding Joe Bones inside a place like that was like finding a cockroach in a wedding cake. In the carefully maintained garden, a flower I couldn’t identify bloomed lushly. Its scent was sickly and heavy, its flower so large and red that it seemed more rotten than blooming, as if the flowers themselves might suddenly burst and send thick fluid down the branches of the plant, poisoning the aphids.

Joe Bones had deserted the house for the summer in favor of a restored plantation house out in West Feliciana Parish, over one hundred miles north of New Orleans. As impending hostilities with the Fontenots grew more and more likely, the decision to remain in West Feliciana allowed him to defend the country house with more force than he could in the city.

It was a white, eight-columned mansion set on about forty acres, bordered at two sides by an expanse of river flowing south toward the Mississippi. Four large windows looked out on a wide gallery, and the house was topped by two dormer windows set into its roof. An avenue of oaks led from a black iron gate through grounds set with camellias and azaleas until the trees stopped before a wide expanse of lawn. On the lawn, a small group of people stood around a barbecue or lounged on iron lawn furniture.

I spotted three security cameras within ten feet of the gate when we drew up, side-on. We had dropped Angel about half a mile back after cruising by the house once, and I knew he was already making for the stand of cypress that stood opposite the gate. In the event of anything going down with Joe Bones, I decided that I had a better chance of dealing with it with Louis rather than Angel by my side.

A fourth camera overlooked the gate itself. There was no intercom and the gate remained resolutely closed, even when Louis and I leaned against the car and waved.

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