Ian Rankin - Beggars Banquet

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Over the years, Ian Rankin has amassed an incredible portfolio of short stories. Published in crime magazines, composed for events, broadcast on radio, they all share the best qualities of his phenomenally popular Rebus novels. 10 years ago, A GOOD HANGING Ian's first short story collection demonstrated this talent and now after nearly a decade at the top of popular fiction, Ian is releasing a follow up. Ranging from the macabre ('The Hanged Man') to the unfortunate ('The Only True Comedian') right back to the sinister ('Someone Got To Eddie') they all bear the hallmark of great crime writing. Of even more interest to his many fans, Ian includes seven Inspector Rebus stories in this new collection…

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‘Any joy?’

‘Maybe,’ Rebus admitted. ‘These two people keep cropping up.’ He spread five photographs out in front of him. In two, a middle-aged woman was caught in the background, staring out over the wall she was leaning on. Leaning on, or hiding behind? In another two, a man in his late twenties or early thirties stood in similar pose, but with a more upright stance. In one photo, they could both be seen half turning with smiles on their faces towards the camera.

‘No.’ Tony Bell was shaking his head. ‘They might look like wanted criminals, but they’re in our party. I think Mrs Eglinton was sitting in the back row near the door, beside her husband. You probably didn’t see her. But Shaw Berkely was in the second row, over to one side. I’m surprised you didn’t see him. Actually, I take that back. He has this gift of being innocuous. Never asks questions or complains. Mind you, I think he’s seen most of this before.’

‘Oh?’ Rebus was gathering the photos together.

‘He told me he’d been to Britain before on holiday.’

‘And there’s nothing between him and-?’ Rebus was pointing to the photograph of the man and woman together.

‘Him and Mrs Eglinton?’ Bell seemed genuinely amused. ‘I don’t know – maybe. She certainly mothers him a bit.’

Rebus was still studying the print. ‘Is he the youngest person on the tour?’

‘By about ten years. Sad story really. His mother died, and after the funeral he said he just had to get away. Went into the travel agent’s and we were offering a reduction for late bookings.’

‘His father’s dead too, then?’

‘That’s right. I got his life story one night late in the bar. On a tour, I get everyone’s story sooner or later.’

Rebus flipped through the sheaf of photos a final time. Nothing new presented itself to him. ‘And you were at the castle between about half past eleven and quarter to one?’

‘Just as I told you.’

‘Oh well.’ Rebus sighed. ‘I don’t think-’

‘Inspector?’ It was the receptionist, her head peering around the door. ‘There’s a call for you.’

It was Superintendent Watson. He was concise, factual. ‘Withdrew five hundred pounds from each of four accounts, all on the same day, and in plenty of time for the rendezvous at the Café Royal.’

‘So presumably he paid up.’

‘But did he get the letters back?’

‘Mmm. Has Lady Scott had a look for them?’

‘Yes, we’ve been through the study – not thoroughly, there’s too much stuff in there for that. But we’ve had a look.’ That ‘we’ sounded comfortable, sounded as though Watson had already got his feet under the table. ‘So what now, John?’

‘I’m coming over, if you’ve no objection, sir. With respect, I’d like a look at Sir Walter’s office for myself…’

He went in search of Tony Bell, just so he could say thanks and goodbye. But he wasn’t in the musty conference room, and he wasn’t in the dining-room. He was in the bar, standing with one foot on the bar rail as he shared a joke with the woman he had called Mrs Eglinton. Rebus did not interrupt, but he did wink at the phone-bound receptionist as he passed her, then pushed his way out of the Castellain Hotel’s double doors just as the wheezing of a bus’s air brakes signalled the arrival of yet more human cargo.

There was no overhead lighting in Sir Walter Scott’s study, but there were numerous floor lamps, desk lamps, and angle-poises. Rebus switched on as many as worked. Most were antiquated, with wiring to match, but there was one newish anglepoise attached to the bookcase, pointing inwards towards the collection of Scott’s writings. There was a comfortable chair beside this lamp, and an ashtray on the floor between chair and bookcase.

When Watson put his head around the door, Rebus was seated in this chair, elbows resting on his knees, and chin resting between the cupped palms of both hands.

‘Margaret – that is, Lady Scott – she wondered if you wanted anything.’

‘I want those letters.’

‘I think she meant something feasible – like tea or coffee.’

Rebus shook his head. ‘Maybe later, sir.’

Watson nodded, made to retreat, then thought of something. ‘They got him down in the end. Had to use a winch. Not very dignified, but what can you do? I just hope the papers don’t print any pictures.’

‘Why don’t you have a word with the editors, just to be on the safe side?’

‘I might just do that, John.’ Watson nodded. ‘Yes, I might just do that.’

Alone again, Rebus rose from his chair and opened the glass doors of the bookcase. The position of chair, ashtray and lamp was interesting. It was as though Sir Walter had been reading volumes from these shelves, from his namesake’s collected works. Rebus ran a finger over the spines. A few he had heard of; the vast majority he had not. One was titled Castle Dangerous. He smiled grimly at that. Dangerous, all right; or in Sir Walter’s case, quite lethal. He angled the light farther into the bookcase. The dust on a row of books had been disturbed. Rebus pushed with one finger against the spine of a volume, and the book slid a good two inches back until it rested against the solid wall behind the bookcase. Two uniform inches of space for the whole of this row. Rebus reached a hand down behind the row of books and ran it along the shelf. He met resistance, and drew the hand out again, now clutching a sheaf of papers. Sir Walter had probably thought it as good a hiding place as any – a poor testament to Scott the novelist’s powers of attraction. Rebus sat down in the chair again, brought the anglepoise closer, and began to sift through what he’d found.

There were, indeed, twelve letters, ornately fountainpenned promises of love with honour, of passion until doomsday. As with all such youthful nonsense, there was a lot of poetry and classical imagery. Rebus imagined it was standard private boys’ school stuff, even today. But these letters had been written half a century ago, sent from one schoolboy to another a year younger than himself. The younger boy was Sir Walter, and from the correspondence it was clear that Sir Walter’s feelings for the writer had been every bit as inflamed as those of the writer himself.

Ah, the writer. Rebus tried to remember if he was still an MP. He had the feeling he had either lost his seat, or else had retired. Maybe he was still on the go; Rebus paid little attention to politics. His attitude had always been: don’t vote, it only encourages them. So, here was the presumed scandal. Hardly a scandal, but just about enough to cause embarrassment. At worst a humiliation. But then Rebus was beginning to suspect that humiliation, not financial profit, was the price exacted here.

And not even necessarily public humiliation, merely the private knowledge that someone knew of these letters, that someone had possessed them. Then the final taunt, the taunt Sir Walter could not resist: come to the Scott Monument, look across to the castle, and you will see who has been tormenting you these past weeks. You will know.

But now that same taunt was working on Rebus. He knew so much, yet in effect he knew nothing at all. He now possessed the ‘what’, but not the ‘who’. And what should he do with the old love letters? Lady Scott had said she wasn’t sure she wanted to find them. He could take them away with him – destroy them. Or he could hand them over to her, tell her what they were. It would be up to her either to destroy them unread or to discover this silly secret. He could always say: It’s all right, it’s nothing really… Mind you, some of the sentences were ambiguous enough to disturb, weren’t they? Rebus read again. ‘When you scored 50 n.o. and afterwards we showered…’ ‘When you stroke me like that…’ ‘After rugger practice…’

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